Category: Landscape

Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

A morning with Black & White Film – Vlog & Photos

On this morning I loaded up my Mamiya 1000s 645 medium format camera with a roll of Fuji Acros 100 Black and White film. Now sadly discontinued, this is a beautiful fine grain film that I find perfect for landscapes.

I’ve posted a full video of the morning on my facebook page, please be sure to watch, comment, like and share.

Below are the photos from the video in detail for you to view. I developed the film myself at home using R09 Adinol which is a modern version of Rodinal. Using a semi stand development time of 18 minutes and 30 seconds. I then scanned the photos into my computer using an Epson V550, did some clean up of dust and final tweaking in photoshop and done.

This first photograph, I love the sidelight coming across the scene. It’s a simple rural view that could be anywhere.

Tracking through the hills captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

With this next one, I love the contrast between the tree and the sky. I’m going to have to invest in some orange and red filters I think, they would really make the blue in the sky pop out as well.

A lone tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I just love this photo of the sprayers. I had a vision when I saw this scene and it came out exactly as I hoped. Minimal depth of field, gives such a cool feeling to a simply but great scene.

Fresh crops being sprayed captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I cropped this next one to a panorama, the whole view just looked amazing to me, light breaking through in patches, cloud hugging the top of the range. Being medium format film, I can still print this huge with a good scan, some things Digital can’t fully compete with yet, for the same cost at least.

Stunning Panorama of the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I love love love this one, printing it now, wall hanger. Just waiting for the light to come across, checking my exposure every time it did change, the anticipation, and then nailing the shot, but you don’t know it until the film is developed, dried and scanned…wow, what a rush. Really nothing more to say about my thoughts on this one 🙂

An amazing view of a Peak in the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

Another one for the wall, again, it came out exactly how I hoped. Mind you, I thought I’d lose detail in the trees. Nope! The film captured the full dynamic range of the scene, blew my mind.

Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I always love a walk through Purga reserve, it’s such an interesting place and doesn’t take long to get through but you can spend hours here checking it all out.

The boardwalk at Purga Reserve captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

And the last shot of the morning, again, it came out exactly as I hoped, really minimal focus area, light making the fallen tree pop. Happy.

A fallen tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I’m so happy with the results from this morning. These photographs look amazing, I’ll be printing out a couple of these for my wall at home, if you’d like to purchase a copy for yourself, simply contact me and we’ll make it happen.

Again, thanks for watching and reading!

Murray

 

Share and Like!
A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film

Seascapes, Landscapes, Night Photography, The Wonder of Ektar 100 Film

Well another roll of Kodak Ektar 100 Film in 120 Medium format done and dusted. I was very much looking forward to seeing how the shots on this roll came out. I actually had quite a variety of shoots on this one, a few photos I bracketed, or forgot to lock the mirror up and retook and one I completely stuffed it up by setting the shutter speed wrong..and still managed a recoverable shot, blew my mind! With my Mamiya 645 Medium format camera I get 15 shots per roll and with this one I got 6 photos I absolutely love and a few others that came out nice as well. I think it’s my best hit rate to date on film.

Starting with an overnight stay up at Redcliffe Peninsula north of Brisbane for my wedding anniversary back in October, I took the opportunity for an early start to capture sunrise over the water. I was really looking for just simple compositions here, nothing fancy at all. My thoughts at the time was if I got a good one, I’ll have it printed and matted and send it to my Parents as a gift, they have very much an ocean theme through their house.

This first shot was captured well before sunrise, when the first colour of dawn was hitting the sky. I used a 2 stop Graduated ND filter to keep the brightness of the sky close to the water. Those colours were just amazing, but I could have exposed a little bit longer to get more detail into the rocks.

A stunning dawn over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm Lens, Kodak Ektar 100 Film 120 Format

Next I waited around until the sun actually rose. There was some great cloud around the horizon and it was filtering the sun, throwing out colour. Again I used the 2 stop hard grad ND filter, exposed for the water and just let the Ektar 100 film do it’s thing. It has an amazing ability to get so much detail into the highlights even if they are many many stops brighter. I really liked how this one came out, and those colours, wow! Pretty sure I’ll be sending this one to Mum & Dad for Christmas. I’ve added this photograph to my Landscapes Portfolio, it’s simple, but I really like it.

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm, Ektar 100

Next it was time to head back to the country. This time I was experimenting with time of day, a different lens here and there. This next photograph was over some corn almost ready to harvest near Kalbar in the Scenic Rim. I used the Mamiya 80mm lens at F4 (think I will try F2.8 next time) to focus only on the closest corn and let everything behind fade into blur. It kinda worked but not 100% the result I was aiming for, I think my biggest issue was I was too low, need to get higher and show the depth in there to give that blur a more noticeable effect. Still, the early morning side light was wonderful and I like how peaceful this photograph feels.

Beautiful morning light across a cornfield near Kalbar in the scenic rim of Queensland Australia captured on medium format Mamiya 645 camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 80mm, Ektar 100

This next one was the same morning but during dawn and I think is my favourite photo from this roll. I was really hoping for clouds, but now the film is developed and I see those colours, wow! Eye popping stuff. Kodak Ektar 100 is a very saturated film, and I’m finding the dawn light, before the sun gets up, has slightly lower contrast, but simply amazing colour results. Definitely need to shoot more at this time of day with this film. Again I used a 2 stop ND grad to control the brightness of the sky, this was around a 90 second exposure at f/16. I’ve added this to my Landscapes Portfolio. This location is Kents Lagoon north of Kalbar in the scenic rim of South East Queensland Australia. I’m standing on quite an old, single lane wooden bridge to get this photo, praying the locals all decided to sleep in so I wouldn’t have to run off the bridge with my gear, and then set it all up again! 🙂 Except for one fella plowing his field, I was car free for an hour thankfully.

Stunning dawn colours looking up Kents Lagoon near Kalbar in the scenic rim of Queensland Australia, captured using a Mamiya 645 medium format camera on Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, 45mm, Ektar 100

Finally I decided to try this film at night. The results were good, at least my metering was right and I didn’t stuff up the photos lol! That’s the hardest part, you have no idea of you got it right, so you check, double check, check again, think about taking the shot, wait for a car to move that just pulled up, start again in case the light changed. Honestly, I loved every minute of it, it’s so much fun, and you really REALLY slow down and think about every press of that shutter button. All of that happened with this first one, but finally everything was clear and the shot taken. This is a pub not far from home, right next to the highway at Haigslea. Very happy with how much latitude I captured between the dark shadows and the bright highlights. I think I need to revisit this one, maybe with some Portra 160 film which has a much more soft pastel pallet, and do it at sunset for some colour and go wider with the view.

The Sundown Saloon Haighslea west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

Finally I dropped into Marburg just up the road the same night. The post office there is very quaint and I quite liked the look of it at night. I had to shoot a fairly tight crop to avoid the parked vehicles from the pub goers. Again, I used the 80mm, around f/11 to keep some depth of field. Ended up being around a 80 second exposure. I just love the bail of hay out the front, really lets you know this ain’t no city post office!

The Post Office at Marburg west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

I’m going to get my hands on some Cinestill 800T film soon, that stuff looks just amazing for night city and architecture photographs, it blooms around light sources with a super interesting colour pallet.

I’ve got plenty of film in the fridge now to shoot. This roll was really about trying different things and gaining confidence with the equipment and the results. I’m extremely happy with how it all went, and I can quite confidently now go out and shoot on film and not be too concerned with the results as long as I remember to do all the steps. It’s a very manual process, and I absolutely love it. Looking forward to doing some more black and white film soon too.

Let me know in the comments below which is your favourite shot!

Thank you so much for reading and getting to this point, I really really appreciate it. Follow me on Facebook and Instagram to keep up to date, and visit again soon. I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Share and Like!

Film Landscapes & Slow Motion Lightning

Finally got around to getting a roll developed and I’m 3/4 of the way through shooting another roll. I’m starting to get the hang of shooting film. For my film of choice for landscapes, Kodak Ektar 100, I’ve found you really have to nail the exposure for your subject (usually the land) and then filter the sky to keep it to say within a stop in brightness. Film will handle a much brighter sky, but you then have to try and pull it all back in post production on the computer.

Getting it right in camera using filters etc really pays off with film and saves you a bunch of time on the computer at a later date, when you’ve forgotten what you even shot lol! I’m using a Mamiya 645 1000s medium format camera, my go to landscape lens for the wider scene is the Mamiya 45mm. Film is Kodak Ektar 100. I have a local lab develop for me (just normal develop) and then I scan the negatives at home using an Epson V550. From there it’s really just getting the colours right and some sharpening in Photoshop, as well as removing any dust and scratches, probably the worst part of film.

This first photograph has to be my favourite film photo to date. I also shot this on digital, and I’ve even done Astro photography here, but the way this has come out, the colour, the soft glowing light, yeah, really happy with this one.

An amazingly stunning sunrise of an old broken down farm truck as the landscape is bathed in colours from orange to pink to red at Mt Walker near Ipswich Queensland Australia. Photographed on Kodak Ektar 100 by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

I was pretty much treating this roll of film as a test case, I was bracketing most photos to see which exposure would work best (take good notes!) and photographing landscapes in various lighting conditions. On one recent storm chase I had some time so I broke out the film camera once again and captured this photograph. Those Ektar Reds are really popping in this one and the light that broke through the clouds really made this photograph work for me.

A storm cell approaches Purga just south of Ipswich Queensland Australia. Photographed on Kodak Ektar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

Finally, after another chase, I decided to see what I could do with a reverse sunset, that is looking east as the sun was setting west. This one didn’t quite work out for me, the main issue being if I kept colour on the landscape, none of it was up in the clouds yet, and if I waited for it to be in the clouds, it wasn’t on the landscape anymore. So this was more of a test/compromise shot, however I do know in this kind of light it would be much better to find an amazing subject I can get very close too and really highlight those colours on the landscape, wow golden hour smacks you in the face with this film!

A beautiful sunset as the last light of day falls across the hills. A river bends its way through reaching for the Brisbane River. Captured on Kodak Ektar 100 at Redbank near Ipswich Queensland Australia by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

So the plan is now to keep shooting more film and really start working on the composition and subjects. My confidence has increased a lot thanks to some major trial and error, time and of course, money, film costs every click.

Thank you very much for ready my blog this week. If you’d also like to check out a very short cool video I made yesterday with some slow motion lightning captures click below :

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Until next time, enjoy!

Murray

Share and Like!
A bolt smashes down out of a rapidly building cell over the Ripley Valley in Ipswich, Queensland, Australia captured by Australian Landscape, Storm and Weather photographer Murray Fox

Ripley Stormcell

It was a long chase this afternoon. Storms were coming in from the west above the range but it was hard to predict what direction they were going to go once they came off the range. I headed out to a friends place at Gatton to get a better look and it soon became obvious I was too close.

Jumping back in the car I backtracked almost all the way back home and ended up at Ripley. There was lots of scud dropping down and the storm started rotating quite quickly. Hiking up a hill to get a look over the Ripley Valley I came across this amazing sight. There was colour in the cloud from who knows where, greens were popping in the core. Bolts were dropping down as well and the rain was coming on fast.

I took 3 series of 10 shot bursts and managed to nail this one shot with a bolt, very happy and thankful. Then the heavens opened and I had to walk back to the car getting absolutely drenched, I was not game to use an umbrella due to how lightning active the weather was and I carried my tripod as low as possible to avoid becoming a statistic. Thankfully my camera is fully weather sealed, just wish I was too!

A bolt smashes down out of a rapidly building cell over the Ripley Valley in Ipswich, Queensland, Australia captured by Australian Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5 Mark II, 12-40mm Pro, ISO 100, 12mm, F/11, 0.8 sec

That was it for this chase, the rain absolutely bucketed down causing flash flooding throughout the area and built into once massive line that headed over most of Brisbane and the bay.

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details. All photographs are limited edition to a run of 30, once sold out I’ll never be selling or printing another one.

I’ve also added this to my Storm Portfolio, so be sure to check that out.

That’s all for this week, stay safe!

Murray

Share and Like!
Red and pink skies of sunset at Redbank near Ipswich Queensland Australia as a massive lightning bolt strikes down from a storm cell. Simply stunning landscape, storm and weather photography from Murray Fox

Sunset Lightning – Bolt of the year so far

Storm season is really kicking in here in Queensland Australia. The last week has brought wide spread storms to the region, some becoming very nasty super cells with tornados of all things. It’s the first time in my memory I’ve seen the Bureau of Meteorology (BOM) issue a tornado warning, with several dropping a few hours north of Brisbane and causing widespread damage.

Thursday saw a good chance for something around home, as I work full time I took all my gear with me on the off chance I’d have an opportunity to get something. Driving home I started to see cloud to ground lightning bolts (CGs) dropping to the west, but pretty close. I headed for the Brisbane River near Goodna as there is a great spot there with good views. Arriving I quickly worked out I needed a better view west so I moved a few k’s up the road to another higher spot.

As I pulled up I started to see the most amazing colour come across the scene. The sun was setting and throwing out amazing shades of red and pinks, with the actual storm cell being illuminated. I’m pretty sure I set a new record in getting setup and shooting. Camera on tripod, turn it on, into manual mode, aperture to f/6.3, ISO to 100, and shutter speed to live composite. I was getting a well exposed photo with 1.6 second updates. Start shooting. I normally run live composite for 20-60 seconds depending on cloud speed as they can start to look weird if they move too much. Second frame there was a massive flash in front of me, and this amazing bolt appeared on my screen.

Red and pink skies of sunset at Redbank near Ipswich Queensland Australia as a massive lightning bolt strikes down from a storm cell. Simply stunning landscape, storm and weather photography from Murray Fox
Olympus OMD Em5 Mark II, 12-40mm Pro Lens, ISO 100, F/6.3, Live Composite 1.6sec updates

We’ll jump for joy and high fiving myself, I quickly went live on my facebook page to show the scene and what was happening. As luck would have it, the colour soon faded and no more bolts dropped, I got “the” shot and my best bolt this year by far.

This ended up going a little viral on Facebook and ended up on Sky News Weather Channel, ABC News and Sunrise on Channel 7 the next morning, it’s great when others appreciate your work.

I’ve also sold a few prints on canvas of this shot now, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

I’ve also added this to my Lightning Portfolio, so be sure to check that out.

With more storms due this coming weekend, hopefully I can get a few more shots in the back, it’s always exciting but extreme care must be taken, quite a few people were injured in the last round.

That’s all for this week, stay safe!

Murray

Share and Like!
3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox

Welcome Rain & Storms 6th October 2018

With weather finally closing in on the South East of Queensland Australia I had a chance to get out and see what storm activity I could capture. It was very messy from the start. Some systems were pushing in off the range to the west, but others were forming ahead of it.

I started by heading south of Ipswich towards the Kalbar area. There was a nice rain core showing on radar that looked promising. The issue I had was a microburst of rain appeared over the exact area I needed to be in so I could shoot the cell. Not good. Going off the main roads I made my way along a few backroads. As always, if I see something I shoot it, regardless of if it’s good or not. I could see the cool structure in the sky but I needed a foreground. Some locals were taking cover under a tree (dubious in my opinion, but I’m not a cow) and this was to be my first photograph of the day.

A storm approaches over the farmlands near Kalbar Queensland Australia as local cows take cover under a tree by Australian Landscape, Weather and Storm Photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Lens, ISO 200, 30mm, F/4, 1/500sec, handheld

Now the rain was coming fast and I was out of options. I noticed another cell on the radar was pushing off the range and had a chance of meeting up with this one further north. So time to run back the way I had come. I stopped at a spot I know that has great views to the west to try and get a better sense of what was happening. You can see just how arid and dry the ground is, any rain to fall is certainly more than welcome! In this shot I’m looking west towards Mt Walker and the system I had just moved north of is coming in from the left. It’s not clear now, but the main action is actually taking place on the other side of Mt Walker!

The dry country side south of Ipswich Queensland Australia awaits the impending rain storm coming across the landscape in Queensland Australia. Photograph by Australian Landscape, Weather and Storm Photographer Murray Fox
ISO 200, 18mm, F/4, 1/4000sec

After watching for a little while near Purga, right on the edge of Ipswich, I noticed a very defined wall cloud was forming further west of my location. Time to run! In the car and a drive through the backroads later I came across an active core that was looking great! Lightning bolts were dropping out of the main part of the system, bucketloads of rain was falling for a decent sized core. A bit tricky to shoot as it was also raining right on top of me, thankfully the wind was at my back keeping the water off the front of my lens. I couldn’t use filters to get a longer exposure because of the rain so I resorted to the tried and true technique of Spray and Pray. By counting between bolts I worked out an interval of around 15 seconds was good. So when I saw a bolt, I started counting, and when I got to 13, I would hold the shutter down and take a burst of photographs until my buffer filled up. I missed a few, but I also got a few. This photograph is my favourite from the lot. All 3 bolts captured in the single photograph.

3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 100, 12mm, F/11, 1/5 second low speed burst mode.

By this time the system was getting too close. Everything to the north of me is up in the hills. I thought the view might be okay, but was also concerned about being high when there is lightning around. I decided to go have a look, satisfied with what I had captured so far. By the time I got to my view point, the lightning had stopped, the system had spread a lot further and wider and turned into just really good rain. I’m never going to complain about that and I managed to capture the last of the structure as it approached the hills north of Rosewood.

A storm front approaches the hills around Rosewood in Queensland Australia as captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 320, 17mm, F/5.6, 1/80 sec, handheld

And that was it, time to call it a day, head home and start looking at my photographs on the PC.

It was a good but challenging chase, quite messy so tricky to work out the best location to shoot from. That’s mother nature for you, rarely predictable, always beautiful 🙂 To the locals out there reading this, I hope you got a drop, as we all certainly need it.

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

Share and Like!
An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.

Little Brown House – Amazing Light After Storms

I had no luck chasing storms this weekend. They all developed further north of my location, too far away for me to get to in time as they formed quickly and moved quickly.

However, one thing I’ve learnt over the last 10+ years, some of the most amazing light comes during and just after bad weather. There were still a few unsettled systems around, the clouds were moving quickly, and it was midday. I figured it might be time to head out and have a play with some long exposures, all the while keeping an eye on the radar just in case something developed further.

I headed out Gatton way and met up with my good mate Craig. Craig is a local and with that comes local knowledge, and access to some amazing locations. We headed to a nearby property where there is a great old building. Waving to the lovely elderly owner as we came in, we setup around the shack and played with various filters, settings, framing, compositions while the clouds streamed across the sky. The colours were great, however it was very harsh light. We soon worked out around 12-16 stops of ND filters would give us around 4-6 minute long exposures if the sun was behind a cloud. Over the next hour or so we took a lot of photos.

In my mind I knew I wanted to get a black and white image. I put a polarising filter on, which had the two benefits of making the blue really pop in the sky (helps it go dark in conversion) and adding around 1-1.5 stops of darkness. Then I also put on a 10 stop and 6 stop filter. So all up, quite a lot of darkening to really get that super long exposure. Thankfully, Olympus has a great feature called Live Time. I set my aperture to F8, ISO to standard 200 for my camera, and the update interval to every 30 seconds. Then I press the shutter and the camera goes for it. Every 30 seconds the back screen updates with the exposure, and the histogram. It’s simply a matter of waiting until I think the exposure looks good and stopping the photograph. I converted the image to Black and White in Photoshop using Nik Silver Efex Pro and decided the darker moody look really worked with the side lighting that was going on and the amazing textures of the shack contrasting against the smooth sky from the long exposure. Here is the final result :

A stunning black and white long exposure of a rural shack near Gatton in Queensland, Australia
Olympus OMD Em5 Mark II, 12-40mm Pro, ISO 200, F/8, 320 Seconds

This session was a lot of fun. We were in no rush and could really take our time and experiment. I showed Craig how I shoot panoramas, we played with taking time lapses, can’t beat a time like this. Finally we started noticing the colours were getting a little warmer, wow it was starting to get close to sunset.

Making the call, we moved locations to another fantastic shack that sits in the middle of a wheat crop. I’ve photographed Astro here before with Craig and this time were we hoping for one of those magic sunsets. As soon as we arrived and saw the colour of the golden wheat I told Craig we needed to get this photographed while the sun was still up as it would make the whole place glow. Well with the clouds still moving towards the west, the sun was breaking in and out so it was a bit of a race to setup, work out a composition and get some shots in the bag. I wanted to emphasise the amazing crop so I put the sky towards the top of the frame. I also didn’t want to make it all about the sun so I put it right off to the edge as best as I could while keeping a good angle on the shack. I used a Lee 2 stop hard Grad filter, angled slightly to the right to help balance the brightness of the sky with the ground. Within 5 minutes the sun broke through and I captured this photograph :

An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.
ISO 200, 12mm, F/5.6, 1/400 sec, 2 stop Lee Hard Grad filter

I honestly think this is the best rural landscape photograph I’ve captured to date and I’ve added it to my Landscape Portfolio. I’m absolutely in love with this image and it brings to my mind some of the awesome building/shack photographs that my idol Ken Duncan has captured over the years in panorama format. I work in 4:3 ratio as that is the standard of my camera and I really just love how everything fell into place with this photo. This will be 100% going on the wall at home.

We stayed until well after sunset, right through blue hour, hoping for more colour in the sky but the clouds to the west ended up blocking the rest of the light. I’m so happy we got here early enough to get this photograph. The title of this photograph was not selected by me, it’s actually the owner of the property who insisted we call it this if we get a photograph, so in honour and with many thanks for the access to his private property, I have called it Little Brown Shack, may she stand over the fields of gold for many years to come. Please make sure you have permission to get access to any locations on rural properties, it’s so important to respect their land.

As a bit of fun, I’d love to know what you think would be a great title for this photograph, post your ideas on the comments below!

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

Share and Like!
An absolute banging stunning sunrise dawn at Currumbin on the Gold Coast Queensland Australia by Landscape, Storm and Weather photographer Murray Fox

Currumbin Sunrise

Days watching the radar showed that a patch of high cloud coming in from the west could just make the coast in time for sunrise. It’s been a long time since I headed to the sea for photography and I felt that this would  be the best time to make the 1 hour + journey. I decided to head to Currumbin on the Gold Coast, more specifically, the point at the northern end of the beach where there are some great rock formations.

It was an early start, leaving home at 3:20am I arrived in the Currumbin carpark at 4:30am, a very good run. It was an hour before sunrise so I started to prep my gear as well as admire some of the sculptures on exhibition around the beach. A few are lit up a night, looking very cool on the sand. By 4:40am blue hour was starting and there was enough light to walk the beach out to the point.

Some big tips here. Sand is still @##@ cold at that time of day, and don’t leave your shoes back in the car, the rocks really hurt underfoot. For my first shot I tried to get a good frame of the biggest rock formation however the tide wasn’t letting me play ball. Ideally I needed to be further north, but then I’d be up to my neck in water so I settled for this composition where I’m only up to my knees and had to run away from the bigger waves. This was still very early dawn light so exposure time was long, and focusing was a bit hit and miss. I couldn’t use a filter to control the sky as the rock was too high so I very very carefully exposed to just get highlight warning on the middle far left (brightest part of scene) and then lifted the rest of the detail in post production. It came out pretty good in the end.

Stunning dawn sunrise of Currumbin Rock on the Gold Coast in Queensland Australia is this beautiful seascape / landscape by Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Pro, ISO 200, 12mm, f/4, 15 seconds

The place was starting to get crowded and I wasn’t happy with any other compositions I could get with the rock so I moved around to the other side where there are some great rocky channels leading out to the sea. This time I did break out the filters and put on a 2 stop hard grad filter to bring the sky exposure down close to the foreground. Time to really get wet as I framed my shot and let the sets of waves roll in. My basic aim here was to let the water come all the way in, then take a burst of photos as the water receeded out. With a shutter speed between 1/3 and 2 seconds this gives the water detail but motion as well. This was my favourite out of the lot. You get wonderful lines in the movement of the water, you see the next set of waves coming, you can see Coolongatta in the distance framed between the rocks, and there is amazing colour everywhere, just great! I’ve added this photograph to my Landscapes portfolio I just love it that much.

An absolute banging stunning sunrise dawn at Currumbin on the Gold Coast Queensland Australia by Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/8, 1/3 second

Once I was satisfied I had something here and the sun was about to break the horizon, I moved a little further east and setup above another channel running out, with a higher perspective you get a bit more of the view. The colour was still just amazing, and again, I was letting the water move as I took the photo with as long a shutter speed as I cloud, stopping the aperture down even further to help with that. I also put my ISO into low (100) which does reduce dynamic range, but helped get the shutter speed longer, so I was prepared for the trade off, and it worked.

A stunning sunrise at Currumbin on the Gold Coast Australia Queensland of the beautiful seascape view over the water looking towards Cooloongatta by Landscape, Storm and Weather Photographer Murray Fox.
ISO 100 (low), F/11, 1/5 second

So 3 great photos from a stunning sunrise morning. I’ll certainly have to head to the coast more often, forgot how much I missed the water after growing up and living on the beach in Sydney for the first 25 years of my life.

No real video this week. My youtube is something I’m still experimenting with. I think I’ll only post up in there when I have time to put together a good compilation rather than just a random weekly vlog. I’ll post up in my blog here when I do.

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art matte paper prints, Ready to hang Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

Share and Like!
A stunning storm over an old overgrown shack at Mt Walker south of Ipswich, Qld, Australia

Storm at Mt Walker

First storm chase of the season and it was a beauty! I had been watching he forecasts all week and still had doubts anything would come our way. Finally something appeared on radar that had potential. I captured the chase on video and it’s this weeks Vlog on my youtube channel. At the end of the video I also show you through a full edit of this stunning photograph. Make sure you like and subscribe to see all of my videos as they come out.

 

Here are the 4 shots I got from this one chase, a great result in my books. This first photograph has been added to my Storm Portfolio.

A stunning storm over an old overgrown shack at Mt Walker south of Ipswich, Qld, Australia

Mt Walker Windmill Storm Panorama

Mt Walker Storm Pano

Ipswich Dam Pano

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!

How to Fake an Ultra Wide Angle Photograph

Astro didn’t work out for me this week, so I decided to practice a technique I’ve only used a couple of times. By stitching a series of photographs taken with a normal field of view lens, it’s possible to get an ultra wide angle photograph.

I’m now going to be vlogging all of my photo trips and putting them on youtube. I’ve uploaded my first vlog which goes into more detail about how I captured this photograph :

And here is the end result photograph :

3x3 Grid Stitched Panorama
A beautiful sunset near Ipswich, Queensland, Australia. This blog and Vlog show how you can fake an ultra wide angle photograph using a normal lens.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!