Category: Photo walk

Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

A morning with Black & White Film – Vlog & Photos

On this morning I loaded up my Mamiya 1000s 645 medium format camera with a roll of Fuji Acros 100 Black and White film. Now sadly discontinued, this is a beautiful fine grain film that I find perfect for landscapes.

I’ve posted a full video of the morning on my facebook page, please be sure to watch, comment, like and share.

Below are the photos from the video in detail for you to view. I developed the film myself at home using R09 Adinol which is a modern version of Rodinal. Using a semi stand development time of 18 minutes and 30 seconds. I then scanned the photos into my computer using an Epson V550, did some clean up of dust and final tweaking in photoshop and done.

This first photograph, I love the sidelight coming across the scene. It’s a simple rural view that could be anywhere.

Tracking through the hills captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

With this next one, I love the contrast between the tree and the sky. I’m going to have to invest in some orange and red filters I think, they would really make the blue in the sky pop out as well.

A lone tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I just love this photo of the sprayers. I had a vision when I saw this scene and it came out exactly as I hoped. Minimal depth of field, gives such a cool feeling to a simply but great scene.

Fresh crops being sprayed captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I cropped this next one to a panorama, the whole view just looked amazing to me, light breaking through in patches, cloud hugging the top of the range. Being medium format film, I can still print this huge with a good scan, some things Digital can’t fully compete with yet, for the same cost at least.

Stunning Panorama of the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I love love love this one, printing it now, wall hanger. Just waiting for the light to come across, checking my exposure every time it did change, the anticipation, and then nailing the shot, but you don’t know it until the film is developed, dried and scanned…wow, what a rush. Really nothing more to say about my thoughts on this one 🙂

An amazing view of a Peak in the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

Another one for the wall, again, it came out exactly how I hoped. Mind you, I thought I’d lose detail in the trees. Nope! The film captured the full dynamic range of the scene, blew my mind.

Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I always love a walk through Purga reserve, it’s such an interesting place and doesn’t take long to get through but you can spend hours here checking it all out.

The boardwalk at Purga Reserve captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

And the last shot of the morning, again, it came out exactly as I hoped, really minimal focus area, light making the fallen tree pop. Happy.

A fallen tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I’m so happy with the results from this morning. These photographs look amazing, I’ll be printing out a couple of these for my wall at home, if you’d like to purchase a copy for yourself, simply contact me and we’ll make it happen.

Again, thanks for watching and reading!

Murray

 

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A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox

Black & White Long Exposures – Vlog

This weekend I felt like shooting something a little different. As we don’t have daylight savings here in Queensland, sunrise can be a hard thing to capture as it usually requires getting up at 3:30am to be on location in time to shoot. So I settled for a more gentlemanly hour of 7am and made my way into Ipswich near home to capture some Black & White long exposures.

The clouds weren’t ideal so I didn’t quite get the effect I was looking for, but the light was lovely and soft and it was nice morning to be out and about. I’ve put together a video of the morning for all of you to enjoy on youtube. Be sure to like, subscribe and hit the notification bell to my channel if you’d like to keep up to date with my future videos.

Below you’ll find the three photos I ended up with.

A long exposure black and white photograph of St Marys Church in Ipswich, Queensland, Australia by Australian Landscape, Storm and Weather photographer
Olympus OMD Em5.2, 12-40mm Pro, ISO 200, F/5.6, 153 sec

 

A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/9, 278 sec

 

A black and white long exposure photograph pf a bridge crossing the river in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/5.6, 334 sec

Soon after the last photo the rain started to fall so it was time to pack up and head home. I’ve finally got my vlogging setup pretty much sorted, just some future audio upgrades to come so I should be vlogging a lot more often now. Thanks for reading and watching, until next time.

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Murray

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A cinematic video of Whiterock near Ipswich Queensland Australia as captured by Murray Fox, landscape, weather and storm photographer and youtuber.

Walk at Whiterock – Cinematic

No photographs this week, conditions were not ideal for what I have planned. Instead I headed out to Whiterock near Ipswich for a nature walk organised by James Doyle Photography. It was a perfect way to spend a few hours on a sunday morning as this cinematic video I put together will show :

I’ll be doing a lot more video into the future, I finally have my gear setup so I can work on location, travel and tutorial videos. Oh…and it should be amazing for storm season as well.

Thanks very much for reading, subscribe to my youtube channel if you’d like to keep track of my future videos.

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Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox

Govenors Chair Sunrise

This morning was a sunrise meet up for the Scenic Rim Photo Walks group and the plan was to shoot sunrise from a fantastic location. Govenors Chair lookout has a stunning view over Mt Greville and the Fassifern valley. The plan was to arrive around an hour before sunrise which was just after 6am. Being around an hours drive from home, my tired brain set my alarm for 4:40am…uh oh. A quick race out and thankfully no traffic, I was just in time for sunrise. The early colour lit the clouds nicely but I was looking for the light after the sun rose.

Fog was nestled in locations throughout the valley, and there was a lovely haze in the air that just lit up with the morning glow of the sun when it broke through the clouds. This first photograph was looking south east, encompasing a wider view and showing the magnificent gradations of light and colour on the landscape, I absolutely love light like this and this photo shows why. Mind the step tho, that is a straight drop off at the end of the rock! You must practice extreme care photographing here.

Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, 12-40mm, ISO 100, F/10, 1/500 Sec, 2 Stop Grad ND Filter

I also had my Lubitel medium format film camera with me. My first go at shooting colour film, I spent a lot of time metering and taking shots of various compositions as the light changed. I’ll have that roll back in a week or so, very excited to see what results I got, hopefully the exposure is okay because the colour should be amazing.

In between taking film shots, I took a more intimate photograph of Mt Greville. This is a beautiful peak from any direction and lies at the southern end of Lake Moogerah. The way the haze was lighting up the mountain, and the layers of the hills below me created beautiful steps of light that lead into the photograph. I composed this in portrait orientation to get as much of the hills below me in the shot while zoomed in a bit to really capture the size of Mt Greville. Let me know in the comments what you think of this photograph.

Mt Greville in the Scenic Rim of South East Queensland Australia at sunrise, viewed from Govenors Chair Lookout at Spicers Gap with stunning orange colours and light streaming through the landscape by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, ISO 100, F/10, 1/800 sec

It was a great morning, lovely to catch up with everyone on the photo walk. They are held monthly, I suggest checking the site out and coming along to a walk if you are in the area, it’s a great way to explore and see things you don’t normally see.

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A beautiful big tree bathed in soft light at Flinders Plum near Ipswich Queensland Australia

Peaks and Creeks – Flinders Plum

Grey skies, drizzling rain, flat light, seemed like the perfect time to go for a hike at Flinders Plum up Sandy Creek. I’d been here once before on a workshop with the brilliant Nature photographer James Doyle. That was a great morning seeking out birds and other wildlife, however my plan this morning was to look for more landscape oriented photographs.

The drive in to this spot is almost an adventure in itself, a wonderful road that is dirt for the last section, winds its way alongside the creek, crossing it several times. I arrived at the end carpark around 6am, the sun was up but with so much cloud it didn’t matter, a slight drizzle of rain had set in, a light rain jacket took care of that and my Olympus OMD Em5 Mark II, and 12-40mm pro lens are weather sealed so no issues there either.

Flinders Plum, as the carpark area is called, is the launching point for several walks in the area, the longest and most extreme being the walk to the summit of Flinders Peak. Today I was going to follow the track up Sandy Creek and see what I could find.

Before heading off, I just had to take a portrait of this tree right next to the carpark, it’s a beautiful big tree and the early soft light made it just look wonderful.

A beautiful big tree bathed in soft light at Flinders Plum near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, Olympus 12-40mm Pro lens. ISO 200, f/8, 1/13 sec.

Next I headed off up the track that crosses Sandy Creek a few times along the way. I was definitely the first person through this way this morning judging by the amount of spider webs I kept walking into. Pro Tip, hold out your tripod in front of you when the path narrows! There was plenty of wildlife around with Roos and Wallabys hopping off into the bush as I approached and the calls of various birds echoing through the air.

Walking along the Sandy Creek track at Flinders Plum near Ipswich Queensland Australia in the Goolman Range
ISO 200, f/8, 1/30 sec

The first creek crossing I came too looked promising for a photograph, I scouted around a bit and carefully picked my way through the rocks to find this composition. I really liked how the trees were closing in over the creek. Running water would have been awesome but I think the area needs a lot more rain before that happens, something to keep in mind for the future however. I must note, the use of a polarising filter was critical on this day for remove reflections on the rocks, and leaves from that huge bright white light in the sky. It really brought out the colours and cut the glare.

A beautiful view up Sandy Creek at Flinders Plum in the Goolman Range near Ipswich Queensland Australia landscape photograph
ISO 200, f/8, 2.5 sec

Futher up the track I came across the old cattle yards. I looked around this area quite a while for a composition but due to a large amount of overgrowth I just wasn’t having luck this day. I decided to move on and around 10 minutes later I took a small detour off the main track to come across this lovely view south of the mighty Flinders Peak, the highest peak in the Teviot range.

A view through the trees of Flinders Peak in the Goolman range south of Ipswich Queensland Australia, landscape photography
ISO 200, f/8, 1/30 sec

Heading back to the main track I saw this wonderful view of Mt Goolman, shaped like a pyramid looming through the trees. This area is dotted with Bunya Pines which contrast against the typical aussie bush landscapes.

Mt Goolman through the trees in the Teviot range along Sandy Creek from Flinders Plum south of Ipswich Queensland Australia
ISO 200, f/8, 1/25 sec

By this time the rain was starting to pick up just a little and the wind had started to blow a bit stronger. I made my way back along the track to the carpark. I took one final detour down to the creek again at the start of the Mount Blaine track, looking downstream to another great creek scene with trees leaning in over the wonderful rock strewn bed.

The rocky creek bed of Sandy Creek at Flinders Plum in the Teviot range south of Ipswich Queensland Australia, intimate landscape photography
ISO 200, f/8, 1/2 sec

Finally it was time to sit down and relax and have a well deserved coffee. The picnic area here has all the facilities you could ever need including bbq’s and toilets, and great covered tables. All up my wandering took me 3 hours, it was a great start to the day and I’ll certainly be back to explore more. If you are ever in the area, I highly suggest making a trip out here, don’t forget your camera!

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Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

Early evening star trails over Lake Moogerah

At a recent meet up with the great folks from Scenic Rim Photo Walks I hung around after sunset to capture this great photograph.

Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

To capture this photograph was actually quite simple thanks to the great technology in my Olympus OMD Em5 Mark II camera. I framed up the photograph in portrait orientation. I set the aperture to f/5.6 for good depth of field, and set the ISO at 400. I’ve found this to be the perfect ISO for my camera at night time where I want to keep detail/colour in the stars during trails.

Next I enabled the Live Composite function of my camera. This awesome feature will capture a photograph at your set exposure, and then update that exposure with only new light every time the shutter speed is reached. So for this one I set the shutter at 10 seconds. So every 10 seconds the camera updated the photo with only new light (in this case the stars), while keeping the rest of the exposure perfect. I ran this for 30 minutes and loved the final result.

Starting the composite when I did while there was still a touch of colour in the sky worked out great, it’s the first time I’ve tried that. The stars also retained some great colour as they trailed, and I even managed to capture a couple of meteorites as seen on this zoomed in view.


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A stunning sunset over Lake Moogerah in the Scenic Rim of Queensland Australia. This panorama shows the beautiful wide view of the dead trees in the water, with Mt Greville looming in the background. The sky is full of colour and the ripples of the water reflects this wonderfully.

Lake Moogerah Sunset Panorama

G’Day everyone. With the family all off to see Mamma Mia the musical, I ended up with a free afternoon. There was a meetup for the Scenic Rim Photo Walks group at Lake Moogerah, so all the gear was packed and off I set for the hours drive south to the dam.

It was a very hot and warm day, many people were taking advantage of the lake with jet skiers and water skiers zipping around. The clouds was starting to look very good as sunset approach, but the wind in the main part of the lake was still very strong, it didn’t look like I was going to get one of those perfect reflections.



I decided to head around to the southern part of the lake as it appeared the wind was a little less strong there. Driving down to the waters edge it looked like I was right, it wasn’t a mirror finish, but the ripples were nice and I figured that if there was colour for sunset, this could work.

I walked the shoreline trying to visualise for a panorama, not something I do often so its a little hard to get your head around. I ended up using my phone to take photos, and then crop them in phone to a rough 3:1 aspect ratio to help work out my composition. There were two stumps close to shore, I liked those and wanted them as my foreground interest. Two sets of taller trees on each side of the mountain could work as a nice framing element. After about 20 minutes of moving around I settled on my spot.

I had my tripod as low as it could go, I also had the camera mounted on a nodal point setup in portrait orientation. This basically allows the camera to rotate around the best part of the lens, so when you get back to stitching together the shots, you have very minimal loss of pixels, worked out great. The hardest part is to make sure your tripod is dead level.

I zoomed in to 34mm on my Olympus 12-40mm pro (equivalent to 68mm on a full frame camera). I wanted to bring all the elements of the scene closer to each other. When you are standing there, that mountain really looms over you and with a wide angle, that feeling would have been lost. I put the camera in full manual mode, ISO at my lowest which is 200, Aperture at F9 which gave me just enough depth of field being zoomed in (take a few test shots and check the sharpness on the back of the camera to get this right). I was also going to bracket my exposures as with such a high peak, using a filter would have darkened it down too much for my liking. My camera is the Olympus OMD, Em5 Mark II.

Now it was just a matter of sitting back and waiting. Sunset here in South East Queensland Australia can be a very funny thing, you will get waves of colours and just when you think it’s all over, another blast comes through. After witnessing at least 2 bursts of colour that didn’t light up the scene well, I thought this may end up a dud sunset, but I knew I something could happen so I just waited.

Suddenly the cloud to the right started getting a hint of red, and within 30 seconds it was glowing. I took my shots from right to left (starting where best colour was). 6 vertical shots overall to capture the width of the scene I wanted, 3 exposures for each shot at metered exposure, 2 stops under and 2 stops over. I ditched the underexposed photos as my metered captured the sky perfectly. Here are the final 12 exposures I would work with.

These are the initial exposures I will use to blend, stitch and then post process to create my Moogerah Sunset Panorama.

The colour finally finished so I made my way back to the day use area to meet back up with the group. I captured a great star trail shot which I’ll share up next week with the details on that one.

Post processing this image was going to be a lot of work and I actually had several goes at it. I finally decided to exposure blend the metered photo and the 2 stop over exposed photo from each shot, to bring back some of the detail in the darker parts of the middle ground. This involved taking both photos into Photoshop and using luminosity masks to blend. I finally ended up with these 6 photos ready for stitching to a panorama and then post processing.

These are the photos I will stitch together and then post process to create my Moogerah Sunset Panorama

Now the post processing begins. I created the panorama in Photoshop and then began my adjustments. I did some colour correction to get the colours to where I remembered them. I then used Nik filters to boost the contrast and colours. A final round of sharpening and I was very happy with the result. The final image ended up at 40inches wide at 300dpi, I’ll certainly be able to print this very big.

A stunning sunset over Lake Moogerah in the Scenic Rim of Queensland Australia. This panorama shows the beautiful wide view of the dead trees in the water, with Mt Greville looming in the background. The sky is full of colour and the ripples of the water reflects this wonderfully.

I really enjoyed the process of capturing this panorama, and I’m starting to learn how to visualise the shot. I’m looking forward to repeating this process more this year, keep an eye out!

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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