Tag: award

I came in the Top 10 Landscape Australasia's Top Emerging Photographers 2018 - Murray Fox Photography

Top 10 – Landscapes Australasias Top Emerging Photographers 2018

Just received the notification I made the top 10 for Landscapes with my collection of Fine Art Storm photographs. My first time trying for this competition and I’m wrapped to have done so well.  I’ll be working on a new collection now, different look, different feel, but still amazing scenes over the next season.

Anyway, enough talk for this post, I’ll just share the photographs with you. I look forward to capturing many more Storm and Weather photo.

I came in the Top 10 Landscape Australasia's Top Emerging Photographers 2018 - Murray Fox Photography

This massive super cell dwarfs the South East Queensland Australia landscape. Stacked layers of clouds show just how big this storm is, by far the biggest weather event I've ever witnessed. This photograph shows a storm cell hail core as it passes over the landscape of Ipswich Queensland Australia. This area is well known for amazing weather, storms and views. Finding shelter against the impending storm, these cows may be in for a rough time. South East Queensland Australia is well known for it's storm season each summer, this system caused widespread flooding and hail damage. A stunning rainbow lights up the South East Queensland Australia landscape at the back end of this storm system. As the wall of this storm rolls across the landscape, a solitary tree that has seen this all before, stands against the impending weather. Simultaneous twin lighting strike the South East Queensland Australia Landscape ahead of a super cell storm.

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An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox

Windmill Core

The moon has gone again this weekend and there wasn’t a cloud in the sky for 300ks. The temperature was forecast to be the lowest so far this year (around 5 degrees C in town, more like 2 degrees in the countryside). It looked like a perfect night for some more astro photography. With a slight breeze, everything stayed perfectly dry, no condensation whatsoever.

I caught up with my friend and after packing a few supplies (Picnic chocolate bars and Ice Coffee…yes Ice lol!) we headed out to a location I knew, but had not visited recently. I had word that a new windmill had been erected here and it looked like it was going to be in good alignment with the rising core of the Milkyway. With Mt Walker to the east of it, I thought I could get a really nice backdrop.

Arriving on sight we spent 10 minutes walking around looking at the angles. We noticed that we had a couple of problems to deal with. The first one as the core was not north enough to really put Mt Walker into the framing I wanted with the angle of lens I was using. The big one was the head of the windmill was facing almost due south, making it extremely hard to get a good view of it, and the core.

You can see from this first photograph the layout of the scene and one of my first attempts at seeing what result I could get. Mt Walker is to the left and there just wasn’t a workable angle.

A great view of Mt Walker at night with the core of the milky way rising over a windmill in this pure Australian Night time landscape photograph captured near Ipswich Queensland Australia by Award winning landscape weather storm photographer Murray Fox
Olympus OMD Em5 Mark II, 12-40mm Pro, F/2.8, 15 seconds, ISO 5000

Never one to give up, and we had a good hour window of shooting before the core was too high in the scene. I kept moving around working angles. Around 80 photos later (and they are all long exposures) I found I really liked this composition. Going vertical to really show the height of the Windmill, the core almost comes blasting out of it. And to top it off there were meteorites regularly dropping across they sky.

The peak of those is next weekend, it was great to see some real fireballs this night. I switched to a 20mm f.17 prime lens for this shot allowing a shorter shutter time (less noise) and a wider aperture (more light). This more zoomed in lens also enlarges the size of the core compared to the foreground, really bringing it into view. This also really captured the colours in the stars. The windmill and ground were illuminated with a torch my friend held to the side of the scene, painting over it with very quick movements. The slight breeze was enough to cause the windmill to turn, and I like the blurring effect during the long exposure, gives a nice sense of movement. The flat top of Mt Walker in the background is just enough in frame here to add some interest and give a sense of location.

An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox
ISO 3200, 8 seconds, 20mm, F/1.7

This photograph has been added to my Astro Nightscapes gallery, really flowing well with my recent captures.

I really hope you enjoyed this weeks blog post as much as I enjoyed writing it for you. Can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



 

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An absolutely stunning photograph of the rolling hills of Marburg surrounded by fog and amazing sunlight beaming through as views from upon high near Ipswich Queensland Australia by Award Winning Australian Landscape and Weather Storm Photographer Murray Fox

Fun in the Fog

Its been quite a while since I’ve had a real run and gun photography morning.

My inital plan went completely out the window when I woke up at 4:30am and realised two things. First was the radar was showing lots of cloud off the coast that would block any early light from the sunrise and second, I couldn’t see across the road because of the fog that had developed through the night! Rain the day before and a perfect temperature night mean that huge areas were covered in low lying fog.

I had to formulate a new plan. I now wasn’t worried about getting to a location an hour before sunrise. I was worried the sun would have to get too far into the sky to make it over the clouds at sea before the fog started to lift. My photo from my last blog post had me inspired to try an new perspective on the landscape, from a high vantage point, and I knew just the location. My only concern  was, I’d never been there before! It was near a couple of other spots I did know about so I figured if plan A failed, I had alternatives.

A 30 minute run from home found me making my way along the most incredible ridge line. There is enough room for maybe a house each side of the dirt road, before the land falls away completely down to the valley floor below. What an amazing spot and I’m kicking myself for never being here before. The fog was pooling between the hills in the valleys, absolutely perfectly what I wanted. I tried a few different shots before the sun came up, I really liked this one for the crepuscular rays that were beaming over those annoying high clouds at the coast. Not sure what had gone on with the grass here, kinda wondering if some cows might have been taken by aliens given the “crop circle” in front of me.

Beautiful Crepuscular Rays over the rolling hills of Marburg in Ipswich Queensland as the fog nestles in the valleys, viewed from an amazing height in Queensland Australia by Award Winning Australian Landscape Photographer Murray Fox
Olympus OMD Em5 Mark II, 12-40mm, 1/320 Sec, F/7.1, ISO 200, 2 Stop ND Grad Filter

Want I really wanted however was that sun to break through the clouds and throw some light on the landscape below. I figured if I could keep the sun just out side of the frame I could get a nice angled back lit situation with amazing contrast. Well I didn’t have to wait too long before the sun did finally break through. The unfortunate part was that the beautiful colour wasn’t showing up the way I wanted. So hatching a plan, I decided to really zoom in on the landscape below, isolating the hills and the fog, almost removing the sky, and putting my camera into black and white mode, I can also add a tint. I tried a red/orange tint for warm light but it just didn’t work, going the other way I went with a cool tone (touch of blue) and really liked the results. These settings make no difference to the final photograph as I shoot in Raw and can develop the photograph any way I like. However it really does help you visualise in the field in that moment, what you are shooting for and lets you get your settings just right. This photo took all of 2 minutes to edit, really just convert to black and white, adjust the highlights and shadows to where I wanted them, and then add just a small amount of blue to the shadows in split toning. Done, and this is now one of my most favourite fog photographs ever! Running a print of this today and it’s going straight on the wall. Let me know in the comments below what you think.

An absolutely stunning photograph of the rolling hills of Marburg surrounded by fog and amazing sunlight beaming through as views from upon high near Ipswich Queensland Australia by Award Winning Australian Landscape and Weather Storm Photographer Murray Fox
1/400 sec, ISO 200, F/8 @ 40mm

Finally finishing up on the ridge line, I knew my morning wasn’t quite over yet. It was time to run and gun. This is really simple. Drive around in amazing light and fog conditions until something grabs your eye, and STOP! If something gets your attention, no matter how small, how trivial, my rule is I have to get out and take a photograph. Well, in the next 40 minutes I stopped 8 times, and got 2 photographs I really liked. That is pure bonus for me as I knew I already had shots in the bag from the morning.

The first one I really liked has a detail that is really hard to see see unless you see the photograph up large, and I like that. It means only a few people will ever see that in person, those that see a print of mine, or who purchase a print. It’s not a dramatic photograph, it’s very simplistic. A tree, in a field, with the sun glowing through the fog behind. The detail I love, all that grass in front, is absolutely littered with circular shaped spider webs glistening with dew! I don’t know what type of spider, I’ll have to look into it because I’ve seen this a few times, but it looks amazing when you realise what it is.

A lone tree sits surrounded by glowing orange sunlight in the early morning fog at Marburg Ipswich Queensland Australia as the foreground is littered with dozens of spider webs glistening with dew by Award winning Australian landscape and weather storm photographer Murray Fox
1/2500 sec, ISO 200, F/8

This next photograph shows why I have that rule of you absolutely positively must stop and take a photograph. I only caught the very briefest of glimpses of this scene as I drove past. In fact I’d driven past it twice already that morning and not noticed it because it was set back quite a distance from the road. Jumping out of the car and grabbing my camera I knew I would need to zoom right in as far as I could for this one, as there didn’t appear to be any way to get closer (tip: I leave my camera mounted to my tripod on the back seat, I don’t have any concerns of it falling off as Olympus gear is just so light, this means I can be out and shooting in 5 seconds, also very handy when chasing storms). The benefit of this zooming in is all the elements of the scene get compressed together. The trees in front get closer to the Tower (as I’m calling it) and the hills behind get closer as well. I think this gives a nice intimate layering for this photograph. The sun was behind me and the colour, light and fog were just amazing.

Stunning beautiful early morning light bathes this rural barn and tower near Marburg Ipswich Queensland Australia as fog surrounds the scene. Captured by award winning Australian Landscape and Weather Storm photographer Murray Fox
1/200 sec, ISO 200, F/8.0

Finally it was time to pack up, what an amazing morning. Autumn is my favourite time of year for photography as there is just so much going on, from late season weather, to fog, to crystal clear nights for Astro, I suggest you get out now and get out often.

I really hope you enjoyed this weeks blog post as much as I enjoyed writing it for you. Can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox

Govenors Chair Sunrise

This morning was a sunrise meet up for the Scenic Rim Photo Walks group and the plan was to shoot sunrise from a fantastic location. Govenors Chair lookout has a stunning view over Mt Greville and the Fassifern valley. The plan was to arrive around an hour before sunrise which was just after 6am. Being around an hours drive from home, my tired brain set my alarm for 4:40am…uh oh. A quick race out and thankfully no traffic, I was just in time for sunrise. The early colour lit the clouds nicely but I was looking for the light after the sun rose.

Fog was nestled in locations throughout the valley, and there was a lovely haze in the air that just lit up with the morning glow of the sun when it broke through the clouds. This first photograph was looking south east, encompasing a wider view and showing the magnificent gradations of light and colour on the landscape, I absolutely love light like this and this photo shows why. Mind the step tho, that is a straight drop off at the end of the rock! You must practice extreme care photographing here.

Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, 12-40mm, ISO 100, F/10, 1/500 Sec, 2 Stop Grad ND Filter

I also had my Lubitel medium format film camera with me. My first go at shooting colour film, I spent a lot of time metering and taking shots of various compositions as the light changed. I’ll have that roll back in a week or so, very excited to see what results I got, hopefully the exposure is okay because the colour should be amazing.

In between taking film shots, I took a more intimate photograph of Mt Greville. This is a beautiful peak from any direction and lies at the southern end of Lake Moogerah. The way the haze was lighting up the mountain, and the layers of the hills below me created beautiful steps of light that lead into the photograph. I composed this in portrait orientation to get as much of the hills below me in the shot while zoomed in a bit to really capture the size of Mt Greville. Let me know in the comments what you think of this photograph.

Mt Greville in the Scenic Rim of South East Queensland Australia at sunrise, viewed from Govenors Chair Lookout at Spicers Gap with stunning orange colours and light streaming through the landscape by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, ISO 100, F/10, 1/800 sec

It was a great morning, lovely to catch up with everyone on the photo walk. They are held monthly, I suggest checking the site out and coming along to a walk if you are in the area, it’s a great way to explore and see things you don’t normally see.

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Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland

Ramblings – Exploring Film

Over the last year or so I’ve been playing around with film, in black and white which is the cheapest option I’ve found as I can develop at home quite easily.

It’s surprisingly a bit of a learning process. Digital cameras these days make life so much easier. My Olympus has live view in the view finder, will show me under and over exposed areas in real time, with a histogram overlay so getting exposure wrong is pretty much impossible. I’ve shot in RAW format for years which means every photo has to be post processed to bring back the contrast and colour and tweak it to show what I want to represent. I spend more time in front of the computer than behind the camera for sure, and I enjoy that process.

With film I’ve found I have to really slow down. Are my settings correct? Is my exposure right? I’ve had to re-learn measure exposure all over again. Every click of the shutter costs real money so you are double and triple checking every step, and also really considering the photograph, is it worth taking? It’s quite enjoyable and I find the results very rewarding.

I’ve been spending a lot of time looking at photographs I really enjoy, landscapes that inspire me, works that draw me in, and something I’ve discovered is the majority of those photos have been captured on film, and on large film to be precise. My recent trip to visit my family on the Central Coast of NSW saw me drop in to Ken Duncan’s Gallery (again!) and really spend some time viewing and looking at his works. They are printed big, on beautiful hahnemuhle paper, and framed wonderfully. These are the types of photographs I love. And it’s really interesting, you can spot the digital photographs he has taken with his awesome digital medium format cameras a mile away, they are sharp as a tack, amazing detail, but I kept leaning towards the photographs captured on film. They have a bit more glow, are usually a longer exposure, some of the details aren’t quite as sharp, you can see where the exposure had to be nailed to get it right at point of capture. And the colours..film has colours I don’t think digital can reproduce, they are just stunning.

I have two film cameras at the moment. A lovely Olympus Trip 35 point and shoot style 35mm camera that I generally load with black and white and use for street style photography or family snaps. It’s almost set and forget, just pick a focus zone and don’t worry about exposure, it nails it every time, yes, every single time, it’s an amazing piece of kit.

Olympus Trip 35 Film camera Murray Fox Australia Queensland photography
All that stuff around the lens measures the exposure, and powers the camera, no batteries here!

My next camera is a new purchase, a Russian made Lubitel 166 Universal. This is a twin lens reflex (TLR) medium format 120 film camera. It’s extremely simple and extremely manual in use, creates either a 6×6 or 6×4.5cm negative per photo (there is a mask you can change but you are looked into that option for each roll. You look down through the top to work out your composition, and use a little magnifying glass inside to get the focus correct.

 

Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland
The cheapest medium format camera anywhere in the world, and gives great results when used right!

I’m working my way through a roll of black and white Fomapan 200 creative at the moment with this camera and absolutely loving the process. Working on a tripod (as I always do) getting the composition just right (the view is back to front so it makes you work for it!), measuring the exposure of the scene (I use a simple phone app), putting your settings in, cocking the shutter and then taking the photo. In 2 hours on the weekend I took two shots, total! And I loved it! The whole process of slowing down, really looking at the light of a scene, double checking exposure, framing, settings, and finally committing to the shot is really amazing to me.

My first roll is almost finished and this weekend I’m taking another little step in my film journey and shooting some Ektar 100 colour negative film. This is the modern landscape film of choice. Velvia 50 is what Ken Duncan uses a lot but it’s a lot harder and more expensive to use. The Ektar is very forgiving if you don’t quite get the exposure correctly and gives amazing colour and contrast. I’m really excited to see what results I can get from this film.

Medium format film, scanned in properly, will give a photograph file far larger than anything you can get from any DSLR digital camera, I’m talking hundreds of megapixels of data with a massive range of tones. I can scan a 35mm negative in at around 60mp, I can scan a 6×6 negative in at around 6 times that! The trick I use is I actually use my Olympus OMD Em5 MarkII digital camera, with a macro lens to take a photo of the negative, in hi res mode! Works startling well if you prep everything right.

All of this has me thinking about the next step in my photography. I really want to capture more landscapes with film, and I really want to have the full ability of selective choice in composition. I want big negatives that can give incredibly huge prints, I want the colours and tones that film gives with that beautiful fine grain. And I want bigger than 120 medium format! So now I’m saving, I’m working on getting a 4×5 field View Camera, a modern day version of what Ansel Adams used to use (although he was shooting bigger again with 8×10 I believe). A camera where it’s one shot per film, you need a dark cloth over you and the back of the camera just to compose, but you have the amazing ability to change the lens height, angle, swing for amazing depth of field, or custom focus bands. And a negative that is 4inch x 5inch in size, scanned size? @#%#@ huge!!

So I’m not quitting digital, I love my Olympus and it’ll be with me this weekend. But I’ll have the Lubitel and Olympus Trip with me as well, and they’ll be taking photos in a different way, it will be very interesting to see the results. I think film has a future in my work, some of the results that can be achieved with film are astonishing, and the process of slowing down, the time involved means more investment personally with every photograph taken. I look forward to a hybrid future of digital and analog.

Please subscribe to receive occasional Tips, Ideas, News of Prints and Offers.



 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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