Tag: farm

A stunning rural sunrise in South East Queensland Australia near Boonah in the Scenic Rim captured by Australian Landscape photographer Murray Fox

Rural Sunrise

I’m a very technical photographer. I tend to research a lot before venturing into the field and sometimes you can focus on these things too much, rather than just getting out there and taking photos. This weekend was a little like that. I had a photograph in mind that I wanted to capture. Wyaralong Dam in the Scenic Rim can be stunning if you get the right sky.

Friday afternoon and there were high clouds north, but they needed to come south a few hundred kilometres in order to be where I wanted them. 10pm, I’m watching the sky, I ended up being so fixated on it I was still awake at 3am, the time I would have to leave if I wanted to get a photo, but the clouds never came so I finally slept, thinking about the photograph I haven’t captured yet.

Saturday night I took a different tack, I ignored the clouds, I got my gear ready to go, set my alarm for 3am and slept. Waking up and walking out the door, the clouds looked like they had potential, but regardless, I was going to go. Worse case this would be a good practice session to work towards mastering panoramas.

Arriving at the dam it was still dark but light would approach soon. I spent a good 30 minutes working out a composition, checking my settings, checking the tripod was level, and taking a few test series of shots. The light came through it’s various stages, from nice blue hour, to the pinks and reds of sunrise. However I had a problem. A bank of low cloud had moved across and was breaking up the great high clouds that had the colour. The end result was a bust, but I learnt a lot and was happy with that.

On the drive home, the sun had broken over the distant hills finally, some fast moving fog was rolling between the hills. Coming up over the rise of one hill I hit the brakes and quickly pulled over. The scene looked fantastic to me, the beautiful orange of golden hour was glowing across the sky and ground. Thankfully my gear was pretty much ready to go, put camera on tripod, level, focus and shoot.

A photo like this takes a long time to edit on post for me. Why? Because it’s 2 rows of  8 photographs, that is 16 full size photographs merged to one gigantic image. This will print MASSIVE and I think will look fantastic on anyone’s wall that loves a view like this. I’ve learnt that shooting two rows allows me to get more of either the sky or ground in the photograph (com-positional choice / ground for this one) and that really gives this photograph a great sense of depth. At full resolution you can see the cows feeding in the morning light way down the hill, the detail is amazing.

So my lessons this week are don’t sweat it so much, just make sure you get out there and shoot. This was a completely random location and it was about being there when the light was good, and finding a scene to suit.

Let me know what you think about this photograph in the comments below, I always love feedback good or bad. Until next time, stay safe and thank you very much for reading.

A stunning rural sunrise in South East Queensland Australia near Boonah in the Scenic Rim captured by Australian Landscape photographer Murray Fox
Olympus OMD Em5.2, Olympus 45mm. F8, ISO 200, 1/200 sec. 2 Rows of 8 Photographs

I’ve added this to my Landscape Portfolio that will gradually all become panoramas as I move towards the format, which I just love.

Murray

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A beautiful sunflower in the early morning light. Captured by Australian Landscape, Storm & Weather photographer near Toowoomba on the Darling Downs of Queensland Australia

Sunflowers

Well a very Happy New Year to you all. For me the start of any new year is a great time not only for a well deserved break, but a great time to reflect on the previous 12 months and have a bit of a mental review of how I saw my photography progress. The main aim of this is to work out my direction for 2019 and I’ve set myself a nice challenge as a result. I’m very happy with how my Astro photography has progressed. My weather photography is in a lull due to simply there being no storms so I’m concentrating on my landscape photography.

I’ve set myself a challenge to only shoot panoramic landscapes in the 3:1 format for 2019. Oh I’ll still get the odd normal 4:3 framed photo, but purely for Instagram. Any dedicated landscape photograph I capture in 2019 is going to be a panorama. Why? Well several reasons. I love to follow other photographers works and over the years I’ve come to admire two photographers in particular. Ken Duncan and Mark Grey, both incredibly successful Australian landscape photographers. Ken has been at it for Decades, Mark is relatively new to the scene, both having extraordinary success. It’s more than that however, it’s the resulting photographs they get. There is something about an amazingly well captured panorama that draws you in. The photograph when seen large envelopes your entire field of view, you are put into the scene with the photographer at the moment of capture.

This is what I want to explore and it actually means relearning a whole lot about photography. Composition is different by necessity as the frame is now very different and balance, viewpoint, elements all come into play in different ways.

So my journey into this field has begun and I find it very exciting. To kick off the new year with a bang I met up with my great friend Craig and we headed west to areas near Toowoomba in search of Sunflowers as word is out, they are blooming.

PLEASE NOTE : I won’t disclose the exact location of this farm at the farmers request. However, if you are looking for Sunflowers the area of Clifton on the Darling Downs between Warwick and Toowoomba has them in flower right now.

Thankfully Craig has scouted this location only the day before, also gaining us permission from the farmer to access the land fully, simply awesome work mate. 3:30am saw us standing in the back of the ute, Tripods at the ready, watching the light slowly appear. This first panorama was captured around 15 minutes before sunrise, the high cloud getting hit with the awesome colours of the approaching sunrise, that light also reflecting down onto the sunflowers. My composition here was to be very simple. Lines leading you through the fields.

An amazing Panorama of Dawn over the Sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Dawn Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano111

Next it was time to really head into the fields. Another section of this farm has a great windmill surrounded by Sunflowers, well how could we resist photographing that? This field was full of bees making their merry way from flower to flower, and we did take the time out here to really just soak up the atmosphere, work our compositions and try different things.

An amazing Panorama of a classing windmill surrounded by sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Windmill Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano112

Capturing panoramas is a bit of a challenge. The hardest part I find is framing. As you are stitching together multiple photographs to take one large one, you can’t see the final result in the field. Specialist panorama cameras exist but are far beyond my budget so this is my option in order to get the best quality and result. So far I’ve worked out that by setting the height of my view and ensuring I capture 5-6 photographs across I can usually get pretty close to the result I’m after with minimal loss of pixels in post production on the computer.

This final panorama was the only time the sun actually fell directly on the flowers. We had stopped to have a chat with the property owner when the sun broke through, but only on the ground, the sky was not being directly affected, awesome light! Excusing myself for a minute, I quickly setup and captured this image of the farmers old parents house, now not lived in but still maintained, which is surrounded by the wonderful sunflowers, not a bad view in my books. I think this is my favourite from the morning and I know my wife agrees with me.

An amazing Panorama of a farmhouse surrounded by sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Farmhouse Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano113

I’ve found I’m quickly falling in love with the panorama format for both the challenge and the results. The quality end result I’m getting allows me to print a 60inch wide x 20inch high photograph at full 300dpi resolution (no loss of quality at all). I love to see my photographs purchased and hanging on peoples walls. Panoramas seem to lend themselves perfectly to being displayed, they work well in many different styles of rooms in peoples homes and in businesses. That’s my end game as a photographer, while I love taking photographs, and sharing them with the world, to create images that people love enough to hang in their own home to me is the ultimate.

So I’ll keep working at it, continuing to find new subjects in amazing conditions and share them with all of you. If I can get a nice portfolio of maybe 20 photographs by the end of 2019 I’ll be in heaven, and maybe a few of you will have such a connection with my work that you’ll want to own a copy for yourselves.

Finally, a quick single photo I took “doing it for the gram”. This will be up on my Instagram Feed.

A beautiful sunflower in the early morning light. Captured by Australian Landscape, Storm & Weather photographer near Toowoomba on the Darling Downs of Queensland Australia
A beautiful sunflower in the early morning light.

Thank you everyone for following along with my photography for 2018, I really look forward to what 2019 is going to bring. I think the photographs will be released a bit slower, but the quality should be another level higher as I continue to learn and challenge myself.

Murray

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A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film

Seascapes, Landscapes, Night Photography, The Wonder of Ektar 100 Film

Well another roll of Kodak Ektar 100 Film in 120 Medium format done and dusted. I was very much looking forward to seeing how the shots on this roll came out. I actually had quite a variety of shoots on this one, a few photos I bracketed, or forgot to lock the mirror up and retook and one I completely stuffed it up by setting the shutter speed wrong..and still managed a recoverable shot, blew my mind! With my Mamiya 645 Medium format camera I get 15 shots per roll and with this one I got 6 photos I absolutely love and a few others that came out nice as well. I think it’s my best hit rate to date on film.

Starting with an overnight stay up at Redcliffe Peninsula north of Brisbane for my wedding anniversary back in October, I took the opportunity for an early start to capture sunrise over the water. I was really looking for just simple compositions here, nothing fancy at all. My thoughts at the time was if I got a good one, I’ll have it printed and matted and send it to my Parents as a gift, they have very much an ocean theme through their house.

This first shot was captured well before sunrise, when the first colour of dawn was hitting the sky. I used a 2 stop Graduated ND filter to keep the brightness of the sky close to the water. Those colours were just amazing, but I could have exposed a little bit longer to get more detail into the rocks.

A stunning dawn over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm Lens, Kodak Ektar 100 Film 120 Format

Next I waited around until the sun actually rose. There was some great cloud around the horizon and it was filtering the sun, throwing out colour. Again I used the 2 stop hard grad ND filter, exposed for the water and just let the Ektar 100 film do it’s thing. It has an amazing ability to get so much detail into the highlights even if they are many many stops brighter. I really liked how this one came out, and those colours, wow! Pretty sure I’ll be sending this one to Mum & Dad for Christmas. I’ve added this photograph to my Landscapes Portfolio, it’s simple, but I really like it.

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm, Ektar 100

Next it was time to head back to the country. This time I was experimenting with time of day, a different lens here and there. This next photograph was over some corn almost ready to harvest near Kalbar in the Scenic Rim. I used the Mamiya 80mm lens at F4 (think I will try F2.8 next time) to focus only on the closest corn and let everything behind fade into blur. It kinda worked but not 100% the result I was aiming for, I think my biggest issue was I was too low, need to get higher and show the depth in there to give that blur a more noticeable effect. Still, the early morning side light was wonderful and I like how peaceful this photograph feels.

Beautiful morning light across a cornfield near Kalbar in the scenic rim of Queensland Australia captured on medium format Mamiya 645 camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 80mm, Ektar 100

This next one was the same morning but during dawn and I think is my favourite photo from this roll. I was really hoping for clouds, but now the film is developed and I see those colours, wow! Eye popping stuff. Kodak Ektar 100 is a very saturated film, and I’m finding the dawn light, before the sun gets up, has slightly lower contrast, but simply amazing colour results. Definitely need to shoot more at this time of day with this film. Again I used a 2 stop ND grad to control the brightness of the sky, this was around a 90 second exposure at f/16. I’ve added this to my Landscapes Portfolio. This location is Kents Lagoon north of Kalbar in the scenic rim of South East Queensland Australia. I’m standing on quite an old, single lane wooden bridge to get this photo, praying the locals all decided to sleep in so I wouldn’t have to run off the bridge with my gear, and then set it all up again! 🙂 Except for one fella plowing his field, I was car free for an hour thankfully.

Stunning dawn colours looking up Kents Lagoon near Kalbar in the scenic rim of Queensland Australia, captured using a Mamiya 645 medium format camera on Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, 45mm, Ektar 100

Finally I decided to try this film at night. The results were good, at least my metering was right and I didn’t stuff up the photos lol! That’s the hardest part, you have no idea of you got it right, so you check, double check, check again, think about taking the shot, wait for a car to move that just pulled up, start again in case the light changed. Honestly, I loved every minute of it, it’s so much fun, and you really REALLY slow down and think about every press of that shutter button. All of that happened with this first one, but finally everything was clear and the shot taken. This is a pub not far from home, right next to the highway at Haigslea. Very happy with how much latitude I captured between the dark shadows and the bright highlights. I think I need to revisit this one, maybe with some Portra 160 film which has a much more soft pastel pallet, and do it at sunset for some colour and go wider with the view.

The Sundown Saloon Haighslea west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

Finally I dropped into Marburg just up the road the same night. The post office there is very quaint and I quite liked the look of it at night. I had to shoot a fairly tight crop to avoid the parked vehicles from the pub goers. Again, I used the 80mm, around f/11 to keep some depth of field. Ended up being around a 80 second exposure. I just love the bail of hay out the front, really lets you know this ain’t no city post office!

The Post Office at Marburg west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

I’m going to get my hands on some Cinestill 800T film soon, that stuff looks just amazing for night city and architecture photographs, it blooms around light sources with a super interesting colour pallet.

I’ve got plenty of film in the fridge now to shoot. This roll was really about trying different things and gaining confidence with the equipment and the results. I’m extremely happy with how it all went, and I can quite confidently now go out and shoot on film and not be too concerned with the results as long as I remember to do all the steps. It’s a very manual process, and I absolutely love it. Looking forward to doing some more black and white film soon too.

Let me know in the comments below which is your favourite shot!

Thank you so much for reading and getting to this point, I really really appreciate it. Follow me on Facebook and Instagram to keep up to date, and visit again soon. I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

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3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox

Welcome Rain & Storms 6th October 2018

With weather finally closing in on the South East of Queensland Australia I had a chance to get out and see what storm activity I could capture. It was very messy from the start. Some systems were pushing in off the range to the west, but others were forming ahead of it.

I started by heading south of Ipswich towards the Kalbar area. There was a nice rain core showing on radar that looked promising. The issue I had was a microburst of rain appeared over the exact area I needed to be in so I could shoot the cell. Not good. Going off the main roads I made my way along a few backroads. As always, if I see something I shoot it, regardless of if it’s good or not. I could see the cool structure in the sky but I needed a foreground. Some locals were taking cover under a tree (dubious in my opinion, but I’m not a cow) and this was to be my first photograph of the day.

A storm approaches over the farmlands near Kalbar Queensland Australia as local cows take cover under a tree by Australian Landscape, Weather and Storm Photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Lens, ISO 200, 30mm, F/4, 1/500sec, handheld

Now the rain was coming fast and I was out of options. I noticed another cell on the radar was pushing off the range and had a chance of meeting up with this one further north. So time to run back the way I had come. I stopped at a spot I know that has great views to the west to try and get a better sense of what was happening. You can see just how arid and dry the ground is, any rain to fall is certainly more than welcome! In this shot I’m looking west towards Mt Walker and the system I had just moved north of is coming in from the left. It’s not clear now, but the main action is actually taking place on the other side of Mt Walker!

The dry country side south of Ipswich Queensland Australia awaits the impending rain storm coming across the landscape in Queensland Australia. Photograph by Australian Landscape, Weather and Storm Photographer Murray Fox
ISO 200, 18mm, F/4, 1/4000sec

After watching for a little while near Purga, right on the edge of Ipswich, I noticed a very defined wall cloud was forming further west of my location. Time to run! In the car and a drive through the backroads later I came across an active core that was looking great! Lightning bolts were dropping out of the main part of the system, bucketloads of rain was falling for a decent sized core. A bit tricky to shoot as it was also raining right on top of me, thankfully the wind was at my back keeping the water off the front of my lens. I couldn’t use filters to get a longer exposure because of the rain so I resorted to the tried and true technique of Spray and Pray. By counting between bolts I worked out an interval of around 15 seconds was good. So when I saw a bolt, I started counting, and when I got to 13, I would hold the shutter down and take a burst of photographs until my buffer filled up. I missed a few, but I also got a few. This photograph is my favourite from the lot. All 3 bolts captured in the single photograph.

3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 100, 12mm, F/11, 1/5 second low speed burst mode.

By this time the system was getting too close. Everything to the north of me is up in the hills. I thought the view might be okay, but was also concerned about being high when there is lightning around. I decided to go have a look, satisfied with what I had captured so far. By the time I got to my view point, the lightning had stopped, the system had spread a lot further and wider and turned into just really good rain. I’m never going to complain about that and I managed to capture the last of the structure as it approached the hills north of Rosewood.

A storm front approaches the hills around Rosewood in Queensland Australia as captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 320, 17mm, F/5.6, 1/80 sec, handheld

And that was it, time to call it a day, head home and start looking at my photographs on the PC.

It was a good but challenging chase, quite messy so tricky to work out the best location to shoot from. That’s mother nature for you, rarely predictable, always beautiful 🙂 To the locals out there reading this, I hope you got a drop, as we all certainly need it.

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

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An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.

Little Brown House – Amazing Light After Storms

I had no luck chasing storms this weekend. They all developed further north of my location, too far away for me to get to in time as they formed quickly and moved quickly.

However, one thing I’ve learnt over the last 10+ years, some of the most amazing light comes during and just after bad weather. There were still a few unsettled systems around, the clouds were moving quickly, and it was midday. I figured it might be time to head out and have a play with some long exposures, all the while keeping an eye on the radar just in case something developed further.

I headed out Gatton way and met up with my good mate Craig. Craig is a local and with that comes local knowledge, and access to some amazing locations. We headed to a nearby property where there is a great old building. Waving to the lovely elderly owner as we came in, we setup around the shack and played with various filters, settings, framing, compositions while the clouds streamed across the sky. The colours were great, however it was very harsh light. We soon worked out around 12-16 stops of ND filters would give us around 4-6 minute long exposures if the sun was behind a cloud. Over the next hour or so we took a lot of photos.

In my mind I knew I wanted to get a black and white image. I put a polarising filter on, which had the two benefits of making the blue really pop in the sky (helps it go dark in conversion) and adding around 1-1.5 stops of darkness. Then I also put on a 10 stop and 6 stop filter. So all up, quite a lot of darkening to really get that super long exposure. Thankfully, Olympus has a great feature called Live Time. I set my aperture to F8, ISO to standard 200 for my camera, and the update interval to every 30 seconds. Then I press the shutter and the camera goes for it. Every 30 seconds the back screen updates with the exposure, and the histogram. It’s simply a matter of waiting until I think the exposure looks good and stopping the photograph. I converted the image to Black and White in Photoshop using Nik Silver Efex Pro and decided the darker moody look really worked with the side lighting that was going on and the amazing textures of the shack contrasting against the smooth sky from the long exposure. Here is the final result :

A stunning black and white long exposure of a rural shack near Gatton in Queensland, Australia
Olympus OMD Em5 Mark II, 12-40mm Pro, ISO 200, F/8, 320 Seconds

This session was a lot of fun. We were in no rush and could really take our time and experiment. I showed Craig how I shoot panoramas, we played with taking time lapses, can’t beat a time like this. Finally we started noticing the colours were getting a little warmer, wow it was starting to get close to sunset.

Making the call, we moved locations to another fantastic shack that sits in the middle of a wheat crop. I’ve photographed Astro here before with Craig and this time were we hoping for one of those magic sunsets. As soon as we arrived and saw the colour of the golden wheat I told Craig we needed to get this photographed while the sun was still up as it would make the whole place glow. Well with the clouds still moving towards the west, the sun was breaking in and out so it was a bit of a race to setup, work out a composition and get some shots in the bag. I wanted to emphasise the amazing crop so I put the sky towards the top of the frame. I also didn’t want to make it all about the sun so I put it right off to the edge as best as I could while keeping a good angle on the shack. I used a Lee 2 stop hard Grad filter, angled slightly to the right to help balance the brightness of the sky with the ground. Within 5 minutes the sun broke through and I captured this photograph :

An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.
ISO 200, 12mm, F/5.6, 1/400 sec, 2 stop Lee Hard Grad filter

I honestly think this is the best rural landscape photograph I’ve captured to date and I’ve added it to my Landscape Portfolio. I’m absolutely in love with this image and it brings to my mind some of the awesome building/shack photographs that my idol Ken Duncan has captured over the years in panorama format. I work in 4:3 ratio as that is the standard of my camera and I really just love how everything fell into place with this photo. This will be 100% going on the wall at home.

We stayed until well after sunset, right through blue hour, hoping for more colour in the sky but the clouds to the west ended up blocking the rest of the light. I’m so happy we got here early enough to get this photograph. The title of this photograph was not selected by me, it’s actually the owner of the property who insisted we call it this if we get a photograph, so in honour and with many thanks for the access to his private property, I have called it Little Brown Shack, may she stand over the fields of gold for many years to come. Please make sure you have permission to get access to any locations on rural properties, it’s so important to respect their land.

As a bit of fun, I’d love to know what you think would be a great title for this photograph, post your ideas on the comments below!

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

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An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia

Midnight Express

With only a month or so left this astro season to get the Milkyway core, timing is becoming everything. This year the moon is really playing havoc. Ideally I want a thin sliver of moon, behind me when I’m looking at the Milkyway. Not this year, it will only be full moons and they will be right in the middle of the core, massive pain in the @ss.

So my only real option is to shoot when there is no moon. This weekend is the last chance for the next few weeks so I sat down on Friday night and figured out what I wanted to photograph. There are a couple of photos I really want to get, but they are just concepts in my head, I haven’t found the location that’s right to pull those off.

I settled on looking for roads or anything else that went in the direction of the core when it was around 30 degrees up in the West. There were a few promising dirt roads, but then I saw the train line running west from Rosewood, with a crossing, and knew I had to give this a try.

A quick trip from home, slowed down somewhat by the dozens of Kangaroos lining the edge of the road. They were all happily feeding but boy it makes you jumpy and your eyes get very sore as you keep them locked wide open looking for one who decides to try and race you. All good tho, I arrived on location without incident. Getting out of the car it was dark, it would take a bit of time for my eyes to adjust, but the one thing I could see was the core and it was incredibly bright! Crystal clear conditions, temps around 10 degrees C, no fog or mist. There was just a slight breeze coming in from the west and although that put a real chill in the air, it was keeping conditions amazingly clean.

I picked this spot for several reasons. One, its a crossing with notification, it also has a good kilometre or two of track in both directions, very easy to spot anything oncoming. I also had checked the timetables at home, not many things running at 12:30am out this way thankfully. So yes, there is an element of danger to this, I only spent time on the crossing to change settings and activate a shot, then I would move off the crossing and keep an eye down the lines.

Other than some ninja cows in a nearby paddock deciding to scare the bejezus out of me, there was nothing around. As there was no moon, I would have to blend exposures to get both the tracks illuminated and the Milkyway captured.

For the foreground I put the camera in to Bulb mode, ISO 640, F2.8, and locked the shutter open. I used a torch to paint along the tracks for around 20 seconds, then let it run for a full 4 minutes capturing ambient light. This worked well and I could tick off the foreground shot. For the stars, I refocused carefully on a bright star making sure not to move the camera at all. I then changed my ISO to 3200, set shutterspeed to 15 seconds, still at F2.8 and got my star shots. It was an easy blend using a simple mask in photo shop to merge the two together. From there I went through my normal editing workflow to get this final result :

An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia
Olympus OMD Em5 Mark II, 2 Shots Blended, 12mm

As you can see, I’ve kept the ground except for the tracks quite dark, but still with some detail. This is night after all. I also like how the light painting of the tracks came out, it’s almost like I’m at the front of a train, or walking the line.

I’ve added this photograph to my Astro Nightscape Portfolio, please check out my other works. You can purchase my photographs as prints, canvases, or metallic prints, simply contact me to request a quote.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

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Overgrown – Forgotten Things

Astro season is well and truly progressing. Most photographs now are going to be with the milkyway core lower to the west and horizontal across the sky. It’s still very early in the morning to get these photos, peak time being between 1am and 3am Queensland time.

Most locals know of this shack out Mt Walker way, and I’ve been photographing it for years. A big mention here, please respect the owners property and do not enter. There have been issues in the past with people trespassing. There used to be a large tree behind the shack, it’s gone now, changing the scene somewhat but I’ve found it works well for the shot I envisaged. I just love the overgrowth on this old shack, which was originally a Butchers shop many years ago.

Part of my planning for this photo was I wanted to get the core larger than it would normally appear using a wide angle lens. So I used my Panasonic 20mm F/1.7 prime lens for this shoot. It has an equivalent of a 40mm field of view on a full frame camera, quite zoomed in from my normal photos.

The trick here is I couldn’t get all of the scene in one photograph. So putting the camera in vertical orientation, I took a series of shots across the landscape and created a panorama. Final crop brought it back to my standard 4:3 view ratio. By zooming in, the core appears much larger in respect to the foreground. You also end up with a larger photograph to work with from the final stitched result which is always nice.

The other aspect I had to contend with was the moon was up, and it was bright being a 1/2 moon. I was worried it would put too much light into the sky and I wouldn’t be able to capture the core. The benefit is it lights up the landscape beautifully, no lightpainting required this night. The photographs were taken at ISO 3200, 10 seconds, f/1.7. Such a high ISO but with so much light around, noise was really kept to a minimum.

I’ve added this photograph to my Astro Nightscapes gallery and this will become part of my Forgotton things collection in the future.

A beautiful night sky at Mt Walker near Ipswich Queensland Australia with the beautiful core of the Milkyway soaring over this old overgrown shack that used to be a butchers shop. Captured by Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5.2, Panasonic 20mm, ISO 3200, F/1.7, 10 seconds, Stitched Pano

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia

Forgotten Things – Title of this series I’m working on

I started out this winters astro photography season with a simple goal. Get some great photos and improve my skills. Little did I know I was going to strike so much gold out in those cold nights. Coming across various locations with beautiful old buildings and machinery, remnants of rural life, and being able to capture them under the core of the Milkyway is the stawberry on top of the icecream for me.

So much so that I’ve decided I will will make this a series and have I’m calling it “Forgotten Things”. I expect this to take a couple of years as astro season is pretty much half way through now. I found last night shooting to the east is no longer a real option, all shots from now will have to be to the west, which puts the core in a much more horizontal view.

I’ve been itching to get out all week to get this shot but the elements were conspiring against me. Calm conditions led to the various rural fire brigades back burning the build up of fuel on the ground in preparation for summer. There was far too much haze, especially to the west to get the core where I wanted it. It ended up being a bit of a race against time. Once the haze cleared, the clouds closed in for a day, and the moon was getting brighter and brighter, and higher in the sky each night.

Finally, I made the run for it last night. Leaving home there were still some clouds in the sky to the west but had just moved off when I went to shoot, thank goodness. My plan was to arrive on location right around 1:45am, which was moonset. I ended up being about 15 minutes early which is just fine, it allowed me to work on my composition a bit. I tried various setups, directions, orientations, I ended up going with landscape orientation for this. As I had to shoot side on to the truck, the width worked well, so now it was just a matter of waiting another 20 minutes for the core to get to the right spot. Easier said than done as the temperature dropped below freezing.

Finally things were good to go. For the stars I used an ISO of 5000, F/2.8 for my aperture and 15 seconds long exposure at 12mm on my Olympus lens. This is great dark sky country, and only 45 minutes from home, really letting me crank that ISO to get as much detail in the core as possible.

For the foreground shot, I swapped my camera over into Live Composite mode, dropped the ISO to 400 for a lot less noise, increased the aperture to F/4 for a little more depth of field and sharpness. Then activating live composite via my mobile phone and the Olympus App, I was able to walk around the truck, painting it with my torch, watching the updates on my phone. I just love Olympus technology so much. For those who don’t know, Live Composite is an in camera feature that takes a base exposure, then at an interval you set, updates that exposure with new light only, it’s the gold standard in technology for light painting, nothing does it better.

Back on the computer it was really a matter of opening both photos as layers in photoshop, and using a simple mask, blending one into the other. Once combined I then polished and processed to my taste, and here is the final result :

A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, 12-40mm Pro Lens, 2 images blended

I’ve added this photograph to my Astro Nightscapes Portfolio. Once I have around 10-15 photographs in this Forgotton Things Collection, I’ll create a separate page for those. Detail wise, I think this is my best astro photo to date. I’m totally confident in my skills and techniques now. Its really all down to waiting for the next dark moon, and finding the next forgotten thing to capture. What do you think about this new series I’m working on? Comment below, I’d love to read your views.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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An amazing old farm truck, going to rust, lies in the open paddock as amazing light and colour of sunrise bursts across the landscape south of Ipswich, Queensland Australia in this amazing Rural photograph my Landscape, Storm and Weather photographer Murray Fox.

Sunrise Truck

Well after a false start yesterday (I slept in!) I kicked myself out of bed at 5am this morning to head out for dawn and sunrise. There was a pretty good cloud cover, I wasn’t sure if there was going to be any light, but fortune favours the brave and I pushed on to a secret spot south of Ipswich I’ve been wanting to photograph for over a year.

I first discovered this truck last year when driving around the back roads looking for locations. I find these random scouting trips and produce awesome locations if you think about what the light will do at certain times of the day. This old truck just sitting in a field I thought should be good for a sunrise, as well as for an astro photo, depending on the time of year and direction you face.

Using various apps and the Photographers Ephemeris is figured winter would be the best time of year with the best chance of light coming up behind the truck. I arrived on site around 20 minutes before dawn colour should start. So it was a matter of sitting back in the car, reading a good book (I’m currently reading my way through Brandon Sandersons Oathbringer) and waiting to see what would happen.

Once there was enough light on the landscape, I setup shop, using two tripods, one with my Mamiya 645 medium format camera and one with my Olympus OMD Em5.2 digital camera. I captured photographs with both, I’ll have to wait to finish the film roll to see what colours the Ektar 100 film brought out.

I used a 2 stop hard grad filter to control the sky, pretty much evening the exposure right across the scene. Settings on my Olympus with the 12-40mm pro lens were ISO 200, 12mm, f/8.0 and 1/2 second time, it was still pretty dark. The light and colour just exploded across the scene, and only lasted a couple of minutes, just enough time to get shots with both cameras. You really need to know your gear when the light happens that quickly, especially across two systems lol!

An amazing old farm truck, going to rust, lies in the open paddock as amazing light and colour of sunrise bursts across the landscape south of Ipswich, Queensland Australia in this amazing Rural photograph my Landscape, Storm and Weather photographer Murray Fox.
ISO 200, 12mm, F/8.0, 1/2 second

I’ve added this photograph to my Landscape portfolio and it’s available for purchase as an A2, A3 or Canvas print. Just contact me for pricing.

The clouds pretty much closed in after this and the light was gone. No more photographs this day but I will be back to this location sometime in the next few weeks to try and shoot an astro photograph, this time from the front with the core of the milky way behind. If I can capture what I’m visualising it should be another amazing phtoograph.

Thank you for reading, I hope you enjoyed this weeks blog post. I’d love to hear your thoughts and comments by posting below.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
Amazing frost and icicles in the winter hang from this fence line near Warwick in Queensland Australia as the beautiful dawn light approaches in the landscape photography by landscape, storm and weather photographer Murray Fox

Frost Hunting

Conditions were looking good for some frost up the range this morning so I headed out at 4am to make the 1.5 hour trip. I’ve been to this area before but never looking for frost so I wasn’t quite sure what I would find. Arriving at location before dawn, it certainly was looking good, as stepping out of the car seemed like a mission in insanity as the chill hit me full force.

As the sunrise approached, my first location was proving to have no frost. I decided to move to another area, and driving along the highway I noticed a few farms were spraying water on their crops. I knew I had to find a spot where this was happening as that was my best chance of getting frost. Turned out only one was near a road, not quite facing the ideal direction towards the sun for me, but I really liked the background view, and the dawn colour coming through was amazing.

It was quite a mission to get these frost photos, as the sprayer was still operating, only giving you a minute or so window to run in, setup, get your shot, and run away again or cop a very very cold drenching! This first photo shows the wonderful icicles hanging off the fence line as the sun approaches the horizon below the range in the distance. Captured using my Olympus OMD EM5 Mark2, and the Olympus 12-40mm pro lens mounted on my Zoemi carbon fibre tripod (it’s light weight is a god send when running away from water lol!). I’ve added this first photograph to my Landscape portfolio.

Amazing frost and icicles in the winter hang from this fence line near Warwick in Queensland Australia as the beautiful dawn light approaches in the landscape photography by landscape, storm and weather photographer Murray Fox
ISO 200, 14mm, f.8.0, 1/20 sec

Now I waited for the sun to break over the mountains to the east as I wanted to see what that beautiful golden hour light would do to the scene. Behind me was a typical rural shed and as the light broke over the scene it lit it up and the background mountain with stunning golden light. I shot this is olympus high res mode and cropped it to 2:1 as the scene really worked with that wider view.

A classic rural golden hour sunrise near Warwick Queensland Australia landscape by Landscape, weather and storm photographer Murray Fox.
ISO 200, 18mm, f/8.0, 1/60 sec, Olympus Hi Res Mode.

Finally the sun hit the icicles and it was time for a close up. I zoomed in to 40mm (80mm equivalent on a full frame camera) and with the colours of the background, and the golden light hitting those stunning icicles, I just love this result. I’ll be printing this for my wall for sure!

Stunning frost icicles hang off a fence on a sub zero winters morning near Warwick in Queensland Australia as captured by Landscape, weather and storm photographer Murray Fox
ISO 200, 40mm, f/8.0, 1/60sec

Finally it was time to jump back into the car and defrost. Heater on full I made my way back down main range towards home, but not before stopping to capture this photograph the Main Range itself as it looked awesome in the last of the golden morning light.

ISO 200, 17mm, f/8.0, 1/640sec

So I didn’t get the whiteout I was secretly hoping for (very rare!) however I’m extremely happy with the images I did get. Winter isn’t even half way through yet and I’m sure there will be more cold mornings to go chance these wonderful scenes. Thank you for reading, I hope you enjoyed this weeks blog post.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!