Tag: field

Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland

Ramblings – Exploring Film

Over the last year or so I’ve been playing around with film, in black and white which is the cheapest option I’ve found as I can develop at home quite easily.

It’s surprisingly a bit of a learning process. Digital cameras these days make life so much easier. My Olympus has live view in the view finder, will show me under and over exposed areas in real time, with a histogram overlay so getting exposure wrong is pretty much impossible. I’ve shot in RAW format for years which means every photo has to be post processed to bring back the contrast and colour and tweak it to show what I want to represent. I spend more time in front of the computer than behind the camera for sure, and I enjoy that process.

With film I’ve found I have to really slow down. Are my settings correct? Is my exposure right? I’ve had to re-learn measure exposure all over again. Every click of the shutter costs real money so you are double and triple checking every step, and also really considering the photograph, is it worth taking? It’s quite enjoyable and I find the results very rewarding.

I’ve been spending a lot of time looking at photographs I really enjoy, landscapes that inspire me, works that draw me in, and something I’ve discovered is the majority of those photos have been captured on film, and on large film to be precise. My recent trip to visit my family on the Central Coast of NSW saw me drop in to Ken Duncan’s Gallery (again!) and really spend some time viewing and looking at his works. They are printed big, on beautiful hahnemuhle paper, and framed wonderfully. These are the types of photographs I love. And it’s really interesting, you can spot the digital photographs he has taken with his awesome digital medium format cameras a mile away, they are sharp as a tack, amazing detail, but I kept leaning towards the photographs captured on film. They have a bit more glow, are usually a longer exposure, some of the details aren’t quite as sharp, you can see where the exposure had to be nailed to get it right at point of capture. And the colours..film has colours I don’t think digital can reproduce, they are just stunning.

I have two film cameras at the moment. A lovely Olympus Trip 35 point and shoot style 35mm camera that I generally load with black and white and use for street style photography or family snaps. It’s almost set and forget, just pick a focus zone and don’t worry about exposure, it nails it every time, yes, every single time, it’s an amazing piece of kit.

Olympus Trip 35 Film camera Murray Fox Australia Queensland photography
All that stuff around the lens measures the exposure, and powers the camera, no batteries here!

My next camera is a new purchase, a Russian made Lubitel 166 Universal. This is a twin lens reflex (TLR) medium format 120 film camera. It’s extremely simple and extremely manual in use, creates either a 6×6 or 6×4.5cm negative per photo (there is a mask you can change but you are looked into that option for each roll. You look down through the top to work out your composition, and use a little magnifying glass inside to get the focus correct.

 

Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland
The cheapest medium format camera anywhere in the world, and gives great results when used right!

I’m working my way through a roll of black and white Fomapan 200 creative at the moment with this camera and absolutely loving the process. Working on a tripod (as I always do) getting the composition just right (the view is back to front so it makes you work for it!), measuring the exposure of the scene (I use a simple phone app), putting your settings in, cocking the shutter and then taking the photo. In 2 hours on the weekend I took two shots, total! And I loved it! The whole process of slowing down, really looking at the light of a scene, double checking exposure, framing, settings, and finally committing to the shot is really amazing to me.

My first roll is almost finished and this weekend I’m taking another little step in my film journey and shooting some Ektar 100 colour negative film. This is the modern landscape film of choice. Velvia 50 is what Ken Duncan uses a lot but it’s a lot harder and more expensive to use. The Ektar is very forgiving if you don’t quite get the exposure correctly and gives amazing colour and contrast. I’m really excited to see what results I can get from this film.

Medium format film, scanned in properly, will give a photograph file far larger than anything you can get from any DSLR digital camera, I’m talking hundreds of megapixels of data with a massive range of tones. I can scan a 35mm negative in at around 60mp, I can scan a 6×6 negative in at around 6 times that! The trick I use is I actually use my Olympus OMD Em5 MarkII digital camera, with a macro lens to take a photo of the negative, in hi res mode! Works startling well if you prep everything right.

All of this has me thinking about the next step in my photography. I really want to capture more landscapes with film, and I really want to have the full ability of selective choice in composition. I want big negatives that can give incredibly huge prints, I want the colours and tones that film gives with that beautiful fine grain. And I want bigger than 120 medium format! So now I’m saving, I’m working on getting a 4×5 field View Camera, a modern day version of what Ansel Adams used to use (although he was shooting bigger again with 8×10 I believe). A camera where it’s one shot per film, you need a dark cloth over you and the back of the camera just to compose, but you have the amazing ability to change the lens height, angle, swing for amazing depth of field, or custom focus bands. And a negative that is 4inch x 5inch in size, scanned size? @#%#@ huge!!

So I’m not quitting digital, I love my Olympus and it’ll be with me this weekend. But I’ll have the Lubitel and Olympus Trip with me as well, and they’ll be taking photos in a different way, it will be very interesting to see the results. I think film has a future in my work, some of the results that can be achieved with film are astonishing, and the process of slowing down, the time involved means more investment personally with every photograph taken. I look forward to a hybrid future of digital and analog.

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A beautiful dawn sky lights up the landscape over this old farmhouse in South East Queensland Australia

Beautiful Farmhouse Sunrise

I honestly think Queensland has the best old farmhouses in Australia. These beautiful old buildings dot the landscape, usually tucked away in little corners, some more known that others. I discovered this one a few years ago and finally thought conditions would be right to try and photograph it.

It’s a good drive from home, so another early start was required to get to my spot an hour before sunrise. I often find the best colour of sunrise to be before the sun gets up, the deep saturated colours look amazing and to capture them, you need to be on site well before time, setup, framed, and ready to shoot.

Battling my way through neck high grasses I got to my vantage point on the fenceline (thankfully a bit clearer) and set up shop. My aim this morning was to capture two, maybe three photographs of the same scene, each in their own different way.

The first photograph I captured was during the peak colour of dawn. The colour penetrates far into the sky, illuminating several layers of clouds which is always great as it puts colour everywhere. There was a little bit of a breeze, adding  to softness in the grass in the foreground due to movement over a long exposure. I framed everything quite centrally as I find it gives a lovely feeling of calm, just the thing for a scene like this. I used a 3 stop graduated filter to control the brightness in the sky.

A beautiful dawn sky lights up the landscape over this old farmhouse in South East Queensland Australia
Olympus OMD Em5 Mark 2, 12-40mm Pro @ 30mm, ISO 200, F/5.6, 50 second exposure

Next I decided to extend the exposure time even long and added a 6 stop filter. The clouds weren’t moving as fast as I hoped, but I waited for the light to be bright enough to give me around a 3-4 minute exposure, set my camera to live time and let it rip. Live time allows you to see regular updates of your exposure to ensure you get it perfect everytime. I had updates at every 30 seconds for this shot.

I do like this effect, the clouds soften right up and the foreground became even softer giving an almost dream like effect.

A stunning long exposure of a farmhouse with an amazing colourful dawn sky in South East Queensland Australia
ISO 200, 4 minutes, F/5.6

The final photograph I wanted to capture didn’t happen. The sun was to rise above the farmhouse right next to the mountain in the background. Unfortunately the clouds closed in and kept that light from happening. Welcome to landscape photography and I wasn’t upset in the least and very happy with the two photographs I got. I think it’s important to take the time and stay in your location for as long as possible to cover all the variations in light that may happen.

Thank you for reading this post. I would love to hear your opinions on this post or even just when is your favourite time of day in the comments below.

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A beautiful old tractor sits in the paddock as the core of the milky way lights up the sky above it near Kalbar and Boonah in the Scenic Rim of Queensland Australia south of Ipswich.

Kicking off Milkyway Season with a Bang!

With clear skies at night, not too cold and not too warm, conditions were absolutely perfect to chase some Milky Way photographs. It would mean a couple of late nights as the core only started to rise around 11pm, with peak time 1-2am however it certainly was worth it.

During the off season I’ve been watching a lot of videos and reading up on various techniques used by the best of the best when it comes to night time and astro photography. I had a head full of new ideas, which included changes to how I worked in the field capturing the images, as well as how I post processed the photos back on the computer.

Now I’ll be very up front about this, none of these photographs are a single image. It’s possible to do, however I don’t believe you can get the quality of file, increase of detail and control of noise in a single image, that you can get with multiple exposures. Some people get their knickers in a knot if it isn’t a single photograph, it doesn’t bother me in the slightest. My simple goal was to create an image of the vision in my head, using any tools and methods I could.

I met up with a very good friend and we decided to head south of Ipswich towards the rural farming areas. I knew of a couple of barns and other items that could make for a very interesting foreground, and hopefully would line up with the Milky Way behind them. I simply cannot pick which photograph is my favourite.

First stop was a barn and god was with us as it was full to the brim of bales. The sky here is so dark you can easily see the Milky Way with your eyes and that makes framing a since. I setup my gear, firmly locked down my tripod and focused on the stars (Olympus is amazing in that you can use focus peaking on the stars, just pick a bright one and it’s done). I proceeded to capture 8 photographs at ISO 5000, F/2.8, 15 seconds per exposure, at 12mm (equivalent to 24mm on a full frame camera. The 15 seconds ensures no star movement for pinpoint lights. I really racked up the ISO as I knew I would be stacking in and that will significantly reduce noise.

Once the sky shots were done, the fun began. I switched my camera to Live Composite mode, dropped the ISO to 400 for a lot cleaner file, and let it start. I used a torch to light paint the barn, first from the left side until the exposure was where I wanted it, then added a little fill from the right to soften the shadows.

All of this was stacked, blended, merged etc in Photoshop, there are some great videos on youtube about how to do this. And here is the final result!

An amazing night time photograph of a barn full of hay bales, beautiful illuminated with the core of the milky way rising behind it near Kalbar and Boonah in the Scenic Rim of Queensland Australia south of Ipswich.
Olympus OMD Em5 Mark II, 12-40mm Pro, Multiple Exposures

Next we moved on down the road to where I had previously seen a tractor. Not knowing it was still there, I was very thankful I had spotlights on my 4wd to help light up the sides of the road, otherwise I may have missed it.

For this photograph the techniques used on the barn would be the same. This time I had to set the camera lower and closer, trying to fill the frame with as much of the tractor as possible, but still allowing room for the Milky Way around it. We could hear a pump running out in the field and before long, the Farmer who owns this land was out on his bike in the dark (stuffed if I know how he didn’t hit something!) checking his sprayers. He dropped over to say G’day (and check what we were doing). He was off to bed for a few hours nap before getting up to check the sprayers again. Life can be gruelling for a farmer, they all have my utmost respect.

Again, I captured 8 images for the sky and one light painted one for the tractor and ground. I always recommend painting from both sides to even out the light a little.

A beautiful old tractor sits in the paddock as the core of the milky way lights up the sky above it near Kalbar and Boonah in the Scenic Rim of Queensland Australia south of Ipswich.
Olympus OMD Em5 Mark II, 12-40mm Pro, Multiple Exposures

There was one more photograph I had envisaged to capture before heading out this night, and that was of some beautiful crop lights with the Milky Way over them. Unfortunately it looks like I missed out by one day as all the fields had been just harvested. I’ll just have to wait until later in the season to get that photograph. So instead we took a drive back into Peaks Crossing where you have a clear view of Flinders Peak to the east. By this time (2am) the core was at a nice height in the sky. Again I captured 8 images to stack for the sky, and used my torch to paint in the foreground. On a clear night light this, if you are staying in an area with pretty much the same light pollution levels, you rarely need to change your settings, allowing you to spend much more time on the important things like composition and spooking yourself in the dark.

A stunning view of the core of the milky way as it rises over Flinders Peak near Peak Crossing in the Scenic Rim south of Ipswich, Queensland, Australia
Olympus OMD Em5 Mark II, 12-40mm Pro, Multiple Exposures

Finally as a bonus, I had headed out the night before this to South Ripley to do a test run of my settings, post techniques etc. I captured this photograph. I think it’s came out a bit dark, ISO used for the sky was 3200, which is why I upped to 5000 for the next night. Practice pays.

A beautiful clear night at South Ripley, near Ipswich Queensland Australia as the core of the milky way rises over the farmland.
Olympus OMD Em5 Mark 2, 12-40mm Pro, Multiple Exposures

As the season progresses, I’ll be doing a lot more astro photography. Thank you for reading.

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Mt Moon in the Scenic Rim south of Boonah in Queensland Australia. Beautiful Dawn light as sunrise approaches, amazing purples and blues in the sky, cloud across the peak and mist laying low on the ground. Australia Day 2018 landscape photography

Australia Day Sunrise 2018 – Just amazing!

I’m always on the lookout for new locations to photograph. Finding those locations and then getting access to them can be tricky here in South East Queensland. We have a lot of rural areas, farms, parks etc that limit just how close you can get to the view you want.

Lately I’ve been interested in shooting more panoramas, last week I caught a great sunset over Lake Moogerah, this week I wanted more of a mountain shot. Scouting around I found a great peak south of Boonah called Mt Moon. it’s slightly off the main road so I’d never really paid attention to it. Google maps showed it could work very well for a panorama, with a couple of challenges to overcome.

First, you couldn’t get that close, I’d have to shoot from the edge of the road around 2-3ks distant. So I figured I’d have to zoom in and decided I’d use the Olympus 45mm f/1.8 prime lens in portrait mode. This lens is fantastically sharp, and stopped down a bit it would easily get all the scene I required in focus as the subject was a good distance away. I also figured I would shoot in the hi-resolution mode of my Olympus OMD Em5 Mark II to give me massive files with a huge amount of detail, and little to no noise. I would need approx 6 vertical shots across the scene to capture the width needed to get a final 3:1 panorama. I would be shooting with the sun (sunrise directly behind me) so it would be a fairly low contrast photograph which would suit the mood I was thinking of.

Arriving on location I picked the spot which would give me the panorama of Mt Moon that I wanted, however I was very soon distracted by the amazing light and colour coming up from behind me as sunrise approached. I simply couldn’t resist capturing a photograph of it and as you’ll see in the video, that colour just kept coming and coming.

Amazing colour in the sky as sunrise approaches the scenic rim near Mt Moon south of Boonah, Queensland, Australia
CLICK TO VIEW LARGE 13sec, f/5.0, ISO 200, Olympus OMD Em5 Mark II, Olympus 12-40mm Pro @ 22mm

I was hoping that I could get colour in the sky above the peak, and that first direct orange glow of light hitting the peak itself. As usual nature decides to do it differently and when there was colour in the sky, the light was okay on the peak, lower clouds blocked the direct golden light I was planning on. However, the pre dawn colours turned out to be amazing, throwing up 360 degrees of amazing skies.

There was fog low to the ground in front of Mt Moon that kept coming and going, and some wonderful cloud around the peak. I took many series of shots, trying to time it so that I had both where they looked good. Finally, the reverse sunrise sky turned an amazing shade of purple with wisps of pinks through it. Here is the final photograph, Mt Moon Panorama :

Mt Moon in the Scenic Rim south of Boonah in Queensland Australia. Beautiful Dawn light as sunrise approaches, amazing purples and blues in the sky, cloud across the peak and mist laying low on the ground. Australia Day 2018 landscape photography
CLICK TO VIEW LARGE 1/8sec, f/5.0, ISO 200, Olympus OMD Em5 Mark II, Olympus 45mm f/1.8 Lens, Six Shot Panoroama hires mode.

I’m very happy with the final result. The golden hour colour didn’t happen until much later after sunrise, and by that time the colour had all gone from the sky. In the future I may have to work on a bit of a time blend to see if I can put together best best of both parts of sunrise. I did head up the road a little way to a wonderful old abandoned farmhouse and captured the golden hour light shining through. The square crop worked very well for this and this is a perfect photo for my Instagram account.

An abandoned farm house is bathed in golden hour light as the sun breaks through the trees at sunrise, near Mt Moon, south of Boonah in the Scenic Rim Queensland Australia
CLICK TO VIEW LARGE 1/200sec, f/8.0, ISO 200, Olympus Omd Em5 Mark ii, Olympus 45mm f/1.8 lens

Finally, I’ve created a behind the scenes video of this morning, going into some of my setup in more detail, and just displaying some of the amazing light that happened on this wonderful Australia Day 2018.

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An amazing storm with stacked layers in the clouds looms over a barn illuminated by light with flinders peak mountain in the background. Captured Christmas day 2017 at Peaks Crossing between Ipswich and Boonah in South East Queenland Australia.

Happy New Year for 2018

A very Happy New Year to you all. I’m kicking off the year with a big emphasis on my photography and this website. My blog is now re-invigorated, I’ll be posting about my latest editions to my portfolios, about recent photograph shoots, trips and tricks, and giving you an insight into the behind the scenes of my work.

Christmas day was a real winner for me, a late afternoon storm saw me out south of Ipswich looking at this marvellous cloud formation. As luck would have it I had the perfect scene to compliment the photo. I’m sure you’ll agree it’s a perfect addition to my fine art storm portfolio. Check the full story and photograph here : BARN or click on the photograph below.

An amazing storm with stacked layers in the clouds looms over a barn illuminated by light with flinders peak mountain in the background. Captured Christmas day 2017 at Peaks Crossing between Ipswich and Boonah in South East Queenland Australia.

 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.



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