Tag: photography

How to Fake an Ultra Wide Angle Photograph

Astro didn’t work out for me this week, so I decided to practice a technique I’ve only used a couple of times. By stitching a series of photographs taken with a normal field of view lens, it’s possible to get an ultra wide angle photograph.

I’m now going to be vlogging all of my photo trips and putting them on youtube. I’ve uploaded my first vlog which goes into more detail about how I captured this photograph :

And here is the end result photograph :

3x3 Grid Stitched Panorama
A beautiful sunset near Ipswich, Queensland, Australia. This blog and Vlog show how you can fake an ultra wide angle photograph using a normal lens.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia

Midnight Express

With only a month or so left this astro season to get the Milkyway core, timing is becoming everything. This year the moon is really playing havoc. Ideally I want a thin sliver of moon, behind me when I’m looking at the Milkyway. Not this year, it will only be full moons and they will be right in the middle of the core, massive pain in the @ss.

So my only real option is to shoot when there is no moon. This weekend is the last chance for the next few weeks so I sat down on Friday night and figured out what I wanted to photograph. There are a couple of photos I really want to get, but they are just concepts in my head, I haven’t found the location that’s right to pull those off.

I settled on looking for roads or anything else that went in the direction of the core when it was around 30 degrees up in the West. There were a few promising dirt roads, but then I saw the train line running west from Rosewood, with a crossing, and knew I had to give this a try.

A quick trip from home, slowed down somewhat by the dozens of Kangaroos lining the edge of the road. They were all happily feeding but boy it makes you jumpy and your eyes get very sore as you keep them locked wide open looking for one who decides to try and race you. All good tho, I arrived on location without incident. Getting out of the car it was dark, it would take a bit of time for my eyes to adjust, but the one thing I could see was the core and it was incredibly bright! Crystal clear conditions, temps around 10 degrees C, no fog or mist. There was just a slight breeze coming in from the west and although that put a real chill in the air, it was keeping conditions amazingly clean.

I picked this spot for several reasons. One, its a crossing with notification, it also has a good kilometre or two of track in both directions, very easy to spot anything oncoming. I also had checked the timetables at home, not many things running at 12:30am out this way thankfully. So yes, there is an element of danger to this, I only spent time on the crossing to change settings and activate a shot, then I would move off the crossing and keep an eye down the lines.

Other than some ninja cows in a nearby paddock deciding to scare the bejezus out of me, there was nothing around. As there was no moon, I would have to blend exposures to get both the tracks illuminated and the Milkyway captured.

For the foreground I put the camera in to Bulb mode, ISO 640, F2.8, and locked the shutter open. I used a torch to paint along the tracks for around 20 seconds, then let it run for a full 4 minutes capturing ambient light. This worked well and I could tick off the foreground shot. For the stars, I refocused carefully on a bright star making sure not to move the camera at all. I then changed my ISO to 3200, set shutterspeed to 15 seconds, still at F2.8 and got my star shots. It was an easy blend using a simple mask in photo shop to merge the two together. From there I went through my normal editing workflow to get this final result :

An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia
Olympus OMD Em5 Mark II, 2 Shots Blended, 12mm

As you can see, I’ve kept the ground except for the tracks quite dark, but still with some detail. This is night after all. I also like how the light painting of the tracks came out, it’s almost like I’m at the front of a train, or walking the line.

I’ve added this photograph to my Astro Nightscape Portfolio, please check out my other works. You can purchase my photographs as prints, canvases, or metallic prints, simply contact me to request a quote.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!

Overgrown – Forgotten Things

Astro season is well and truly progressing. Most photographs now are going to be with the milkyway core lower to the west and horizontal across the sky. It’s still very early in the morning to get these photos, peak time being between 1am and 3am Queensland time.

Most locals know of this shack out Mt Walker way, and I’ve been photographing it for years. A big mention here, please respect the owners property and do not enter. There have been issues in the past with people trespassing. There used to be a large tree behind the shack, it’s gone now, changing the scene somewhat but I’ve found it works well for the shot I envisaged. I just love the overgrowth on this old shack, which was originally a Butchers shop many years ago.

Part of my planning for this photo was I wanted to get the core larger than it would normally appear using a wide angle lens. So I used my Panasonic 20mm F/1.7 prime lens for this shoot. It has an equivalent of a 40mm field of view on a full frame camera, quite zoomed in from my normal photos.

The trick here is I couldn’t get all of the scene in one photograph. So putting the camera in vertical orientation, I took a series of shots across the landscape and created a panorama. Final crop brought it back to my standard 4:3 view ratio. By zooming in, the core appears much larger in respect to the foreground. You also end up with a larger photograph to work with from the final stitched result which is always nice.

The other aspect I had to contend with was the moon was up, and it was bright being a 1/2 moon. I was worried it would put too much light into the sky and I wouldn’t be able to capture the core. The benefit is it lights up the landscape beautifully, no lightpainting required this night. The photographs were taken at ISO 3200, 10 seconds, f/1.7. Such a high ISO but with so much light around, noise was really kept to a minimum.

I’ve added this photograph to my Astro Nightscapes gallery and this will become part of my Forgotton things collection in the future.

A beautiful night sky at Mt Walker near Ipswich Queensland Australia with the beautiful core of the Milkyway soaring over this old overgrown shack that used to be a butchers shop. Captured by Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5.2, Panasonic 20mm, ISO 3200, F/1.7, 10 seconds, Stitched Pano

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia

Forgotten Things – Title of this series I’m working on

I started out this winters astro photography season with a simple goal. Get some great photos and improve my skills. Little did I know I was going to strike so much gold out in those cold nights. Coming across various locations with beautiful old buildings and machinery, remnants of rural life, and being able to capture them under the core of the Milkyway is the stawberry on top of the icecream for me.

So much so that I’ve decided I will will make this a series and have I’m calling it “Forgotten Things”. I expect this to take a couple of years as astro season is pretty much half way through now. I found last night shooting to the east is no longer a real option, all shots from now will have to be to the west, which puts the core in a much more horizontal view.

I’ve been itching to get out all week to get this shot but the elements were conspiring against me. Calm conditions led to the various rural fire brigades back burning the build up of fuel on the ground in preparation for summer. There was far too much haze, especially to the west to get the core where I wanted it. It ended up being a bit of a race against time. Once the haze cleared, the clouds closed in for a day, and the moon was getting brighter and brighter, and higher in the sky each night.

Finally, I made the run for it last night. Leaving home there were still some clouds in the sky to the west but had just moved off when I went to shoot, thank goodness. My plan was to arrive on location right around 1:45am, which was moonset. I ended up being about 15 minutes early which is just fine, it allowed me to work on my composition a bit. I tried various setups, directions, orientations, I ended up going with landscape orientation for this. As I had to shoot side on to the truck, the width worked well, so now it was just a matter of waiting another 20 minutes for the core to get to the right spot. Easier said than done as the temperature dropped below freezing.

Finally things were good to go. For the stars I used an ISO of 5000, F/2.8 for my aperture and 15 seconds long exposure at 12mm on my Olympus lens. This is great dark sky country, and only 45 minutes from home, really letting me crank that ISO to get as much detail in the core as possible.

For the foreground shot, I swapped my camera over into Live Composite mode, dropped the ISO to 400 for a lot less noise, increased the aperture to F/4 for a little more depth of field and sharpness. Then activating live composite via my mobile phone and the Olympus App, I was able to walk around the truck, painting it with my torch, watching the updates on my phone. I just love Olympus technology so much. For those who don’t know, Live Composite is an in camera feature that takes a base exposure, then at an interval you set, updates that exposure with new light only, it’s the gold standard in technology for light painting, nothing does it better.

Back on the computer it was really a matter of opening both photos as layers in photoshop, and using a simple mask, blending one into the other. Once combined I then polished and processed to my taste, and here is the final result :

A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, 12-40mm Pro Lens, 2 images blended

I’ve added this photograph to my Astro Nightscapes Portfolio. Once I have around 10-15 photographs in this Forgotton Things Collection, I’ll create a separate page for those. Detail wise, I think this is my best astro photo to date. I’m totally confident in my skills and techniques now. Its really all down to waiting for the next dark moon, and finding the next forgotten thing to capture. What do you think about this new series I’m working on? Comment below, I’d love to read your views.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
A stunning portrait of an Australian Pelican in the early morning sun, captured near Ipswich Queensland Australia by Landscape, Storm, and Weather photographer Murray Fox, branching out into wildlife photography and explaining how to use adapted Canon FD lenses on Micro Four Thirds Olympus OMD Em5.2 Cameras.

Bird Portraits with Micro Four Thirds & Adapted Lens

My favourite photographic competition is open again, the Ipswich Enviroplan. Run by my local council, this competition always gets a huge amount of amazing entries across the categories and I like to try and get a few entries in at least each one.

My fortay is landscapes, and I see it as a real challenge to photograph wildlife, especially birds. Micro four thirds cameras until recently have always struggled with this type of photography as they didn’t have the focus capabilities required especially for birds in flight. The latest top level cameras now have no issue at all with this, but I’m using slightly older tech. Regardless, when it comes to bird portraits (as I like to call them) focus is not as critical and it can be incredibly enjoyable getting out and about with just a long lens and camera, walking local parks, looking for subjects.

The issue for me has always been the cost of long lenses. The latest offerings by Olympus in the 40-150mm Pro and the amazing 300mm Pro are literally thousands of dollars, well out of my budget. But this doesn’t mean you have to go without. The photos in this post were all captured using a 20 year old 70-210mm F4 Canon FD lens, adapted to my Olympus OMD Em5.2 camera. The absolute beauty of Micro four thirds is because there is no mirror, and the smaller sensor size, you can adapt pretty much any lens out there and use it! This lens gives me the full frame equivalent of a 140-410mm lens, prefect for bird portraits.

When adapting lenses, keep in mind it’s best to get a fully manual lens (one that has adjustable aperture on the lens and is all manual focus). I believe you can adapt some autofocus lenses but the adapters can cost more than the lens. My Canon FD cost me a whopping $70 on ebay and the adapter was $27 On Amazon. Under $100 for a long telephoto zoom, than when used right works brilliantly? Yes please.

Take this first photo as an example of what you can capture with this lens. I’ll go through recommendations for settings further into this post. It was bright light, around 9am in the morning, and quite a high contrast scene. By exposing for the brightest feathers on the Pelican, I was able to make the background almost entirely black, really isolating the bird and to me, creating a wonderful portrait.

A stunning portrait of an Australian Pelican in the early morning sun, captured near Ipswich Queensland Australia by Landscape, Storm, and Weather photographer Murray Fox, branching out into wildlife photography and explaining how to use adapted Canon FD lenses on Micro Four Thirds Olympus OMD Em5.2 Cameras.
Olympus OMD Em5.2, Canon FD 70-210mm, F/8, ISO 200, 1/800 sec

The way I use this setup is to stop down the aperture on the lens 2 to 3 clicks, ending up around F/7.1 to F/8. This really helps minimise chromatic aberration these old lenses with their old coatings can get in high contrast scenes. You’ll see this as purple and green edges where bright and dark areas meet. Any aberration left is easily removed in post production.

I put the camera into full manual (M) mode. I will set the shutter speed depending on what focal length I’m at, and how much light there is, but as a general rule of thumb I try and have a shutter speed twice that of the focal length. For this shot I was at 210mm on the lens, which is the equivalent of 420mm on a full frame camera, hence I was at 1/800 of a second shutter. This helps eliminate any blurring from camera movement.

Yes the Olympus has brilliant 5 axis in camera stabilisation, and I’ll use it low light, but if I can get away not using it I will, I’ve just gotten sharper results, birds like to move unfortunately. The final adjustment is ISO. This is the setting I mainly use to adjust my exposure. If the bird is too dark, I’ll increase ISO, if it’s too bright, I’ll lower ISO. I set one of my dials to adjust ISO, making this super easy to do on the fly. If I’m at my max lowest ISO, I’ll then change the aperture to a higher F number like F/11, but to be honest, you rarely get that much light.

I will happily go to ISO 6400 to get a photo but generally max out around 3200. The main trick with Micro four thirds cameras is never under expose the shot. If you can adjust exposure so you are one tick off clipping the highlights, then you’ll most likely have a good photo and the noise will be very controllable, and actually add some detail.

This photograph I captured at ISO 2300, the histogram was as far right as it could go without touching the right edge, a perfect exposure. In post production I actually have to reduce the exposure to get everything back to looking good, and this really reduces the noise in the image. It’s the biggest trick with any camera and high ISO shots.

A beautiful Rainbow Lorikeet surrounded by colourful Grevillia photographed by Murray Fox, Landscape, Weather and Storm photographer at Colleges Crossing near Ipswich, Queensland, Australia
Olympus OMD Em5.2, Canon FD 70-210mm, F/8, ISO 2500, 1/640 sec

I should also mention here in bold, SHOOT IN RAW! This is really critical. Shooting in Raw captures so much more data than JPG does, allows you get really get colours correct, and is very important with regards to noise.

Other important settings I use is only shoot using the mechanical shutter. I’ve tested and tested and I can never get a photo as sharp using the electronic shutter as I can with the mechanical. I usually shoot in Sequential Low with the Diamond which stands for anti-shock being enabled. This gives me around 5 frames per second, and the birds generally are not moving that fast I can’t get a good series of shot from a burst or two. It also saves filling up the memory card so much and trying to sort through so many photos later back home!

For my view setup, I will enable highlight/shadow warning and the histogram in both live view and viewfinder. This allows you to very quickly judge if you are over or under exposed, and as mentioned before, you never want to be underexposed, which is different to letting some parts go black, but you want the bulk of the data as far right on that historgram as possible.

Now to probably the hardest thing to do with these old lenses, focus. It’s all manual, no autofocus here, you have to zoom, find the bird, fill the frame, focus, and shoot all in a very short space of time. Thankfully there are some great tools in Micro Four thirds that really help with this and the king is Focus Peaking. I have a button set to enable/disable focus peaking on my OMD. The reason for this is with the focus peaking enabled, you don’t get highlight/shadow warning or histogram in your viewfinder, so if the bird moves, or the light changes, you might now have an incorrect exposure as we are shooting all manual here.

So I will first check my exposure, then enable focus peaking and get the eye of the bird in focus (most important) and shoot a burst. If light changes, I’ll turn off the peaking and adjust. Rinse and repeat. With a button mapped this becomes second nature and extremely fast. You can also use zoom assist to really get in close and nail the focus, but usually only the the bird is quite content where it is and not going anywhere fast, this really takes time.

That’s exactly how I captured this last photograph. I really really love how this beautiful Blue-Faced Honeyeater is surrounded by those amazing orange Grevillea, a perfect frame for a beautiful subject. This also really shows off the depth of field you can obtain at 420mm f/8, quite impressive and lovely and smooth out of focus areas.

A beautiful Blue-faced Honeyeater surrounded by stunning Grevillea as photographed by Murray Fox, Landscape, Storm and Weather photographer at Colleges Crossing near Ipswich, Queensland Australia
Olympus OMD Em5.2, Canon FD 70-210mm, F/8, ISO 2300, 1/640 sec

So I’ll be out and about chasing more birds over the next few weeks, using all of the techniques I’ve discussed here. If you have the money, yes the latest offerings from Panasonic and Olympus are going to be a lot easier to use and give stunning results, or even some of the older gear like the Olympus 75-300mm will work very well. However, if you’re on a real tight budget, maybe even have an old lens lying around at home, adapt it and go!

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
The stunning core of the milky way rises over this magnificent old steam train near Rosewood not far from Ipswich, Queensland, Australia by Landscape, Weather and Storm photographer Murray Fox

Train Core

With another winters blast coming through in the last few days, moon set around sunset, and no light from the moon regardless, right now is the absolutely perfect time for astro photography this week.

As mentioned in my earlier blog post, I wanted to head back to the steam trains and see if I could capture a photograph with the core of the Milky Way over them. This turned out the be much more of a challenge than I first envisaged.

To start with, it’s actually a bit late in the season to shoot the core facing east now (which is the direction I have to face for this photo). As soon as dark night starts at around 6:30pm, the core is almost 60degrees up, very high and not as vertical as I was hoping. The next big problem, literally, is the size of these engines. Even with my widest angle lens I could not get even half of a train in vertical format, what to do what to do. I could try a panorama, but I was light painting the train, it would be very hard to get the same light between shots.

So I decided I’ll have to do some magic back on the computer to really bring it all together. What I ended up capturing was a vertorama, or vertical panorama. With the camera in horizontal orientation, I took a photo of the train, light painting it. I then took another photo with the camera in the same position for the stars behind. I then tilted the camera up, took another star shot and did this 2 more times. So I ended up with 5 photographs. It’s always a bit nerve racking to capture photos this way as you can’t see the end result. I knew I had a good shot of the train. I knew I had a good shot of the core, but would it all blend and stitch together, only time on the PC would tell.

Back on the computer it was time to get to work. I edited the light painted train photo first, getting it how I wanted. I then edited the photo of the core to get that right, and synced it’s settings to the other star photographs. I then took the light painted photo, and the corresponding star photo into Photoshop and using masks, merged the two together. This is basically putting one photo on top of the other, and then painting in around the train to reveal the light paining. I really like this process, it’s almost like I’m an artist working with a brush. Finally this photo was saved down and then all the photos stitched together into a panorama. The stitching worked perfectly, those trees left and right were a god send helping the software work out where each image started.

From there its my usual polish and creativity with contrast and colour to get this end result :

The stunning core of the milky way rises over this magnificent old steam train near Rosewood not far from Ipswich, Queensland, Australia by Landscape, Weather and Storm photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Pro, 5 images stitched and stacked.

I’ve added this photograph to my Nightscape Gallery.

For camera settings, for the light painting photo, ISO 400, F2.8, shutter locked open for around 2 minutes as I painted the train with my torch. For the star photos, ISO 2000 (I’m facing Ipswich in this direction so couldn’t get higher), F2.8, 15 seconds per photograph.

Thank you for reading. I’ll be out and about a fair few nights this coming week getting more astro photos, I can’t wait to share them with you. I’d love to hear your thoughts and comments by posting below.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox

Chasing Earths Shadow – Mt Walker Dawn

Winter is finally here in Queensland and it’s off to a great start. Temperatures around home have plummeted at night, reaching sub zero and everyone is breaking out the blankets and stoking the fires.

It also means that there is a complete lack of cloud, which, for a landscape photographer, can be rather annoying. However, there are always other options. Anyone seeing any of the sunsets lately would have seen the wonderful deep orange glow across the horizon to the west as the sun dips down. If you turn around, you’ll see wonderful pinks and purples of the reverse sunset that gradually fade as the blue lifts up from the east and night approaches.

This I call earths shadow, and the best part is, it happens at sunrise as well! During the 10-15 minutes before sunrise, the sky to the west will have amazing colour. In fact, you’ll have 360 colour with the shades changing depending on which direction you face.

I headed out this morning hoping the temps had gotten low enough to create some frost around, but the humidity was too high and I would have had to travel several hours further to get the good frosts. That humidity however, created some wonderful fog around the low lying areas. Knowing just he spot that might work for both earths shadow, and fog, I made my way towards Mt Walker.

I’ve photographed an astro photo here previously and with everything looking brown and gold (and in much need of rain!) those purples, pinks and blues turned out to be an amazing contrast to the scene. This was taken around 5 minutes before the sun actually rose, looking south west. To the west of me was much more pink and orange and I’ll be heading out again tomorrow to see if I can get those colours with another great scene.

Captured with my Olympus OMD Em5 Mark II, the Olympus 12-40mm Pro lens. I zoomed into 40mm (80mm equivalent on a full frame camera) to compress the scene, bringing Mt Walker closer to the water. I then used a Lee 2 stop hard grad filter to control the brightness in the sky and ensure I captured the colour. Finally I added a polarising filter to cut glare and really make those colours pop.

Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox
ISO 200, f/5.6, 0.5 sec, 2 stop ND Grad, Polariser

I’ve added this photograph to my Landscape Gallery, be sure to check out my other images. I hope to have some film developed and scanned in the next week or so, can’t wait to see the results.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox

Windmill Core

The moon has gone again this weekend and there wasn’t a cloud in the sky for 300ks. The temperature was forecast to be the lowest so far this year (around 5 degrees C in town, more like 2 degrees in the countryside). It looked like a perfect night for some more astro photography. With a slight breeze, everything stayed perfectly dry, no condensation whatsoever.

I caught up with my friend and after packing a few supplies (Picnic chocolate bars and Ice Coffee…yes Ice lol!) we headed out to a location I knew, but had not visited recently. I had word that a new windmill had been erected here and it looked like it was going to be in good alignment with the rising core of the Milkyway. With Mt Walker to the east of it, I thought I could get a really nice backdrop.

Arriving on sight we spent 10 minutes walking around looking at the angles. We noticed that we had a couple of problems to deal with. The first one as the core was not north enough to really put Mt Walker into the framing I wanted with the angle of lens I was using. The big one was the head of the windmill was facing almost due south, making it extremely hard to get a good view of it, and the core.

You can see from this first photograph the layout of the scene and one of my first attempts at seeing what result I could get. Mt Walker is to the left and there just wasn’t a workable angle.

A great view of Mt Walker at night with the core of the milky way rising over a windmill in this pure Australian Night time landscape photograph captured near Ipswich Queensland Australia by Award winning landscape weather storm photographer Murray Fox
Olympus OMD Em5 Mark II, 12-40mm Pro, F/2.8, 15 seconds, ISO 5000

Never one to give up, and we had a good hour window of shooting before the core was too high in the scene. I kept moving around working angles. Around 80 photos later (and they are all long exposures) I found I really liked this composition. Going vertical to really show the height of the Windmill, the core almost comes blasting out of it. And to top it off there were meteorites regularly dropping across they sky.

The peak of those is next weekend, it was great to see some real fireballs this night. I switched to a 20mm f.17 prime lens for this shot allowing a shorter shutter time (less noise) and a wider aperture (more light). This more zoomed in lens also enlarges the size of the core compared to the foreground, really bringing it into view. This also really captured the colours in the stars. The windmill and ground were illuminated with a torch my friend held to the side of the scene, painting over it with very quick movements. The slight breeze was enough to cause the windmill to turn, and I like the blurring effect during the long exposure, gives a nice sense of movement. The flat top of Mt Walker in the background is just enough in frame here to add some interest and give a sense of location.

An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox
ISO 3200, 8 seconds, 20mm, F/1.7

This photograph has been added to my Astro Nightscapes gallery, really flowing well with my recent captures.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox

Govenors Chair Sunrise

This morning was a sunrise meet up for the Scenic Rim Photo Walks group and the plan was to shoot sunrise from a fantastic location. Govenors Chair lookout has a stunning view over Mt Greville and the Fassifern valley. The plan was to arrive around an hour before sunrise which was just after 6am. Being around an hours drive from home, my tired brain set my alarm for 4:40am…uh oh. A quick race out and thankfully no traffic, I was just in time for sunrise. The early colour lit the clouds nicely but I was looking for the light after the sun rose.

Fog was nestled in locations throughout the valley, and there was a lovely haze in the air that just lit up with the morning glow of the sun when it broke through the clouds. This first photograph was looking south east, encompasing a wider view and showing the magnificent gradations of light and colour on the landscape, I absolutely love light like this and this photo shows why. Mind the step tho, that is a straight drop off at the end of the rock! You must practice extreme care photographing here.

Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, 12-40mm, ISO 100, F/10, 1/500 Sec, 2 Stop Grad ND Filter

I also had my Lubitel medium format film camera with me. My first go at shooting colour film, I spent a lot of time metering and taking shots of various compositions as the light changed. I’ll have that roll back in a week or so, very excited to see what results I got, hopefully the exposure is okay because the colour should be amazing.

In between taking film shots, I took a more intimate photograph of Mt Greville. This is a beautiful peak from any direction and lies at the southern end of Lake Moogerah. The way the haze was lighting up the mountain, and the layers of the hills below me created beautiful steps of light that lead into the photograph. I composed this in portrait orientation to get as much of the hills below me in the shot while zoomed in a bit to really capture the size of Mt Greville. Let me know in the comments what you think of this photograph.

Mt Greville in the Scenic Rim of South East Queensland Australia at sunrise, viewed from Govenors Chair Lookout at Spicers Gap with stunning orange colours and light streaming through the landscape by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, ISO 100, F/10, 1/800 sec

It was a great morning, lovely to catch up with everyone on the photo walk. They are held monthly, I suggest checking the site out and coming along to a walk if you are in the area, it’s a great way to explore and see things you don’t normally see.

Please subscribe to receive occasional Tips, Ideas, News of Prints and Offers.



 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland

Ramblings – Exploring Film

Over the last year or so I’ve been playing around with film, in black and white which is the cheapest option I’ve found as I can develop at home quite easily.

It’s surprisingly a bit of a learning process. Digital cameras these days make life so much easier. My Olympus has live view in the view finder, will show me under and over exposed areas in real time, with a histogram overlay so getting exposure wrong is pretty much impossible. I’ve shot in RAW format for years which means every photo has to be post processed to bring back the contrast and colour and tweak it to show what I want to represent. I spend more time in front of the computer than behind the camera for sure, and I enjoy that process.

With film I’ve found I have to really slow down. Are my settings correct? Is my exposure right? I’ve had to re-learn measure exposure all over again. Every click of the shutter costs real money so you are double and triple checking every step, and also really considering the photograph, is it worth taking? It’s quite enjoyable and I find the results very rewarding.

I’ve been spending a lot of time looking at photographs I really enjoy, landscapes that inspire me, works that draw me in, and something I’ve discovered is the majority of those photos have been captured on film, and on large film to be precise. My recent trip to visit my family on the Central Coast of NSW saw me drop in to Ken Duncan’s Gallery (again!) and really spend some time viewing and looking at his works. They are printed big, on beautiful hahnemuhle paper, and framed wonderfully. These are the types of photographs I love. And it’s really interesting, you can spot the digital photographs he has taken with his awesome digital medium format cameras a mile away, they are sharp as a tack, amazing detail, but I kept leaning towards the photographs captured on film. They have a bit more glow, are usually a longer exposure, some of the details aren’t quite as sharp, you can see where the exposure had to be nailed to get it right at point of capture. And the colours..film has colours I don’t think digital can reproduce, they are just stunning.

I have two film cameras at the moment. A lovely Olympus Trip 35 point and shoot style 35mm camera that I generally load with black and white and use for street style photography or family snaps. It’s almost set and forget, just pick a focus zone and don’t worry about exposure, it nails it every time, yes, every single time, it’s an amazing piece of kit.

Olympus Trip 35 Film camera Murray Fox Australia Queensland photography
All that stuff around the lens measures the exposure, and powers the camera, no batteries here!

My next camera is a new purchase, a Russian made Lubitel 166 Universal. This is a twin lens reflex (TLR) medium format 120 film camera. It’s extremely simple and extremely manual in use, creates either a 6×6 or 6×4.5cm negative per photo (there is a mask you can change but you are looked into that option for each roll. You look down through the top to work out your composition, and use a little magnifying glass inside to get the focus correct.

 

Lubitel 166 Universal Murray Fox film photography landscape fomapan ektar 200 100 australia queensland
The cheapest medium format camera anywhere in the world, and gives great results when used right!

I’m working my way through a roll of black and white Fomapan 200 creative at the moment with this camera and absolutely loving the process. Working on a tripod (as I always do) getting the composition just right (the view is back to front so it makes you work for it!), measuring the exposure of the scene (I use a simple phone app), putting your settings in, cocking the shutter and then taking the photo. In 2 hours on the weekend I took two shots, total! And I loved it! The whole process of slowing down, really looking at the light of a scene, double checking exposure, framing, settings, and finally committing to the shot is really amazing to me.

My first roll is almost finished and this weekend I’m taking another little step in my film journey and shooting some Ektar 100 colour negative film. This is the modern landscape film of choice. Velvia 50 is what Ken Duncan uses a lot but it’s a lot harder and more expensive to use. The Ektar is very forgiving if you don’t quite get the exposure correctly and gives amazing colour and contrast. I’m really excited to see what results I can get from this film.

Medium format film, scanned in properly, will give a photograph file far larger than anything you can get from any DSLR digital camera, I’m talking hundreds of megapixels of data with a massive range of tones. I can scan a 35mm negative in at around 60mp, I can scan a 6×6 negative in at around 6 times that! The trick I use is I actually use my Olympus OMD Em5 MarkII digital camera, with a macro lens to take a photo of the negative, in hi res mode! Works startling well if you prep everything right.

All of this has me thinking about the next step in my photography. I really want to capture more landscapes with film, and I really want to have the full ability of selective choice in composition. I want big negatives that can give incredibly huge prints, I want the colours and tones that film gives with that beautiful fine grain. And I want bigger than 120 medium format! So now I’m saving, I’m working on getting a 4×5 field View Camera, a modern day version of what Ansel Adams used to use (although he was shooting bigger again with 8×10 I believe). A camera where it’s one shot per film, you need a dark cloth over you and the back of the camera just to compose, but you have the amazing ability to change the lens height, angle, swing for amazing depth of field, or custom focus bands. And a negative that is 4inch x 5inch in size, scanned size? @#%#@ huge!!

So I’m not quitting digital, I love my Olympus and it’ll be with me this weekend. But I’ll have the Lubitel and Olympus Trip with me as well, and they’ll be taking photos in a different way, it will be very interesting to see the results. I think film has a future in my work, some of the results that can be achieved with film are astonishing, and the process of slowing down, the time involved means more investment personally with every photograph taken. I look forward to a hybrid future of digital and analog.

Please subscribe to receive occasional Tips, Ideas, News of Prints and Offers.



 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!