Tag: photography

A stunning rural sunrise in South East Queensland Australia near Boonah in the Scenic Rim captured by Australian Landscape photographer Murray Fox

Rural Sunrise

I’m a very technical photographer. I tend to research a lot before venturing into the field and sometimes you can focus on these things too much, rather than just getting out there and taking photos. This weekend was a little like that. I had a photograph in mind that I wanted to capture. Wyaralong Dam in the Scenic Rim can be stunning if you get the right sky.

Friday afternoon and there were high clouds north, but they needed to come south a few hundred kilometres in order to be where I wanted them. 10pm, I’m watching the sky, I ended up being so fixated on it I was still awake at 3am, the time I would have to leave if I wanted to get a photo, but the clouds never came so I finally slept, thinking about the photograph I haven’t captured yet.

Saturday night I took a different tack, I ignored the clouds, I got my gear ready to go, set my alarm for 3am and slept. Waking up and walking out the door, the clouds looked like they had potential, but regardless, I was going to go. Worse case this would be a good practice session to work towards mastering panoramas.

Arriving at the dam it was still dark but light would approach soon. I spent a good 30 minutes working out a composition, checking my settings, checking the tripod was level, and taking a few test series of shots. The light came through it’s various stages, from nice blue hour, to the pinks and reds of sunrise. However I had a problem. A bank of low cloud had moved across and was breaking up the great high clouds that had the colour. The end result was a bust, but I learnt a lot and was happy with that.

On the drive home, the sun had broken over the distant hills finally, some fast moving fog was rolling between the hills. Coming up over the rise of one hill I hit the brakes and quickly pulled over. The scene looked fantastic to me, the beautiful orange of golden hour was glowing across the sky and ground. Thankfully my gear was pretty much ready to go, put camera on tripod, level, focus and shoot.

A photo like this takes a long time to edit on post for me. Why? Because it’s 2 rows of  8 photographs, that is 16 full size photographs merged to one gigantic image. This will print MASSIVE and I think will look fantastic on anyone’s wall that loves a view like this. I’ve learnt that shooting two rows allows me to get more of either the sky or ground in the photograph (com-positional choice / ground for this one) and that really gives this photograph a great sense of depth. At full resolution you can see the cows feeding in the morning light way down the hill, the detail is amazing.

So my lessons this week are don’t sweat it so much, just make sure you get out there and shoot. This was a completely random location and it was about being there when the light was good, and finding a scene to suit.

Let me know what you think about this photograph in the comments below, I always love feedback good or bad. Until next time, stay safe and thank you very much for reading.

A stunning rural sunrise in South East Queensland Australia near Boonah in the Scenic Rim captured by Australian Landscape photographer Murray Fox
Olympus OMD Em5.2, Olympus 45mm. F8, ISO 200, 1/200 sec. 2 Rows of 8 Photographs

I’ve added this to my Landscape Portfolio that will gradually all become panoramas as I move towards the format, which I just love.

Murray

Share and Like!
A beautiful sunflower in the early morning light. Captured by Australian Landscape, Storm & Weather photographer near Toowoomba on the Darling Downs of Queensland Australia

Sunflowers

Well a very Happy New Year to you all. For me the start of any new year is a great time not only for a well deserved break, but a great time to reflect on the previous 12 months and have a bit of a mental review of how I saw my photography progress. The main aim of this is to work out my direction for 2019 and I’ve set myself a nice challenge as a result. I’m very happy with how my Astro photography has progressed. My weather photography is in a lull due to simply there being no storms so I’m concentrating on my landscape photography.

I’ve set myself a challenge to only shoot panoramic landscapes in the 3:1 format for 2019. Oh I’ll still get the odd normal 4:3 framed photo, but purely for Instagram. Any dedicated landscape photograph I capture in 2019 is going to be a panorama. Why? Well several reasons. I love to follow other photographers works and over the years I’ve come to admire two photographers in particular. Ken Duncan and Mark Grey, both incredibly successful Australian landscape photographers. Ken has been at it for Decades, Mark is relatively new to the scene, both having extraordinary success. It’s more than that however, it’s the resulting photographs they get. There is something about an amazingly well captured panorama that draws you in. The photograph when seen large envelopes your entire field of view, you are put into the scene with the photographer at the moment of capture.

This is what I want to explore and it actually means relearning a whole lot about photography. Composition is different by necessity as the frame is now very different and balance, viewpoint, elements all come into play in different ways.

So my journey into this field has begun and I find it very exciting. To kick off the new year with a bang I met up with my great friend Craig and we headed west to areas near Toowoomba in search of Sunflowers as word is out, they are blooming.

PLEASE NOTE : I won’t disclose the exact location of this farm at the farmers request. However, if you are looking for Sunflowers the area of Clifton on the Darling Downs between Warwick and Toowoomba has them in flower right now.

Thankfully Craig has scouted this location only the day before, also gaining us permission from the farmer to access the land fully, simply awesome work mate. 3:30am saw us standing in the back of the ute, Tripods at the ready, watching the light slowly appear. This first panorama was captured around 15 minutes before sunrise, the high cloud getting hit with the awesome colours of the approaching sunrise, that light also reflecting down onto the sunflowers. My composition here was to be very simple. Lines leading you through the fields.

An amazing Panorama of Dawn over the Sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Dawn Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano111

Next it was time to really head into the fields. Another section of this farm has a great windmill surrounded by Sunflowers, well how could we resist photographing that? This field was full of bees making their merry way from flower to flower, and we did take the time out here to really just soak up the atmosphere, work our compositions and try different things.

An amazing Panorama of a classing windmill surrounded by sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Windmill Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano112

Capturing panoramas is a bit of a challenge. The hardest part I find is framing. As you are stitching together multiple photographs to take one large one, you can’t see the final result in the field. Specialist panorama cameras exist but are far beyond my budget so this is my option in order to get the best quality and result. So far I’ve worked out that by setting the height of my view and ensuring I capture 5-6 photographs across I can usually get pretty close to the result I’m after with minimal loss of pixels in post production on the computer.

This final panorama was the only time the sun actually fell directly on the flowers. We had stopped to have a chat with the property owner when the sun broke through, but only on the ground, the sky was not being directly affected, awesome light! Excusing myself for a minute, I quickly setup and captured this image of the farmers old parents house, now not lived in but still maintained, which is surrounded by the wonderful sunflowers, not a bad view in my books. I think this is my favourite from the morning and I know my wife agrees with me.

An amazing Panorama of a farmhouse surrounded by sunflowers near Toowoomba on the Darling Downs of Queensland Australia captured by Australian Landscape, Storm & Weather photographer Murray Fox
Sunflower Farmhouse Panorama Available for Purchase as a 40 or 60inch Wide Framed Print/Canvas/Acrylic contact me for further details ref# pano113

I’ve found I’m quickly falling in love with the panorama format for both the challenge and the results. The quality end result I’m getting allows me to print a 60inch wide x 20inch high photograph at full 300dpi resolution (no loss of quality at all). I love to see my photographs purchased and hanging on peoples walls. Panoramas seem to lend themselves perfectly to being displayed, they work well in many different styles of rooms in peoples homes and in businesses. That’s my end game as a photographer, while I love taking photographs, and sharing them with the world, to create images that people love enough to hang in their own home to me is the ultimate.

So I’ll keep working at it, continuing to find new subjects in amazing conditions and share them with all of you. If I can get a nice portfolio of maybe 20 photographs by the end of 2019 I’ll be in heaven, and maybe a few of you will have such a connection with my work that you’ll want to own a copy for yourselves.

Finally, a quick single photo I took “doing it for the gram”. This will be up on my Instagram Feed.

A beautiful sunflower in the early morning light. Captured by Australian Landscape, Storm & Weather photographer near Toowoomba on the Darling Downs of Queensland Australia
A beautiful sunflower in the early morning light.

Thank you everyone for following along with my photography for 2018, I really look forward to what 2019 is going to bring. I think the photographs will be released a bit slower, but the quality should be another level higher as I continue to learn and challenge myself.

Murray

Share and Like!
Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

A morning with Black & White Film – Vlog & Photos

On this morning I loaded up my Mamiya 1000s 645 medium format camera with a roll of Fuji Acros 100 Black and White film. Now sadly discontinued, this is a beautiful fine grain film that I find perfect for landscapes.

I’ve posted a full video of the morning on my facebook page, please be sure to watch, comment, like and share.

Below are the photos from the video in detail for you to view. I developed the film myself at home using R09 Adinol which is a modern version of Rodinal. Using a semi stand development time of 18 minutes and 30 seconds. I then scanned the photos into my computer using an Epson V550, did some clean up of dust and final tweaking in photoshop and done.

This first photograph, I love the sidelight coming across the scene. It’s a simple rural view that could be anywhere.

Tracking through the hills captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

With this next one, I love the contrast between the tree and the sky. I’m going to have to invest in some orange and red filters I think, they would really make the blue in the sky pop out as well.

A lone tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I just love this photo of the sprayers. I had a vision when I saw this scene and it came out exactly as I hoped. Minimal depth of field, gives such a cool feeling to a simply but great scene.

Fresh crops being sprayed captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I cropped this next one to a panorama, the whole view just looked amazing to me, light breaking through in patches, cloud hugging the top of the range. Being medium format film, I can still print this huge with a good scan, some things Digital can’t fully compete with yet, for the same cost at least.

Stunning Panorama of the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I love love love this one, printing it now, wall hanger. Just waiting for the light to come across, checking my exposure every time it did change, the anticipation, and then nailing the shot, but you don’t know it until the film is developed, dried and scanned…wow, what a rush. Really nothing more to say about my thoughts on this one 🙂

An amazing view of a Peak in the Scenic Rim captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

Another one for the wall, again, it came out exactly how I hoped. Mind you, I thought I’d lose detail in the trees. Nope! The film captured the full dynamic range of the scene, blew my mind.

Stunning Dead Trees captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I always love a walk through Purga reserve, it’s such an interesting place and doesn’t take long to get through but you can spend hours here checking it all out.

The boardwalk at Purga Reserve captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

And the last shot of the morning, again, it came out exactly as I hoped, really minimal focus area, light making the fallen tree pop. Happy.

A fallen tree captured on Fuji Acros 100 Black and White Medium Format Film using a Mamiya 645 1000s Camera by Australian Landscape, Storm and Weather Photographer Murray Fox in the Ipswich and Scenic Rim Area of Queensland Australia

I’m so happy with the results from this morning. These photographs look amazing, I’ll be printing out a couple of these for my wall at home, if you’d like to purchase a copy for yourself, simply contact me and we’ll make it happen.

Again, thanks for watching and reading!

Murray

 

Share and Like!
A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film

Seascapes, Landscapes, Night Photography, The Wonder of Ektar 100 Film

Well another roll of Kodak Ektar 100 Film in 120 Medium format done and dusted. I was very much looking forward to seeing how the shots on this roll came out. I actually had quite a variety of shoots on this one, a few photos I bracketed, or forgot to lock the mirror up and retook and one I completely stuffed it up by setting the shutter speed wrong..and still managed a recoverable shot, blew my mind! With my Mamiya 645 Medium format camera I get 15 shots per roll and with this one I got 6 photos I absolutely love and a few others that came out nice as well. I think it’s my best hit rate to date on film.

Starting with an overnight stay up at Redcliffe Peninsula north of Brisbane for my wedding anniversary back in October, I took the opportunity for an early start to capture sunrise over the water. I was really looking for just simple compositions here, nothing fancy at all. My thoughts at the time was if I got a good one, I’ll have it printed and matted and send it to my Parents as a gift, they have very much an ocean theme through their house.

This first shot was captured well before sunrise, when the first colour of dawn was hitting the sky. I used a 2 stop Graduated ND filter to keep the brightness of the sky close to the water. Those colours were just amazing, but I could have exposed a little bit longer to get more detail into the rocks.

A stunning dawn over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm Lens, Kodak Ektar 100 Film 120 Format

Next I waited around until the sun actually rose. There was some great cloud around the horizon and it was filtering the sun, throwing out colour. Again I used the 2 stop hard grad ND filter, exposed for the water and just let the Ektar 100 film do it’s thing. It has an amazing ability to get so much detail into the highlights even if they are many many stops brighter. I really liked how this one came out, and those colours, wow! Pretty sure I’ll be sending this one to Mum & Dad for Christmas. I’ve added this photograph to my Landscapes Portfolio, it’s simple, but I really like it.

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm, Ektar 100

Next it was time to head back to the country. This time I was experimenting with time of day, a different lens here and there. This next photograph was over some corn almost ready to harvest near Kalbar in the Scenic Rim. I used the Mamiya 80mm lens at F4 (think I will try F2.8 next time) to focus only on the closest corn and let everything behind fade into blur. It kinda worked but not 100% the result I was aiming for, I think my biggest issue was I was too low, need to get higher and show the depth in there to give that blur a more noticeable effect. Still, the early morning side light was wonderful and I like how peaceful this photograph feels.

Beautiful morning light across a cornfield near Kalbar in the scenic rim of Queensland Australia captured on medium format Mamiya 645 camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 80mm, Ektar 100

This next one was the same morning but during dawn and I think is my favourite photo from this roll. I was really hoping for clouds, but now the film is developed and I see those colours, wow! Eye popping stuff. Kodak Ektar 100 is a very saturated film, and I’m finding the dawn light, before the sun gets up, has slightly lower contrast, but simply amazing colour results. Definitely need to shoot more at this time of day with this film. Again I used a 2 stop ND grad to control the brightness of the sky, this was around a 90 second exposure at f/16. I’ve added this to my Landscapes Portfolio. This location is Kents Lagoon north of Kalbar in the scenic rim of South East Queensland Australia. I’m standing on quite an old, single lane wooden bridge to get this photo, praying the locals all decided to sleep in so I wouldn’t have to run off the bridge with my gear, and then set it all up again! 🙂 Except for one fella plowing his field, I was car free for an hour thankfully.

Stunning dawn colours looking up Kents Lagoon near Kalbar in the scenic rim of Queensland Australia, captured using a Mamiya 645 medium format camera on Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, 45mm, Ektar 100

Finally I decided to try this film at night. The results were good, at least my metering was right and I didn’t stuff up the photos lol! That’s the hardest part, you have no idea of you got it right, so you check, double check, check again, think about taking the shot, wait for a car to move that just pulled up, start again in case the light changed. Honestly, I loved every minute of it, it’s so much fun, and you really REALLY slow down and think about every press of that shutter button. All of that happened with this first one, but finally everything was clear and the shot taken. This is a pub not far from home, right next to the highway at Haigslea. Very happy with how much latitude I captured between the dark shadows and the bright highlights. I think I need to revisit this one, maybe with some Portra 160 film which has a much more soft pastel pallet, and do it at sunset for some colour and go wider with the view.

The Sundown Saloon Haighslea west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

Finally I dropped into Marburg just up the road the same night. The post office there is very quaint and I quite liked the look of it at night. I had to shoot a fairly tight crop to avoid the parked vehicles from the pub goers. Again, I used the 80mm, around f/11 to keep some depth of field. Ended up being around a 80 second exposure. I just love the bail of hay out the front, really lets you know this ain’t no city post office!

The Post Office at Marburg west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

I’m going to get my hands on some Cinestill 800T film soon, that stuff looks just amazing for night city and architecture photographs, it blooms around light sources with a super interesting colour pallet.

I’ve got plenty of film in the fridge now to shoot. This roll was really about trying different things and gaining confidence with the equipment and the results. I’m extremely happy with how it all went, and I can quite confidently now go out and shoot on film and not be too concerned with the results as long as I remember to do all the steps. It’s a very manual process, and I absolutely love it. Looking forward to doing some more black and white film soon too.

Let me know in the comments below which is your favourite shot!

Thank you so much for reading and getting to this point, I really really appreciate it. Follow me on Facebook and Instagram to keep up to date, and visit again soon. I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Share and Like!

Film Landscapes & Slow Motion Lightning

Finally got around to getting a roll developed and I’m 3/4 of the way through shooting another roll. I’m starting to get the hang of shooting film. For my film of choice for landscapes, Kodak Ektar 100, I’ve found you really have to nail the exposure for your subject (usually the land) and then filter the sky to keep it to say within a stop in brightness. Film will handle a much brighter sky, but you then have to try and pull it all back in post production on the computer.

Getting it right in camera using filters etc really pays off with film and saves you a bunch of time on the computer at a later date, when you’ve forgotten what you even shot lol! I’m using a Mamiya 645 1000s medium format camera, my go to landscape lens for the wider scene is the Mamiya 45mm. Film is Kodak Ektar 100. I have a local lab develop for me (just normal develop) and then I scan the negatives at home using an Epson V550. From there it’s really just getting the colours right and some sharpening in Photoshop, as well as removing any dust and scratches, probably the worst part of film.

This first photograph has to be my favourite film photo to date. I also shot this on digital, and I’ve even done Astro photography here, but the way this has come out, the colour, the soft glowing light, yeah, really happy with this one.

An amazingly stunning sunrise of an old broken down farm truck as the landscape is bathed in colours from orange to pink to red at Mt Walker near Ipswich Queensland Australia. Photographed on Kodak Ektar 100 by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

I was pretty much treating this roll of film as a test case, I was bracketing most photos to see which exposure would work best (take good notes!) and photographing landscapes in various lighting conditions. On one recent storm chase I had some time so I broke out the film camera once again and captured this photograph. Those Ektar Reds are really popping in this one and the light that broke through the clouds really made this photograph work for me.

A storm cell approaches Purga just south of Ipswich Queensland Australia. Photographed on Kodak Ektar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

Finally, after another chase, I decided to see what I could do with a reverse sunset, that is looking east as the sun was setting west. This one didn’t quite work out for me, the main issue being if I kept colour on the landscape, none of it was up in the clouds yet, and if I waited for it to be in the clouds, it wasn’t on the landscape anymore. So this was more of a test/compromise shot, however I do know in this kind of light it would be much better to find an amazing subject I can get very close too and really highlight those colours on the landscape, wow golden hour smacks you in the face with this film!

A beautiful sunset as the last light of day falls across the hills. A river bends its way through reaching for the Brisbane River. Captured on Kodak Ektar 100 at Redbank near Ipswich Queensland Australia by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

So the plan is now to keep shooting more film and really start working on the composition and subjects. My confidence has increased a lot thanks to some major trial and error, time and of course, money, film costs every click.

Thank you very much for ready my blog this week. If you’d also like to check out a very short cool video I made yesterday with some slow motion lightning captures click below :

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Until next time, enjoy!

Murray

Share and Like!
A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox

Black & White Long Exposures – Vlog

This weekend I felt like shooting something a little different. As we don’t have daylight savings here in Queensland, sunrise can be a hard thing to capture as it usually requires getting up at 3:30am to be on location in time to shoot. So I settled for a more gentlemanly hour of 7am and made my way into Ipswich near home to capture some Black & White long exposures.

The clouds weren’t ideal so I didn’t quite get the effect I was looking for, but the light was lovely and soft and it was nice morning to be out and about. I’ve put together a video of the morning for all of you to enjoy on youtube. Be sure to like, subscribe and hit the notification bell to my channel if you’d like to keep up to date with my future videos.

Below you’ll find the three photos I ended up with.

A long exposure black and white photograph of St Marys Church in Ipswich, Queensland, Australia by Australian Landscape, Storm and Weather photographer
Olympus OMD Em5.2, 12-40mm Pro, ISO 200, F/5.6, 153 sec

 

A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/9, 278 sec

 

A black and white long exposure photograph pf a bridge crossing the river in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/5.6, 334 sec

Soon after the last photo the rain started to fall so it was time to pack up and head home. I’ve finally got my vlogging setup pretty much sorted, just some future audio upgrades to come so I should be vlogging a lot more often now. Thanks for reading and watching, until next time.

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Murray

Share and Like!
3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox

Welcome Rain & Storms 6th October 2018

With weather finally closing in on the South East of Queensland Australia I had a chance to get out and see what storm activity I could capture. It was very messy from the start. Some systems were pushing in off the range to the west, but others were forming ahead of it.

I started by heading south of Ipswich towards the Kalbar area. There was a nice rain core showing on radar that looked promising. The issue I had was a microburst of rain appeared over the exact area I needed to be in so I could shoot the cell. Not good. Going off the main roads I made my way along a few backroads. As always, if I see something I shoot it, regardless of if it’s good or not. I could see the cool structure in the sky but I needed a foreground. Some locals were taking cover under a tree (dubious in my opinion, but I’m not a cow) and this was to be my first photograph of the day.

A storm approaches over the farmlands near Kalbar Queensland Australia as local cows take cover under a tree by Australian Landscape, Weather and Storm Photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Lens, ISO 200, 30mm, F/4, 1/500sec, handheld

Now the rain was coming fast and I was out of options. I noticed another cell on the radar was pushing off the range and had a chance of meeting up with this one further north. So time to run back the way I had come. I stopped at a spot I know that has great views to the west to try and get a better sense of what was happening. You can see just how arid and dry the ground is, any rain to fall is certainly more than welcome! In this shot I’m looking west towards Mt Walker and the system I had just moved north of is coming in from the left. It’s not clear now, but the main action is actually taking place on the other side of Mt Walker!

The dry country side south of Ipswich Queensland Australia awaits the impending rain storm coming across the landscape in Queensland Australia. Photograph by Australian Landscape, Weather and Storm Photographer Murray Fox
ISO 200, 18mm, F/4, 1/4000sec

After watching for a little while near Purga, right on the edge of Ipswich, I noticed a very defined wall cloud was forming further west of my location. Time to run! In the car and a drive through the backroads later I came across an active core that was looking great! Lightning bolts were dropping out of the main part of the system, bucketloads of rain was falling for a decent sized core. A bit tricky to shoot as it was also raining right on top of me, thankfully the wind was at my back keeping the water off the front of my lens. I couldn’t use filters to get a longer exposure because of the rain so I resorted to the tried and true technique of Spray and Pray. By counting between bolts I worked out an interval of around 15 seconds was good. So when I saw a bolt, I started counting, and when I got to 13, I would hold the shutter down and take a burst of photographs until my buffer filled up. I missed a few, but I also got a few. This photograph is my favourite from the lot. All 3 bolts captured in the single photograph.

3 Lightning bolts crash to the ground out of a storm cell approaching Rosewood Queensland Australia captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 100, 12mm, F/11, 1/5 second low speed burst mode.

By this time the system was getting too close. Everything to the north of me is up in the hills. I thought the view might be okay, but was also concerned about being high when there is lightning around. I decided to go have a look, satisfied with what I had captured so far. By the time I got to my view point, the lightning had stopped, the system had spread a lot further and wider and turned into just really good rain. I’m never going to complain about that and I managed to capture the last of the structure as it approached the hills north of Rosewood.

A storm front approaches the hills around Rosewood in Queensland Australia as captured by Australian Landscape, Weather and Storm photographer Murray Fox
ISO 320, 17mm, F/5.6, 1/80 sec, handheld

And that was it, time to call it a day, head home and start looking at my photographs on the PC.

It was a good but challenging chase, quite messy so tricky to work out the best location to shoot from. That’s mother nature for you, rarely predictable, always beautiful 🙂 To the locals out there reading this, I hope you got a drop, as we all certainly need it.

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

Share and Like!
An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.

Little Brown House – Amazing Light After Storms

I had no luck chasing storms this weekend. They all developed further north of my location, too far away for me to get to in time as they formed quickly and moved quickly.

However, one thing I’ve learnt over the last 10+ years, some of the most amazing light comes during and just after bad weather. There were still a few unsettled systems around, the clouds were moving quickly, and it was midday. I figured it might be time to head out and have a play with some long exposures, all the while keeping an eye on the radar just in case something developed further.

I headed out Gatton way and met up with my good mate Craig. Craig is a local and with that comes local knowledge, and access to some amazing locations. We headed to a nearby property where there is a great old building. Waving to the lovely elderly owner as we came in, we setup around the shack and played with various filters, settings, framing, compositions while the clouds streamed across the sky. The colours were great, however it was very harsh light. We soon worked out around 12-16 stops of ND filters would give us around 4-6 minute long exposures if the sun was behind a cloud. Over the next hour or so we took a lot of photos.

In my mind I knew I wanted to get a black and white image. I put a polarising filter on, which had the two benefits of making the blue really pop in the sky (helps it go dark in conversion) and adding around 1-1.5 stops of darkness. Then I also put on a 10 stop and 6 stop filter. So all up, quite a lot of darkening to really get that super long exposure. Thankfully, Olympus has a great feature called Live Time. I set my aperture to F8, ISO to standard 200 for my camera, and the update interval to every 30 seconds. Then I press the shutter and the camera goes for it. Every 30 seconds the back screen updates with the exposure, and the histogram. It’s simply a matter of waiting until I think the exposure looks good and stopping the photograph. I converted the image to Black and White in Photoshop using Nik Silver Efex Pro and decided the darker moody look really worked with the side lighting that was going on and the amazing textures of the shack contrasting against the smooth sky from the long exposure. Here is the final result :

A stunning black and white long exposure of a rural shack near Gatton in Queensland, Australia
Olympus OMD Em5 Mark II, 12-40mm Pro, ISO 200, F/8, 320 Seconds

This session was a lot of fun. We were in no rush and could really take our time and experiment. I showed Craig how I shoot panoramas, we played with taking time lapses, can’t beat a time like this. Finally we started noticing the colours were getting a little warmer, wow it was starting to get close to sunset.

Making the call, we moved locations to another fantastic shack that sits in the middle of a wheat crop. I’ve photographed Astro here before with Craig and this time were we hoping for one of those magic sunsets. As soon as we arrived and saw the colour of the golden wheat I told Craig we needed to get this photographed while the sun was still up as it would make the whole place glow. Well with the clouds still moving towards the west, the sun was breaking in and out so it was a bit of a race to setup, work out a composition and get some shots in the bag. I wanted to emphasise the amazing crop so I put the sky towards the top of the frame. I also didn’t want to make it all about the sun so I put it right off to the edge as best as I could while keeping a good angle on the shack. I used a Lee 2 stop hard Grad filter, angled slightly to the right to help balance the brightness of the sky with the ground. Within 5 minutes the sun broke through and I captured this photograph :

An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.
ISO 200, 12mm, F/5.6, 1/400 sec, 2 stop Lee Hard Grad filter

I honestly think this is the best rural landscape photograph I’ve captured to date and I’ve added it to my Landscape Portfolio. I’m absolutely in love with this image and it brings to my mind some of the awesome building/shack photographs that my idol Ken Duncan has captured over the years in panorama format. I work in 4:3 ratio as that is the standard of my camera and I really just love how everything fell into place with this photo. This will be 100% going on the wall at home.

We stayed until well after sunset, right through blue hour, hoping for more colour in the sky but the clouds to the west ended up blocking the rest of the light. I’m so happy we got here early enough to get this photograph. The title of this photograph was not selected by me, it’s actually the owner of the property who insisted we call it this if we get a photograph, so in honour and with many thanks for the access to his private property, I have called it Little Brown Shack, may she stand over the fields of gold for many years to come. Please make sure you have permission to get access to any locations on rural properties, it’s so important to respect their land.

As a bit of fun, I’d love to know what you think would be a great title for this photograph, post your ideas on the comments below!

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

Share and Like!

How to Fake an Ultra Wide Angle Photograph

Astro didn’t work out for me this week, so I decided to practice a technique I’ve only used a couple of times. By stitching a series of photographs taken with a normal field of view lens, it’s possible to get an ultra wide angle photograph.

I’m now going to be vlogging all of my photo trips and putting them on youtube. I’ve uploaded my first vlog which goes into more detail about how I captured this photograph :

And here is the end result photograph :

3x3 Grid Stitched Panorama
A beautiful sunset near Ipswich, Queensland, Australia. This blog and Vlog show how you can fake an ultra wide angle photograph using a normal lens.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia

Midnight Express

With only a month or so left this astro season to get the Milkyway core, timing is becoming everything. This year the moon is really playing havoc. Ideally I want a thin sliver of moon, behind me when I’m looking at the Milkyway. Not this year, it will only be full moons and they will be right in the middle of the core, massive pain in the @ss.

So my only real option is to shoot when there is no moon. This weekend is the last chance for the next few weeks so I sat down on Friday night and figured out what I wanted to photograph. There are a couple of photos I really want to get, but they are just concepts in my head, I haven’t found the location that’s right to pull those off.

I settled on looking for roads or anything else that went in the direction of the core when it was around 30 degrees up in the West. There were a few promising dirt roads, but then I saw the train line running west from Rosewood, with a crossing, and knew I had to give this a try.

A quick trip from home, slowed down somewhat by the dozens of Kangaroos lining the edge of the road. They were all happily feeding but boy it makes you jumpy and your eyes get very sore as you keep them locked wide open looking for one who decides to try and race you. All good tho, I arrived on location without incident. Getting out of the car it was dark, it would take a bit of time for my eyes to adjust, but the one thing I could see was the core and it was incredibly bright! Crystal clear conditions, temps around 10 degrees C, no fog or mist. There was just a slight breeze coming in from the west and although that put a real chill in the air, it was keeping conditions amazingly clean.

I picked this spot for several reasons. One, its a crossing with notification, it also has a good kilometre or two of track in both directions, very easy to spot anything oncoming. I also had checked the timetables at home, not many things running at 12:30am out this way thankfully. So yes, there is an element of danger to this, I only spent time on the crossing to change settings and activate a shot, then I would move off the crossing and keep an eye down the lines.

Other than some ninja cows in a nearby paddock deciding to scare the bejezus out of me, there was nothing around. As there was no moon, I would have to blend exposures to get both the tracks illuminated and the Milkyway captured.

For the foreground I put the camera in to Bulb mode, ISO 640, F2.8, and locked the shutter open. I used a torch to paint along the tracks for around 20 seconds, then let it run for a full 4 minutes capturing ambient light. This worked well and I could tick off the foreground shot. For the stars, I refocused carefully on a bright star making sure not to move the camera at all. I then changed my ISO to 3200, set shutterspeed to 15 seconds, still at F2.8 and got my star shots. It was an easy blend using a simple mask in photo shop to merge the two together. From there I went through my normal editing workflow to get this final result :

An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia
Olympus OMD Em5 Mark II, 2 Shots Blended, 12mm

As you can see, I’ve kept the ground except for the tracks quite dark, but still with some detail. This is night after all. I also like how the light painting of the tracks came out, it’s almost like I’m at the front of a train, or walking the line.

I’ve added this photograph to my Astro Nightscape Portfolio, please check out my other works. You can purchase my photographs as prints, canvases, or metallic prints, simply contact me to request a quote.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!