Tag: photography

An amazing landscape panorama photograph of the hut in Glen Rock state forrest, east Haldon, Lockyear Valley, Queensland, Australia as the sunsets, painting orange colour and light across the peak.

Went Exploring, found Gold!

This would have to be one of the best afternoons I’ve had in photography for quite a while. I didn’t really have any fixed plan. I knew of a spot with a cool looking hut that I thought might be okay, if the weather played ball. Unfortunately it looked like there was going to be lots of cloud towards the horizon at sunset, so I wasn’t feeling hopeful and notched this down to just an exploration day.

There are a few lines of mountains that run north/south as you approach the Great Dividing Range. Some of these have valleys between them with access. It was one such valley I headed for. On the way in, the peaks started appearing. This one caught my eye so I quickly pulled a u-turn and captured this shot. It’s nothing amazing, but the diffused light on the hill was really illuminating the brighter parts, contrasting against the darker sky.

A peak rises next to East Haldon valley, south of Gatton in the Lockyear Valley of Queensland Australia as the light plays across the face in the beautiful landscape photograph.
Olympus OMD Em5 Mark II, Panasonic 20mm @ f/5.6, ISO 200, 1/640 sec

Heading right up the the end of the Valley I found the hut I was looking for. It’s actually an information centre for the area (not manned) and there is a nice campground across the way, I definitely will be back here in winter astro season, the landscapes around here are fantastic. For this next photograph I thought I’d try a fun technique. I don’t have what is called an Ultra wide angle lens. The widest mine go is 12mm on Micro Four Thirds which is equivalent to 24mm on a full frame camera. Pretty wide, but it’s certainly not ultra wide. Ultra wide lenses make objects very close to them appear very big, and objects further away very small. This is used to great effect by a lot of landscape photographers. To achieve a similar effect, I used a Panasonic 20mm prime lens (equivalent to 40mm) and took a 3×3 grid of photographs starting point almost straight down to well up into the sky, with good overlap side to side and up and down. Make sure you have your camera in full manual exposure mode so nothing changes. I set the exposure with the camera aimed at the brightest part of the scene, and leave it fixed there.

Focusing is also important with this technique. I was very close to the front fence, and that peak is off in the distance. I also was using a very normal lens. It’s physically impossible to get everything sharp in one shot for the framing I had. So I simply used autofocus, set the focus point to centre, stopped down a bit. Each shot focused at the prime position and not only does stitching the photos together create one big, ultra wide angle looking photograph, it also has the effect of focus stacking the images as well for front to back sharpness.

Now, yes, this is a lot of work you may say, and what if something moves, then it won’t work. It took all of 30 seconds to capture the images, and it took 5 minutes in Photoshop to join them. The wind was blowing quite strongly and I can’t see any stitching errors. I also ended up with the equivalent of a 60+mp photograph which is awesome 🙂 I think I’ll be using this technique a lot more often until I can get my hands on an UWA lens.

The information centre hut at east haldon in the glen rock state forrest. Awesome hut with the mountain peak behind in this beautiful landscape photograph
9 photographs in a 3×3 grid stitched. ISO 200, f/8.0, 1/100 sec

Next was time to wait a bit. I was here to try and capture this hut at sunset with the peak behind. Unfortunately the trees were not letting me get the angle I was initially thinking of. I spent a good 40 minutes walking around with my phone, taking shots from various locations and I kept coming back to a wider view of the shack and the peak. So I settled on trying to create a 3:1 panorama photo. This will need around 6 shots with the camera in vertical position. I kept the Panasonic 20mm lens on, it has almost no distortion, and is so sharp. This lens is just awesome for panoramas on my Olympus, just keep an eye out for chromatic aberration in really high contrast areas.

So I setup the tripod, made sure it was 100% level, took a few test runs and then just waited…and waited…and waited….I was beginning to worry nothing really would happen. The sun had already gone behind the mountains behind me, clouds were streaming across, and the wind was picking up again. Right through golden hour I got nothing, the light was just flat. And then literally the moment of sunset, something west of me must have cleared and this amazing light hit the peak behind the shack, also bouncing off the clouds and lighting up the whole scene. I captured my 6 shots as quickly as I could while making sure everything was in sharp focus (let your tripod settle a few seconds after each camera movement). I got two runs at it and then incredibly the light was gone! I worked out looking at my photos it lasted a total of 2 minutes and 40 seconds. Wow…it really proved to me preparation is king.

An amazing landscape panorama photograph of the hut in Glen Rock state forrest, east Haldon, Lockyear Valley, Queensland, Australia as the sunsets, painting orange colour and light across the peak.
6 Vertical Photo Panorama, ISO 200, f/8.0, 1/30 sec

I hung around for another 10 or so minutes but it was becoming obvious that there wouldn’t be a second run of light. I packed up my gear and started to make the couple of hour drive back home. As I went past a local pecan farm, I spotted a water tower in amongst the tall trees. It was getting very dark, but I make it a habit, if something catches my eye, go back and look and take a photo, whether you like it or not. I changed to my Olympus 12-40mm pro lens, quickly setup the tripod and went for the vertical composition. I really just liked the height of everything and the contrast of the water tank to the pecan trees. A bit of fun in editing with the colours and this has to be one of my most favourite Instagram type of photographs I’ve captured. This will be going up on my photo wall for sure.

A great looking raised water tower stands between the rows of Pecan Trees near Gatton in the Lockyear valley, Queensland, Australia, Landscape Photography
ISO 200, f/8.0, 6 seconds

After capturing this photograph, I remembered a collection of structures further up the road I had passed on the way in. I was thinking if there was still enough light I might be able to capture an interesting photograph with them. Coming to the location I had to shoot fast, and work out a composition. This is what I finally settled upon after trying wider and closer. I like the balance between the 3 structures, the low low light gave a bit of an ethereal feeling to the scene, and the clouds still moving quite fast overhead blurred out quite nicely.

One thing I simply love about mirrorless cameras is having an EVF viewfinder. I managed to focus on the middle barn, in near darkness (exposures were out to 30 seconds) manually and could see 100% I had the focus nailed. The live view couldn’t even keep up, but boy, does that EVF with it’s auto gain and focus peaking really make it so easy in low light, absolutely love it. I cropped this to a 2:1 ratio to give a nice balance to the scene.

3 structures in the twilight at Haldon south of Gatton in the Lockyear Vally, Queensland, Australia making for a wonderfully peaceful landscape photograph.
ISO 200, f/9.0, 30 seconds

It pays to get out and visit new areas. It also doesn’t hurt when mother nature decides to play ball and throw some great light around. I’m going to be exploring more of the back valleys and roads, to find more of those little gem locations that mostly only locals know about.

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An amazing lighting bolt strikes the ground on the leading edge of a huge storm system at Redbank Plains near Ipswich Queensland Australia before it moved on to Brisbane causing widespread damage and blackouts.

Massive storm Redbank Plains to Brisbane 11/02/18

All I can say is wow! I’d been watching the forecasts and predictions all week, Sunday was looking promising for some late afternoon storm action. The day was very hot but also had very low humidity, none of the usual forecast websites were warning anything tho so I wasn’t getting my hopes up.

Come the afternoon, bits and pieces of weather were coming down off the range to the south west, with most of the action over the border ranges in NSW. I still wasn’t expecting anything. By around 5pm things looked to be getting a little more organised so I headed to a local spot and met up with Bobby from Mr S Photography (search for him on facebook, great photographer). It was right about this time the storm very suddenly gained structure, and made what appeared to be a right turn and came directly at us.

The sun was setting to the west, throwing some amazing light across the landscape. The wall front was so big, I had to use 7 photos at 12mm (equivalent to 24mm on a full frame camera) just to capture the entire front. Settings on manual, ISO 100, F11 to help get a longer shutter speed and shutter at 1/2 a second. I fired off my shots and stitching the photos together on the computer came up with this amazing panorama.

An amazing panorama of a huge storm wall cloud approaching Redbank Plains near Ipswich Queensland Australia on the 11th of February 2018 11/02/18 before it moved on to Brisbane.
Olympus OMD Em5 Mark II, Olympus 12-40mm pro lens. 7 vertical shots stitched

The storm at this point picked up some quite fast rotation and really started moving. It was no longer possible to capture the entire front so instead I focused on the leading edge to the east as that had the best structure. This time I turned on the live composite function in my Olympus OMD Em5 Mark II. This great piece of technology allows the camera to take a normal exposure at my settings, but it then keeps the shutter open and only adds new light to the base exposure. By running this in 10-20 second bursts, I could keep detail in the moving cloud, but easily capture this huge lightning bolt as it struck the ground.

One of my best storm photographs to date, this ended up on several media websites as well as making page 5 of the Courier Mail.

An amazing lighting bolt strikes the ground on the leading edge of a huge storm system at Redbank Plains near Ipswich Queensland Australia before it moved on to Brisbane causing widespread damage and blackouts.
OMD Em5 Mark II, ISO 100, F8, 1/2 sec, Live Composite, run time 8 seconds.

Very quickly after this we had no choice but to leave. We tried to get a head of it by heading towards the river, however even travelling at 100kph on the highway, this storm now outpaced us and it was a quick wet drive back home, and sit and wait for over an hour for the system to pass.

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A golden sunrise landscape photograph art at Tallegalla near Ipswich Queensland Australia as golden light lights up the trees down through the valley over looking the distant hills.

Golden Tallegalla – The importance of projects

Every now and then I think we all get into a bit of a rut, or hit a point where we are struggling to find something to shoot. With storm season this year being extremely quite, I turned my attention back to landscape photography and almost instantly found it really hard to find something new to photograph.

It’s taken me a few weeks but I’ve finally come up with a plan for the rest of the year, giving myself 3 projects on top of my ongoing storm photography. These projects will help me to focus on exactly what I am going to photograph, to develop a theme around the project, and make it easier to find locations. Giving yourself a project helps in many ways. It gives you motivation, it enables you to focus your skills and knowledge in the right areas, in pursuit of a goal. It gives you a goal to achieve, and each new photograph for the project is a massive boost to self confidence in your own work, and drives you to capture the next photograph. The failures also help. You soon learn why it didn’t work for you, maybe it needs to be in different light, better light, low light, nighttime? Regardless of the problem, you can only learn and grow by trying and either failing or succeeding.

The first of these projects is unseen landscapes. That’s not to say no-one has ever seen them, people will drive past them everyday, but no-one is out there photographing them. I’m looking for those little hidden nooks only locals know, the backroads, the dirt roads traffic never seems to go down. I’ve even made it more specific and want to shoot the majority in sunrise sidelight. Sunrise just works for me keeping a good photography/life balance. It’s also the time of day when there is rarely any wind, and it’s just perfect for landscapes. The trick here in South East Queensland Australia is that beautiful orange first direct light of golden hour, lasts a total of 3 minutes, I counted!

You have to be extremely well prepared. You need to know your location, know your subject, know the direction of the sun, have your camera setup, all your settings correct, composition framed and sorted, tripod locked down, and then watch that light like a hawk! As a rule I like to get to locations around an hour before actual sunrise, this gives me some time to get everything sorted, do a bit of testing. Then it’s usually a matter of lots of waiting, and 3 minutes of adrenaline heart pumping photography, checking histograms, bracketing if required, checking focus, double checking focus, focus stacking if needed….and it’s all over.

To kick off this project, I went to a location I came across last year but never got around to photographing. I had a very clear pre-visualisation in my head of what I wanted to capture. It would be that first golden light, coming across the tops of the trees. Anything else in the scene was going to be a bonus, including the sky. I was making this about the landscape and the rest be dammed.

We’ll, that golden light turned up right on queue, and it hit the foreground as well, and the sky while having no clouds, had amazing colour right across the spectrum. And the trees lit up with golden light, I achieved exactly what I set out to do. I have the first photo of this project in the bag. I have a Google Earth map chock with other locations to visit, right across the year. I’m looking forward to exploring the local landscapes, keeping to my simple project rules and putting together a great collection of photographs.

Here is Golden Tallegalla. I’ve added this to my landscape portfolio which will slowly be updated to photos from this project.

A golden sunrise landscape photograph art at Tallegalla near Ipswich Queensland Australia as golden light lights up the trees down through the valley over looking the distant hills.
Olympus OMD Em5 Mark II, 12-40mm Pro Lens, F/8, ISO 200, 1/20 sec. Polariser

Finally, I mentioned 3 projects. Well one of them is to work on an astro photography series, more oriented at this winter. The other I’m keeping to myself. I have a few images already in the bag, but I want to get together a collection of 10-20 photographs before I release those as a series.

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A beautiful big tree bathed in soft light at Flinders Plum near Ipswich Queensland Australia

Peaks and Creeks – Flinders Plum

Grey skies, drizzling rain, flat light, seemed like the perfect time to go for a hike at Flinders Plum up Sandy Creek. I’d been here once before on a workshop with the brilliant Nature photographer James Doyle. That was a great morning seeking out birds and other wildlife, however my plan this morning was to look for more landscape oriented photographs.

The drive in to this spot is almost an adventure in itself, a wonderful road that is dirt for the last section, winds its way alongside the creek, crossing it several times. I arrived at the end carpark around 6am, the sun was up but with so much cloud it didn’t matter, a slight drizzle of rain had set in, a light rain jacket took care of that and my Olympus OMD Em5 Mark II, and 12-40mm pro lens are weather sealed so no issues there either.

Flinders Plum, as the carpark area is called, is the launching point for several walks in the area, the longest and most extreme being the walk to the summit of Flinders Peak. Today I was going to follow the track up Sandy Creek and see what I could find.

Before heading off, I just had to take a portrait of this tree right next to the carpark, it’s a beautiful big tree and the early soft light made it just look wonderful.

A beautiful big tree bathed in soft light at Flinders Plum near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, Olympus 12-40mm Pro lens. ISO 200, f/8, 1/13 sec.

Next I headed off up the track that crosses Sandy Creek a few times along the way. I was definitely the first person through this way this morning judging by the amount of spider webs I kept walking into. Pro Tip, hold out your tripod in front of you when the path narrows! There was plenty of wildlife around with Roos and Wallabys hopping off into the bush as I approached and the calls of various birds echoing through the air.

Walking along the Sandy Creek track at Flinders Plum near Ipswich Queensland Australia in the Goolman Range
ISO 200, f/8, 1/30 sec

The first creek crossing I came too looked promising for a photograph, I scouted around a bit and carefully picked my way through the rocks to find this composition. I really liked how the trees were closing in over the creek. Running water would have been awesome but I think the area needs a lot more rain before that happens, something to keep in mind for the future however. I must note, the use of a polarising filter was critical on this day for remove reflections on the rocks, and leaves from that huge bright white light in the sky. It really brought out the colours and cut the glare.

A beautiful view up Sandy Creek at Flinders Plum in the Goolman Range near Ipswich Queensland Australia landscape photograph
ISO 200, f/8, 2.5 sec

Futher up the track I came across the old cattle yards. I looked around this area quite a while for a composition but due to a large amount of overgrowth I just wasn’t having luck this day. I decided to move on and around 10 minutes later I took a small detour off the main track to come across this lovely view south of the mighty Flinders Peak, the highest peak in the Teviot range.

A view through the trees of Flinders Peak in the Goolman range south of Ipswich Queensland Australia, landscape photography
ISO 200, f/8, 1/30 sec

Heading back to the main track I saw this wonderful view of Mt Goolman, shaped like a pyramid looming through the trees. This area is dotted with Bunya Pines which contrast against the typical aussie bush landscapes.

Mt Goolman through the trees in the Teviot range along Sandy Creek from Flinders Plum south of Ipswich Queensland Australia
ISO 200, f/8, 1/25 sec

By this time the rain was starting to pick up just a little and the wind had started to blow a bit stronger. I made my way back along the track to the carpark. I took one final detour down to the creek again at the start of the Mount Blaine track, looking downstream to another great creek scene with trees leaning in over the wonderful rock strewn bed.

The rocky creek bed of Sandy Creek at Flinders Plum in the Teviot range south of Ipswich Queensland Australia, intimate landscape photography
ISO 200, f/8, 1/2 sec

Finally it was time to sit down and relax and have a well deserved coffee. The picnic area here has all the facilities you could ever need including bbq’s and toilets, and great covered tables. All up my wandering took me 3 hours, it was a great start to the day and I’ll certainly be back to explore more. If you are ever in the area, I highly suggest making a trip out here, don’t forget your camera!

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Mt Moon in the Scenic Rim south of Boonah in Queensland Australia. Beautiful Dawn light as sunrise approaches, amazing purples and blues in the sky, cloud across the peak and mist laying low on the ground. Australia Day 2018 landscape photography

Australia Day Sunrise 2018 – Just amazing!

I’m always on the lookout for new locations to photograph. Finding those locations and then getting access to them can be tricky here in South East Queensland. We have a lot of rural areas, farms, parks etc that limit just how close you can get to the view you want.

Lately I’ve been interested in shooting more panoramas, last week I caught a great sunset over Lake Moogerah, this week I wanted more of a mountain shot. Scouting around I found a great peak south of Boonah called Mt Moon. it’s slightly off the main road so I’d never really paid attention to it. Google maps showed it could work very well for a panorama, with a couple of challenges to overcome.

First, you couldn’t get that close, I’d have to shoot from the edge of the road around 2-3ks distant. So I figured I’d have to zoom in and decided I’d use the Olympus 45mm f/1.8 prime lens in portrait mode. This lens is fantastically sharp, and stopped down a bit it would easily get all the scene I required in focus as the subject was a good distance away. I also figured I would shoot in the hi-resolution mode of my Olympus OMD Em5 Mark II to give me massive files with a huge amount of detail, and little to no noise. I would need approx 6 vertical shots across the scene to capture the width needed to get a final 3:1 panorama. I would be shooting with the sun (sunrise directly behind me) so it would be a fairly low contrast photograph which would suit the mood I was thinking of.

Arriving on location I picked the spot which would give me the panorama of Mt Moon that I wanted, however I was very soon distracted by the amazing light and colour coming up from behind me as sunrise approached. I simply couldn’t resist capturing a photograph of it and as you’ll see in the video, that colour just kept coming and coming.

Amazing colour in the sky as sunrise approaches the scenic rim near Mt Moon south of Boonah, Queensland, Australia
CLICK TO VIEW LARGE 13sec, f/5.0, ISO 200, Olympus OMD Em5 Mark II, Olympus 12-40mm Pro @ 22mm

I was hoping that I could get colour in the sky above the peak, and that first direct orange glow of light hitting the peak itself. As usual nature decides to do it differently and when there was colour in the sky, the light was okay on the peak, lower clouds blocked the direct golden light I was planning on. However, the pre dawn colours turned out to be amazing, throwing up 360 degrees of amazing skies.

There was fog low to the ground in front of Mt Moon that kept coming and going, and some wonderful cloud around the peak. I took many series of shots, trying to time it so that I had both where they looked good. Finally, the reverse sunrise sky turned an amazing shade of purple with wisps of pinks through it. Here is the final photograph, Mt Moon Panorama :

Mt Moon in the Scenic Rim south of Boonah in Queensland Australia. Beautiful Dawn light as sunrise approaches, amazing purples and blues in the sky, cloud across the peak and mist laying low on the ground. Australia Day 2018 landscape photography
CLICK TO VIEW LARGE 1/8sec, f/5.0, ISO 200, Olympus OMD Em5 Mark II, Olympus 45mm f/1.8 Lens, Six Shot Panoroama hires mode.

I’m very happy with the final result. The golden hour colour didn’t happen until much later after sunrise, and by that time the colour had all gone from the sky. In the future I may have to work on a bit of a time blend to see if I can put together best best of both parts of sunrise. I did head up the road a little way to a wonderful old abandoned farmhouse and captured the golden hour light shining through. The square crop worked very well for this and this is a perfect photo for my Instagram account.

An abandoned farm house is bathed in golden hour light as the sun breaks through the trees at sunrise, near Mt Moon, south of Boonah in the Scenic Rim Queensland Australia
CLICK TO VIEW LARGE 1/200sec, f/8.0, ISO 200, Olympus Omd Em5 Mark ii, Olympus 45mm f/1.8 lens

Finally, I’ve created a behind the scenes video of this morning, going into some of my setup in more detail, and just displaying some of the amazing light that happened on this wonderful Australia Day 2018.

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Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

Early evening star trails over Lake Moogerah

At a recent meet up with the great folks from Scenic Rim Photo Walks I hung around after sunset to capture this great photograph.

Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

To capture this photograph was actually quite simple thanks to the great technology in my Olympus OMD Em5 Mark II camera. I framed up the photograph in portrait orientation. I set the aperture to f/5.6 for good depth of field, and set the ISO at 400. I’ve found this to be the perfect ISO for my camera at night time where I want to keep detail/colour in the stars during trails.

Next I enabled the Live Composite function of my camera. This awesome feature will capture a photograph at your set exposure, and then update that exposure with only new light every time the shutter speed is reached. So for this one I set the shutter at 10 seconds. So every 10 seconds the camera updated the photo with only new light (in this case the stars), while keeping the rest of the exposure perfect. I ran this for 30 minutes and loved the final result.

Starting the composite when I did while there was still a touch of colour in the sky worked out great, it’s the first time I’ve tried that. The stars also retained some great colour as they trailed, and I even managed to capture a couple of meteorites as seen on this zoomed in view.


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