Tag: sky

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film

Seascapes, Landscapes, Night Photography, The Wonder of Ektar 100 Film

Well another roll of Kodak Ektar 100 Film in 120 Medium format done and dusted. I was very much looking forward to seeing how the shots on this roll came out. I actually had quite a variety of shoots on this one, a few photos I bracketed, or forgot to lock the mirror up and retook and one I completely stuffed it up by setting the shutter speed wrong..and still managed a recoverable shot, blew my mind! With my Mamiya 645 Medium format camera I get 15 shots per roll and with this one I got 6 photos I absolutely love and a few others that came out nice as well. I think it’s my best hit rate to date on film.

Starting with an overnight stay up at Redcliffe Peninsula north of Brisbane for my wedding anniversary back in October, I took the opportunity for an early start to capture sunrise over the water. I was really looking for just simple compositions here, nothing fancy at all. My thoughts at the time was if I got a good one, I’ll have it printed and matted and send it to my Parents as a gift, they have very much an ocean theme through their house.

This first shot was captured well before sunrise, when the first colour of dawn was hitting the sky. I used a 2 stop Graduated ND filter to keep the brightness of the sky close to the water. Those colours were just amazing, but I could have exposed a little bit longer to get more detail into the rocks.

A stunning dawn over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm Lens, Kodak Ektar 100 Film 120 Format

Next I waited around until the sun actually rose. There was some great cloud around the horizon and it was filtering the sun, throwing out colour. Again I used the 2 stop hard grad ND filter, exposed for the water and just let the Ektar 100 film do it’s thing. It has an amazing ability to get so much detail into the highlights even if they are many many stops brighter. I really liked how this one came out, and those colours, wow! Pretty sure I’ll be sending this one to Mum & Dad for Christmas. I’ve added this photograph to my Landscapes Portfolio, it’s simple, but I really like it.

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm, Ektar 100

Next it was time to head back to the country. This time I was experimenting with time of day, a different lens here and there. This next photograph was over some corn almost ready to harvest near Kalbar in the Scenic Rim. I used the Mamiya 80mm lens at F4 (think I will try F2.8 next time) to focus only on the closest corn and let everything behind fade into blur. It kinda worked but not 100% the result I was aiming for, I think my biggest issue was I was too low, need to get higher and show the depth in there to give that blur a more noticeable effect. Still, the early morning side light was wonderful and I like how peaceful this photograph feels.

Beautiful morning light across a cornfield near Kalbar in the scenic rim of Queensland Australia captured on medium format Mamiya 645 camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 80mm, Ektar 100

This next one was the same morning but during dawn and I think is my favourite photo from this roll. I was really hoping for clouds, but now the film is developed and I see those colours, wow! Eye popping stuff. Kodak Ektar 100 is a very saturated film, and I’m finding the dawn light, before the sun gets up, has slightly lower contrast, but simply amazing colour results. Definitely need to shoot more at this time of day with this film. Again I used a 2 stop ND grad to control the brightness of the sky, this was around a 90 second exposure at f/16. I’ve added this to my Landscapes Portfolio. This location is Kents Lagoon north of Kalbar in the scenic rim of South East Queensland Australia. I’m standing on quite an old, single lane wooden bridge to get this photo, praying the locals all decided to sleep in so I wouldn’t have to run off the bridge with my gear, and then set it all up again! 🙂 Except for one fella plowing his field, I was car free for an hour thankfully.

Stunning dawn colours looking up Kents Lagoon near Kalbar in the scenic rim of Queensland Australia, captured using a Mamiya 645 medium format camera on Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, 45mm, Ektar 100

Finally I decided to try this film at night. The results were good, at least my metering was right and I didn’t stuff up the photos lol! That’s the hardest part, you have no idea of you got it right, so you check, double check, check again, think about taking the shot, wait for a car to move that just pulled up, start again in case the light changed. Honestly, I loved every minute of it, it’s so much fun, and you really REALLY slow down and think about every press of that shutter button. All of that happened with this first one, but finally everything was clear and the shot taken. This is a pub not far from home, right next to the highway at Haigslea. Very happy with how much latitude I captured between the dark shadows and the bright highlights. I think I need to revisit this one, maybe with some Portra 160 film which has a much more soft pastel pallet, and do it at sunset for some colour and go wider with the view.

The Sundown Saloon Haighslea west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

Finally I dropped into Marburg just up the road the same night. The post office there is very quaint and I quite liked the look of it at night. I had to shoot a fairly tight crop to avoid the parked vehicles from the pub goers. Again, I used the 80mm, around f/11 to keep some depth of field. Ended up being around a 80 second exposure. I just love the bail of hay out the front, really lets you know this ain’t no city post office!

The Post Office at Marburg west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

I’m going to get my hands on some Cinestill 800T film soon, that stuff looks just amazing for night city and architecture photographs, it blooms around light sources with a super interesting colour pallet.

I’ve got plenty of film in the fridge now to shoot. This roll was really about trying different things and gaining confidence with the equipment and the results. I’m extremely happy with how it all went, and I can quite confidently now go out and shoot on film and not be too concerned with the results as long as I remember to do all the steps. It’s a very manual process, and I absolutely love it. Looking forward to doing some more black and white film soon too.

Let me know in the comments below which is your favourite shot!

Thank you so much for reading and getting to this point, I really really appreciate it. Follow me on Facebook and Instagram to keep up to date, and visit again soon. I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

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An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.

Little Brown House – Amazing Light After Storms

I had no luck chasing storms this weekend. They all developed further north of my location, too far away for me to get to in time as they formed quickly and moved quickly.

However, one thing I’ve learnt over the last 10+ years, some of the most amazing light comes during and just after bad weather. There were still a few unsettled systems around, the clouds were moving quickly, and it was midday. I figured it might be time to head out and have a play with some long exposures, all the while keeping an eye on the radar just in case something developed further.

I headed out Gatton way and met up with my good mate Craig. Craig is a local and with that comes local knowledge, and access to some amazing locations. We headed to a nearby property where there is a great old building. Waving to the lovely elderly owner as we came in, we setup around the shack and played with various filters, settings, framing, compositions while the clouds streamed across the sky. The colours were great, however it was very harsh light. We soon worked out around 12-16 stops of ND filters would give us around 4-6 minute long exposures if the sun was behind a cloud. Over the next hour or so we took a lot of photos.

In my mind I knew I wanted to get a black and white image. I put a polarising filter on, which had the two benefits of making the blue really pop in the sky (helps it go dark in conversion) and adding around 1-1.5 stops of darkness. Then I also put on a 10 stop and 6 stop filter. So all up, quite a lot of darkening to really get that super long exposure. Thankfully, Olympus has a great feature called Live Time. I set my aperture to F8, ISO to standard 200 for my camera, and the update interval to every 30 seconds. Then I press the shutter and the camera goes for it. Every 30 seconds the back screen updates with the exposure, and the histogram. It’s simply a matter of waiting until I think the exposure looks good and stopping the photograph. I converted the image to Black and White in Photoshop using Nik Silver Efex Pro and decided the darker moody look really worked with the side lighting that was going on and the amazing textures of the shack contrasting against the smooth sky from the long exposure. Here is the final result :

A stunning black and white long exposure of a rural shack near Gatton in Queensland, Australia
Olympus OMD Em5 Mark II, 12-40mm Pro, ISO 200, F/8, 320 Seconds

This session was a lot of fun. We were in no rush and could really take our time and experiment. I showed Craig how I shoot panoramas, we played with taking time lapses, can’t beat a time like this. Finally we started noticing the colours were getting a little warmer, wow it was starting to get close to sunset.

Making the call, we moved locations to another fantastic shack that sits in the middle of a wheat crop. I’ve photographed Astro here before with Craig and this time were we hoping for one of those magic sunsets. As soon as we arrived and saw the colour of the golden wheat I told Craig we needed to get this photographed while the sun was still up as it would make the whole place glow. Well with the clouds still moving towards the west, the sun was breaking in and out so it was a bit of a race to setup, work out a composition and get some shots in the bag. I wanted to emphasise the amazing crop so I put the sky towards the top of the frame. I also didn’t want to make it all about the sun so I put it right off to the edge as best as I could while keeping a good angle on the shack. I used a Lee 2 stop hard Grad filter, angled slightly to the right to help balance the brightness of the sky with the ground. Within 5 minutes the sun broke through and I captured this photograph :

An absolutely stunning rural landscape photograph captured as the sun sets, lighting up the wheat fields around this beautiful old farming shack near Gatton in the Lockyear Valley, Queensland, Australia. Pure Australian Landscape at its best by Murray Fox Photography.
ISO 200, 12mm, F/5.6, 1/400 sec, 2 stop Lee Hard Grad filter

I honestly think this is the best rural landscape photograph I’ve captured to date and I’ve added it to my Landscape Portfolio. I’m absolutely in love with this image and it brings to my mind some of the awesome building/shack photographs that my idol Ken Duncan has captured over the years in panorama format. I work in 4:3 ratio as that is the standard of my camera and I really just love how everything fell into place with this photo. This will be 100% going on the wall at home.

We stayed until well after sunset, right through blue hour, hoping for more colour in the sky but the clouds to the west ended up blocking the rest of the light. I’m so happy we got here early enough to get this photograph. The title of this photograph was not selected by me, it’s actually the owner of the property who insisted we call it this if we get a photograph, so in honour and with many thanks for the access to his private property, I have called it Little Brown Shack, may she stand over the fields of gold for many years to come. Please make sure you have permission to get access to any locations on rural properties, it’s so important to respect their land.

As a bit of fun, I’d love to know what you think would be a great title for this photograph, post your ideas on the comments below!

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art Prints, Framed Prints, Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

 

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How to Fake an Ultra Wide Angle Photograph

Astro didn’t work out for me this week, so I decided to practice a technique I’ve only used a couple of times. By stitching a series of photographs taken with a normal field of view lens, it’s possible to get an ultra wide angle photograph.

I’m now going to be vlogging all of my photo trips and putting them on youtube. I’ve uploaded my first vlog which goes into more detail about how I captured this photograph :

And here is the end result photograph :

3x3 Grid Stitched Panorama
A beautiful sunset near Ipswich, Queensland, Australia. This blog and Vlog show how you can fake an ultra wide angle photograph using a normal lens.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia

Midnight Express

With only a month or so left this astro season to get the Milkyway core, timing is becoming everything. This year the moon is really playing havoc. Ideally I want a thin sliver of moon, behind me when I’m looking at the Milkyway. Not this year, it will only be full moons and they will be right in the middle of the core, massive pain in the @ss.

So my only real option is to shoot when there is no moon. This weekend is the last chance for the next few weeks so I sat down on Friday night and figured out what I wanted to photograph. There are a couple of photos I really want to get, but they are just concepts in my head, I haven’t found the location that’s right to pull those off.

I settled on looking for roads or anything else that went in the direction of the core when it was around 30 degrees up in the West. There were a few promising dirt roads, but then I saw the train line running west from Rosewood, with a crossing, and knew I had to give this a try.

A quick trip from home, slowed down somewhat by the dozens of Kangaroos lining the edge of the road. They were all happily feeding but boy it makes you jumpy and your eyes get very sore as you keep them locked wide open looking for one who decides to try and race you. All good tho, I arrived on location without incident. Getting out of the car it was dark, it would take a bit of time for my eyes to adjust, but the one thing I could see was the core and it was incredibly bright! Crystal clear conditions, temps around 10 degrees C, no fog or mist. There was just a slight breeze coming in from the west and although that put a real chill in the air, it was keeping conditions amazingly clean.

I picked this spot for several reasons. One, its a crossing with notification, it also has a good kilometre or two of track in both directions, very easy to spot anything oncoming. I also had checked the timetables at home, not many things running at 12:30am out this way thankfully. So yes, there is an element of danger to this, I only spent time on the crossing to change settings and activate a shot, then I would move off the crossing and keep an eye down the lines.

Other than some ninja cows in a nearby paddock deciding to scare the bejezus out of me, there was nothing around. As there was no moon, I would have to blend exposures to get both the tracks illuminated and the Milkyway captured.

For the foreground I put the camera in to Bulb mode, ISO 640, F2.8, and locked the shutter open. I used a torch to paint along the tracks for around 20 seconds, then let it run for a full 4 minutes capturing ambient light. This worked well and I could tick off the foreground shot. For the stars, I refocused carefully on a bright star making sure not to move the camera at all. I then changed my ISO to 3200, set shutterspeed to 15 seconds, still at F2.8 and got my star shots. It was an easy blend using a simple mask in photo shop to merge the two together. From there I went through my normal editing workflow to get this final result :

An amazing milky way core over the train tracks near Rosewood, Ipswich, Queensland, Australia
Olympus OMD Em5 Mark II, 2 Shots Blended, 12mm

As you can see, I’ve kept the ground except for the tracks quite dark, but still with some detail. This is night after all. I also like how the light painting of the tracks came out, it’s almost like I’m at the front of a train, or walking the line.

I’ve added this photograph to my Astro Nightscape Portfolio, please check out my other works. You can purchase my photographs as prints, canvases, or metallic prints, simply contact me to request a quote.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Overgrown – Forgotten Things

Astro season is well and truly progressing. Most photographs now are going to be with the milkyway core lower to the west and horizontal across the sky. It’s still very early in the morning to get these photos, peak time being between 1am and 3am Queensland time.

Most locals know of this shack out Mt Walker way, and I’ve been photographing it for years. A big mention here, please respect the owners property and do not enter. There have been issues in the past with people trespassing. There used to be a large tree behind the shack, it’s gone now, changing the scene somewhat but I’ve found it works well for the shot I envisaged. I just love the overgrowth on this old shack, which was originally a Butchers shop many years ago.

Part of my planning for this photo was I wanted to get the core larger than it would normally appear using a wide angle lens. So I used my Panasonic 20mm F/1.7 prime lens for this shoot. It has an equivalent of a 40mm field of view on a full frame camera, quite zoomed in from my normal photos.

The trick here is I couldn’t get all of the scene in one photograph. So putting the camera in vertical orientation, I took a series of shots across the landscape and created a panorama. Final crop brought it back to my standard 4:3 view ratio. By zooming in, the core appears much larger in respect to the foreground. You also end up with a larger photograph to work with from the final stitched result which is always nice.

The other aspect I had to contend with was the moon was up, and it was bright being a 1/2 moon. I was worried it would put too much light into the sky and I wouldn’t be able to capture the core. The benefit is it lights up the landscape beautifully, no lightpainting required this night. The photographs were taken at ISO 3200, 10 seconds, f/1.7. Such a high ISO but with so much light around, noise was really kept to a minimum.

I’ve added this photograph to my Astro Nightscapes gallery and this will become part of my Forgotton things collection in the future.

A beautiful night sky at Mt Walker near Ipswich Queensland Australia with the beautiful core of the Milkyway soaring over this old overgrown shack that used to be a butchers shop. Captured by Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5.2, Panasonic 20mm, ISO 3200, F/1.7, 10 seconds, Stitched Pano

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia

Forgotten Things – Title of this series I’m working on

I started out this winters astro photography season with a simple goal. Get some great photos and improve my skills. Little did I know I was going to strike so much gold out in those cold nights. Coming across various locations with beautiful old buildings and machinery, remnants of rural life, and being able to capture them under the core of the Milkyway is the stawberry on top of the icecream for me.

So much so that I’ve decided I will will make this a series and have I’m calling it “Forgotten Things”. I expect this to take a couple of years as astro season is pretty much half way through now. I found last night shooting to the east is no longer a real option, all shots from now will have to be to the west, which puts the core in a much more horizontal view.

I’ve been itching to get out all week to get this shot but the elements were conspiring against me. Calm conditions led to the various rural fire brigades back burning the build up of fuel on the ground in preparation for summer. There was far too much haze, especially to the west to get the core where I wanted it. It ended up being a bit of a race against time. Once the haze cleared, the clouds closed in for a day, and the moon was getting brighter and brighter, and higher in the sky each night.

Finally, I made the run for it last night. Leaving home there were still some clouds in the sky to the west but had just moved off when I went to shoot, thank goodness. My plan was to arrive on location right around 1:45am, which was moonset. I ended up being about 15 minutes early which is just fine, it allowed me to work on my composition a bit. I tried various setups, directions, orientations, I ended up going with landscape orientation for this. As I had to shoot side on to the truck, the width worked well, so now it was just a matter of waiting another 20 minutes for the core to get to the right spot. Easier said than done as the temperature dropped below freezing.

Finally things were good to go. For the stars I used an ISO of 5000, F/2.8 for my aperture and 15 seconds long exposure at 12mm on my Olympus lens. This is great dark sky country, and only 45 minutes from home, really letting me crank that ISO to get as much detail in the core as possible.

For the foreground shot, I swapped my camera over into Live Composite mode, dropped the ISO to 400 for a lot less noise, increased the aperture to F/4 for a little more depth of field and sharpness. Then activating live composite via my mobile phone and the Olympus App, I was able to walk around the truck, painting it with my torch, watching the updates on my phone. I just love Olympus technology so much. For those who don’t know, Live Composite is an in camera feature that takes a base exposure, then at an interval you set, updates that exposure with new light only, it’s the gold standard in technology for light painting, nothing does it better.

Back on the computer it was really a matter of opening both photos as layers in photoshop, and using a simple mask, blending one into the other. Once combined I then polished and processed to my taste, and here is the final result :

A stunning photograph of an old forgotten farm truck, slowly rusting away in the paddock under the brilliant core of the milkway in the night sky by Landscape, Storm and Weather photographer Murray Fox captured near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, 12-40mm Pro Lens, 2 images blended

I’ve added this photograph to my Astro Nightscapes Portfolio. Once I have around 10-15 photographs in this Forgotton Things Collection, I’ll create a separate page for those. Detail wise, I think this is my best astro photo to date. I’m totally confident in my skills and techniques now. Its really all down to waiting for the next dark moon, and finding the next forgotten thing to capture. What do you think about this new series I’m working on? Comment below, I’d love to read your views.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox

Chasing Earths Shadow – Mt Walker Dawn

Winter is finally here in Queensland and it’s off to a great start. Temperatures around home have plummeted at night, reaching sub zero and everyone is breaking out the blankets and stoking the fires.

It also means that there is a complete lack of cloud, which, for a landscape photographer, can be rather annoying. However, there are always other options. Anyone seeing any of the sunsets lately would have seen the wonderful deep orange glow across the horizon to the west as the sun dips down. If you turn around, you’ll see wonderful pinks and purples of the reverse sunset that gradually fade as the blue lifts up from the east and night approaches.

This I call earths shadow, and the best part is, it happens at sunrise as well! During the 10-15 minutes before sunrise, the sky to the west will have amazing colour. In fact, you’ll have 360 colour with the shades changing depending on which direction you face.

I headed out this morning hoping the temps had gotten low enough to create some frost around, but the humidity was too high and I would have had to travel several hours further to get the good frosts. That humidity however, created some wonderful fog around the low lying areas. Knowing just he spot that might work for both earths shadow, and fog, I made my way towards Mt Walker.

I’ve photographed an astro photo here previously and with everything looking brown and gold (and in much need of rain!) those purples, pinks and blues turned out to be an amazing contrast to the scene. This was taken around 5 minutes before the sun actually rose, looking south west. To the west of me was much more pink and orange and I’ll be heading out again tomorrow to see if I can get those colours with another great scene.

Captured with my Olympus OMD Em5 Mark II, the Olympus 12-40mm Pro lens. I zoomed into 40mm (80mm equivalent on a full frame camera) to compress the scene, bringing Mt Walker closer to the water. I then used a Lee 2 stop hard grad filter to control the brightness in the sky and ensure I captured the colour. Finally I added a polarising filter to cut glare and really make those colours pop.

Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox
ISO 200, f/5.6, 0.5 sec, 2 stop ND Grad, Polariser

I’ve added this photograph to my Landscape Gallery, be sure to check out my other images. I hope to have some film developed and scanned in the next week or so, can’t wait to see the results.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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An amazing Broccoli shaped tree with the core of the milky way rising over it, stands tall near Boonah in the scenic rim of Queensland Australia captured by Landscape, Storm and Weather photographer Murray Fox

Broccoli Tree

I first came across this tree several years ago during a 4wd trip. It sits perched on the highest hill of the area, overlooking the valley below to the east. It’s actually two trees that have grown very closely together and become interwined. It’s shape reminds me very much of broccoli, hence the name I’ve given it.

The plan was to capture two photographs this evening. I wanted one with the tree and the core of the milkyway above it, and I thought it might be fun to take an astro selfie, or at least my take on it.

Arriving as the core was getting into position, I started with the selfie. The idea was to setup a remote flash, and stand in between it and the camera, so the flash backlit me. This actually proved harder than I thought, as it was pitch black, and the framing I wanted put me into the sky. I ended up with this shot, my hands are a bit blurred as it was a 15 second exposure I had to hold position for, but I think the effect in the end is great. So, hands up if you love astro photography like I do!

A selfie of Murray Fox under the core of the Milky way near Boonah in the scenic rim of Queensland Australia by Landscape, Weather and Storm Photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Pro lens, ISO 3200, f/2.8, 15 seconds

I spent the next hour working on capturing a photogaph of the Broccoli tree. This proved a challenge simply due to the width of the tree. I couldn’t get as close as I wanted without cutting of sections and I didn’t want to do a panorama as I was light painting the tree and it would be nigh impossible to blend the shots.

Moving back was the simple answer, I kept the ground as low as possible to get as much of the sky as possible, even then I only ended up with a select part of the core visible.

This is all one exposure. I worked very quickly with my torch, taking care not to blow out any parts of the tree. As a result a bit more noise reduction was required on post than I normally do, but the result came out very nice. As long as you get enough exposure onto the sensor, noise is controllable. I won’t be printing billboards of this photo, but it will print up to A2 size quite nicely. I’ve added this photograph to my Astro Nightscapes galllery.

An amazing Broccoli shaped tree with the core of the milky way rising over it, stands tall near Boonah in the scenic rim of Queensland Australia captured by Landscape, Storm and Weather photographer Murray Fox
ISO 3200, f/2.8, 15 seconds

As astro season continues, I’ll be on the lookout for more interesting and varied subjects to shoot, so please visit weekly and follow me on social media to keep up to date with my latest works.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox

Windmill Core

The moon has gone again this weekend and there wasn’t a cloud in the sky for 300ks. The temperature was forecast to be the lowest so far this year (around 5 degrees C in town, more like 2 degrees in the countryside). It looked like a perfect night for some more astro photography. With a slight breeze, everything stayed perfectly dry, no condensation whatsoever.

I caught up with my friend and after packing a few supplies (Picnic chocolate bars and Ice Coffee…yes Ice lol!) we headed out to a location I knew, but had not visited recently. I had word that a new windmill had been erected here and it looked like it was going to be in good alignment with the rising core of the Milkyway. With Mt Walker to the east of it, I thought I could get a really nice backdrop.

Arriving on sight we spent 10 minutes walking around looking at the angles. We noticed that we had a couple of problems to deal with. The first one as the core was not north enough to really put Mt Walker into the framing I wanted with the angle of lens I was using. The big one was the head of the windmill was facing almost due south, making it extremely hard to get a good view of it, and the core.

You can see from this first photograph the layout of the scene and one of my first attempts at seeing what result I could get. Mt Walker is to the left and there just wasn’t a workable angle.

A great view of Mt Walker at night with the core of the milky way rising over a windmill in this pure Australian Night time landscape photograph captured near Ipswich Queensland Australia by Award winning landscape weather storm photographer Murray Fox
Olympus OMD Em5 Mark II, 12-40mm Pro, F/2.8, 15 seconds, ISO 5000

Never one to give up, and we had a good hour window of shooting before the core was too high in the scene. I kept moving around working angles. Around 80 photos later (and they are all long exposures) I found I really liked this composition. Going vertical to really show the height of the Windmill, the core almost comes blasting out of it. And to top it off there were meteorites regularly dropping across they sky.

The peak of those is next weekend, it was great to see some real fireballs this night. I switched to a 20mm f.17 prime lens for this shot allowing a shorter shutter time (less noise) and a wider aperture (more light). This more zoomed in lens also enlarges the size of the core compared to the foreground, really bringing it into view. This also really captured the colours in the stars. The windmill and ground were illuminated with a torch my friend held to the side of the scene, painting over it with very quick movements. The slight breeze was enough to cause the windmill to turn, and I like the blurring effect during the long exposure, gives a nice sense of movement. The flat top of Mt Walker in the background is just enough in frame here to add some interest and give a sense of location.

An amazing view of the core of the milky way rising over a windmill in the rural countryside near Ipswich Queensland Australia as captured by Award winning Landscape storm and weather photographer Murray Fox
ISO 3200, 8 seconds, 20mm, F/1.7

This photograph has been added to my Astro Nightscapes gallery, really flowing well with my recent captures.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!
Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox

Govenors Chair Sunrise

This morning was a sunrise meet up for the Scenic Rim Photo Walks group and the plan was to shoot sunrise from a fantastic location. Govenors Chair lookout has a stunning view over Mt Greville and the Fassifern valley. The plan was to arrive around an hour before sunrise which was just after 6am. Being around an hours drive from home, my tired brain set my alarm for 4:40am…uh oh. A quick race out and thankfully no traffic, I was just in time for sunrise. The early colour lit the clouds nicely but I was looking for the light after the sun rose.

Fog was nestled in locations throughout the valley, and there was a lovely haze in the air that just lit up with the morning glow of the sun when it broke through the clouds. This first photograph was looking south east, encompasing a wider view and showing the magnificent gradations of light and colour on the landscape, I absolutely love light like this and this photo shows why. Mind the step tho, that is a straight drop off at the end of the rock! You must practice extreme care photographing here.

Stunning sunrise from Govenors Chair Lookout at Spicers Gap overlooking the Fassifern Valley in the Scenic Rim of Queensland Australia by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, 12-40mm, ISO 100, F/10, 1/500 Sec, 2 Stop Grad ND Filter

I also had my Lubitel medium format film camera with me. My first go at shooting colour film, I spent a lot of time metering and taking shots of various compositions as the light changed. I’ll have that roll back in a week or so, very excited to see what results I got, hopefully the exposure is okay because the colour should be amazing.

In between taking film shots, I took a more intimate photograph of Mt Greville. This is a beautiful peak from any direction and lies at the southern end of Lake Moogerah. The way the haze was lighting up the mountain, and the layers of the hills below me created beautiful steps of light that lead into the photograph. I composed this in portrait orientation to get as much of the hills below me in the shot while zoomed in a bit to really capture the size of Mt Greville. Let me know in the comments what you think of this photograph.

Mt Greville in the Scenic Rim of South East Queensland Australia at sunrise, viewed from Govenors Chair Lookout at Spicers Gap with stunning orange colours and light streaming through the landscape by Award Winning Australian Landscape Photography Murray Fox
Olympus OMD Em5 Mark II, ISO 100, F/10, 1/800 sec

It was a great morning, lovely to catch up with everyone on the photo walk. They are held monthly, I suggest checking the site out and coming along to a walk if you are in the area, it’s a great way to explore and see things you don’t normally see.

Please subscribe to receive occasional Tips, Ideas, News of Prints and Offers.



 

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

Share and Like!