Tag: water

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film

Seascapes, Landscapes, Night Photography, The Wonder of Ektar 100 Film

Well another roll of Kodak Ektar 100 Film in 120 Medium format done and dusted. I was very much looking forward to seeing how the shots on this roll came out. I actually had quite a variety of shoots on this one, a few photos I bracketed, or forgot to lock the mirror up and retook and one I completely stuffed it up by setting the shutter speed wrong..and still managed a recoverable shot, blew my mind! With my Mamiya 645 Medium format camera I get 15 shots per roll and with this one I got 6 photos I absolutely love and a few others that came out nice as well. I think it’s my best hit rate to date on film.

Starting with an overnight stay up at Redcliffe Peninsula north of Brisbane for my wedding anniversary back in October, I took the opportunity for an early start to capture sunrise over the water. I was really looking for just simple compositions here, nothing fancy at all. My thoughts at the time was if I got a good one, I’ll have it printed and matted and send it to my Parents as a gift, they have very much an ocean theme through their house.

This first shot was captured well before sunrise, when the first colour of dawn was hitting the sky. I used a 2 stop Graduated ND filter to keep the brightness of the sky close to the water. Those colours were just amazing, but I could have exposed a little bit longer to get more detail into the rocks.

A stunning dawn over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm Lens, Kodak Ektar 100 Film 120 Format

Next I waited around until the sun actually rose. There was some great cloud around the horizon and it was filtering the sun, throwing out colour. Again I used the 2 stop hard grad ND filter, exposed for the water and just let the Ektar 100 film do it’s thing. It has an amazing ability to get so much detail into the highlights even if they are many many stops brighter. I really liked how this one came out, and those colours, wow! Pretty sure I’ll be sending this one to Mum & Dad for Christmas. I’ve added this photograph to my Landscapes Portfolio, it’s simple, but I really like it.

A simply amazing and super saturated sunrise over Moreton Bay at Redcliffe Peninsula north of Brisbane Queensland Australia captured on a Mamiya 645 Medium Format Film camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 45mm, Ektar 100

Next it was time to head back to the country. This time I was experimenting with time of day, a different lens here and there. This next photograph was over some corn almost ready to harvest near Kalbar in the Scenic Rim. I used the Mamiya 80mm lens at F4 (think I will try F2.8 next time) to focus only on the closest corn and let everything behind fade into blur. It kinda worked but not 100% the result I was aiming for, I think my biggest issue was I was too low, need to get higher and show the depth in there to give that blur a more noticeable effect. Still, the early morning side light was wonderful and I like how peaceful this photograph feels.

Beautiful morning light across a cornfield near Kalbar in the scenic rim of Queensland Australia captured on medium format Mamiya 645 camera and Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, Mamiya 80mm, Ektar 100

This next one was the same morning but during dawn and I think is my favourite photo from this roll. I was really hoping for clouds, but now the film is developed and I see those colours, wow! Eye popping stuff. Kodak Ektar 100 is a very saturated film, and I’m finding the dawn light, before the sun gets up, has slightly lower contrast, but simply amazing colour results. Definitely need to shoot more at this time of day with this film. Again I used a 2 stop ND grad to control the brightness of the sky, this was around a 90 second exposure at f/16. I’ve added this to my Landscapes Portfolio. This location is Kents Lagoon north of Kalbar in the scenic rim of South East Queensland Australia. I’m standing on quite an old, single lane wooden bridge to get this photo, praying the locals all decided to sleep in so I wouldn’t have to run off the bridge with my gear, and then set it all up again! 🙂 Except for one fella plowing his field, I was car free for an hour thankfully.

Stunning dawn colours looking up Kents Lagoon near Kalbar in the scenic rim of Queensland Australia, captured using a Mamiya 645 medium format camera on Kodak Ektar 100 film by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645, 45mm, Ektar 100

Finally I decided to try this film at night. The results were good, at least my metering was right and I didn’t stuff up the photos lol! That’s the hardest part, you have no idea of you got it right, so you check, double check, check again, think about taking the shot, wait for a car to move that just pulled up, start again in case the light changed. Honestly, I loved every minute of it, it’s so much fun, and you really REALLY slow down and think about every press of that shutter button. All of that happened with this first one, but finally everything was clear and the shot taken. This is a pub not far from home, right next to the highway at Haigslea. Very happy with how much latitude I captured between the dark shadows and the bright highlights. I think I need to revisit this one, maybe with some Portra 160 film which has a much more soft pastel pallet, and do it at sunset for some colour and go wider with the view.

The Sundown Saloon Haighslea west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

Finally I dropped into Marburg just up the road the same night. The post office there is very quaint and I quite liked the look of it at night. I had to shoot a fairly tight crop to avoid the parked vehicles from the pub goers. Again, I used the 80mm, around f/11 to keep some depth of field. Ended up being around a 80 second exposure. I just love the bail of hay out the front, really lets you know this ain’t no city post office!

The Post Office at Marburg west of Ipswich Queensland Australia captured at night on a medium format Mamiya 645 camera with Kodak Etkar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645, 80mm, Ektar 100

I’m going to get my hands on some Cinestill 800T film soon, that stuff looks just amazing for night city and architecture photographs, it blooms around light sources with a super interesting colour pallet.

I’ve got plenty of film in the fridge now to shoot. This roll was really about trying different things and gaining confidence with the equipment and the results. I’m extremely happy with how it all went, and I can quite confidently now go out and shoot on film and not be too concerned with the results as long as I remember to do all the steps. It’s a very manual process, and I absolutely love it. Looking forward to doing some more black and white film soon too.

Let me know in the comments below which is your favourite shot!

Thank you so much for reading and getting to this point, I really really appreciate it. Follow me on Facebook and Instagram to keep up to date, and visit again soon. I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

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Film Landscapes & Slow Motion Lightning

Finally got around to getting a roll developed and I’m 3/4 of the way through shooting another roll. I’m starting to get the hang of shooting film. For my film of choice for landscapes, Kodak Ektar 100, I’ve found you really have to nail the exposure for your subject (usually the land) and then filter the sky to keep it to say within a stop in brightness. Film will handle a much brighter sky, but you then have to try and pull it all back in post production on the computer.

Getting it right in camera using filters etc really pays off with film and saves you a bunch of time on the computer at a later date, when you’ve forgotten what you even shot lol! I’m using a Mamiya 645 1000s medium format camera, my go to landscape lens for the wider scene is the Mamiya 45mm. Film is Kodak Ektar 100. I have a local lab develop for me (just normal develop) and then I scan the negatives at home using an Epson V550. From there it’s really just getting the colours right and some sharpening in Photoshop, as well as removing any dust and scratches, probably the worst part of film.

This first photograph has to be my favourite film photo to date. I also shot this on digital, and I’ve even done Astro photography here, but the way this has come out, the colour, the soft glowing light, yeah, really happy with this one.

An amazingly stunning sunrise of an old broken down farm truck as the landscape is bathed in colours from orange to pink to red at Mt Walker near Ipswich Queensland Australia. Photographed on Kodak Ektar 100 by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

I was pretty much treating this roll of film as a test case, I was bracketing most photos to see which exposure would work best (take good notes!) and photographing landscapes in various lighting conditions. On one recent storm chase I had some time so I broke out the film camera once again and captured this photograph. Those Ektar Reds are really popping in this one and the light that broke through the clouds really made this photograph work for me.

A storm cell approaches Purga just south of Ipswich Queensland Australia. Photographed on Kodak Ektar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

Finally, after another chase, I decided to see what I could do with a reverse sunset, that is looking east as the sun was setting west. This one didn’t quite work out for me, the main issue being if I kept colour on the landscape, none of it was up in the clouds yet, and if I waited for it to be in the clouds, it wasn’t on the landscape anymore. So this was more of a test/compromise shot, however I do know in this kind of light it would be much better to find an amazing subject I can get very close too and really highlight those colours on the landscape, wow golden hour smacks you in the face with this film!

A beautiful sunset as the last light of day falls across the hills. A river bends its way through reaching for the Brisbane River. Captured on Kodak Ektar 100 at Redbank near Ipswich Queensland Australia by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

So the plan is now to keep shooting more film and really start working on the composition and subjects. My confidence has increased a lot thanks to some major trial and error, time and of course, money, film costs every click.

Thank you very much for ready my blog this week. If you’d also like to check out a very short cool video I made yesterday with some slow motion lightning captures click below :

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Until next time, enjoy!

Murray

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A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox

Black & White Long Exposures – Vlog

This weekend I felt like shooting something a little different. As we don’t have daylight savings here in Queensland, sunrise can be a hard thing to capture as it usually requires getting up at 3:30am to be on location in time to shoot. So I settled for a more gentlemanly hour of 7am and made my way into Ipswich near home to capture some Black & White long exposures.

The clouds weren’t ideal so I didn’t quite get the effect I was looking for, but the light was lovely and soft and it was nice morning to be out and about. I’ve put together a video of the morning for all of you to enjoy on youtube. Be sure to like, subscribe and hit the notification bell to my channel if you’d like to keep up to date with my future videos.

Below you’ll find the three photos I ended up with.

A long exposure black and white photograph of St Marys Church in Ipswich, Queensland, Australia by Australian Landscape, Storm and Weather photographer
Olympus OMD Em5.2, 12-40mm Pro, ISO 200, F/5.6, 153 sec

 

A black and white long exposure photograph of the end of the train line in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/9, 278 sec

 

A black and white long exposure photograph pf a bridge crossing the river in Ipswich Queensland Australia by Australian Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/5.6, 334 sec

Soon after the last photo the rain started to fall so it was time to pack up and head home. I’ve finally got my vlogging setup pretty much sorted, just some future audio upgrades to come so I should be vlogging a lot more often now. Thanks for reading and watching, until next time.

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Murray

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An absolute banging stunning sunrise dawn at Currumbin on the Gold Coast Queensland Australia by Landscape, Storm and Weather photographer Murray Fox

Currumbin Sunrise

Days watching the radar showed that a patch of high cloud coming in from the west could just make the coast in time for sunrise. It’s been a long time since I headed to the sea for photography and I felt that this would  be the best time to make the 1 hour + journey. I decided to head to Currumbin on the Gold Coast, more specifically, the point at the northern end of the beach where there are some great rock formations.

It was an early start, leaving home at 3:20am I arrived in the Currumbin carpark at 4:30am, a very good run. It was an hour before sunrise so I started to prep my gear as well as admire some of the sculptures on exhibition around the beach. A few are lit up a night, looking very cool on the sand. By 4:40am blue hour was starting and there was enough light to walk the beach out to the point.

Some big tips here. Sand is still @##@ cold at that time of day, and don’t leave your shoes back in the car, the rocks really hurt underfoot. For my first shot I tried to get a good frame of the biggest rock formation however the tide wasn’t letting me play ball. Ideally I needed to be further north, but then I’d be up to my neck in water so I settled for this composition where I’m only up to my knees and had to run away from the bigger waves. This was still very early dawn light so exposure time was long, and focusing was a bit hit and miss. I couldn’t use a filter to control the sky as the rock was too high so I very very carefully exposed to just get highlight warning on the middle far left (brightest part of scene) and then lifted the rest of the detail in post production. It came out pretty good in the end.

Stunning dawn sunrise of Currumbin Rock on the Gold Coast in Queensland Australia is this beautiful seascape / landscape by Landscape, Storm and Weather photographer Murray Fox
Olympus OMD Em5.2, 12-40mm Pro, ISO 200, 12mm, f/4, 15 seconds

The place was starting to get crowded and I wasn’t happy with any other compositions I could get with the rock so I moved around to the other side where there are some great rocky channels leading out to the sea. This time I did break out the filters and put on a 2 stop hard grad filter to bring the sky exposure down close to the foreground. Time to really get wet as I framed my shot and let the sets of waves roll in. My basic aim here was to let the water come all the way in, then take a burst of photos as the water receeded out. With a shutter speed between 1/3 and 2 seconds this gives the water detail but motion as well. This was my favourite out of the lot. You get wonderful lines in the movement of the water, you see the next set of waves coming, you can see Coolongatta in the distance framed between the rocks, and there is amazing colour everywhere, just great! I’ve added this photograph to my Landscapes portfolio I just love it that much.

An absolute banging stunning sunrise dawn at Currumbin on the Gold Coast Queensland Australia by Landscape, Storm and Weather photographer Murray Fox
ISO 200, F/8, 1/3 second

Once I was satisfied I had something here and the sun was about to break the horizon, I moved a little further east and setup above another channel running out, with a higher perspective you get a bit more of the view. The colour was still just amazing, and again, I was letting the water move as I took the photo with as long a shutter speed as I cloud, stopping the aperture down even further to help with that. I also put my ISO into low (100) which does reduce dynamic range, but helped get the shutter speed longer, so I was prepared for the trade off, and it worked.

A stunning sunrise at Currumbin on the Gold Coast Australia Queensland of the beautiful seascape view over the water looking towards Cooloongatta by Landscape, Storm and Weather Photographer Murray Fox.
ISO 100 (low), F/11, 1/5 second

So 3 great photos from a stunning sunrise morning. I’ll certainly have to head to the coast more often, forgot how much I missed the water after growing up and living on the beach in Sydney for the first 25 years of my life.

No real video this week. My youtube is something I’m still experimenting with. I think I’ll only post up in there when I have time to put together a good compilation rather than just a random weekly vlog. I’ll post up in my blog here when I do.

Thank you for reading, I hope you enjoyed this weeks post. I do sell my photographs if you are interested in making a purchase. I can create whatever you need from Fine Art matte paper prints, Ready to hang Canvases, Prints on Acrylic, whatever you need I’m happy to help to get you the artwork you want on your wall. Just contact me and we’ll work it out.

Until next time!

Murray

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Amazing frost and icicles in the winter hang from this fence line near Warwick in Queensland Australia as the beautiful dawn light approaches in the landscape photography by landscape, storm and weather photographer Murray Fox

Frost Hunting

Conditions were looking good for some frost up the range this morning so I headed out at 4am to make the 1.5 hour trip. I’ve been to this area before but never looking for frost so I wasn’t quite sure what I would find. Arriving at location before dawn, it certainly was looking good, as stepping out of the car seemed like a mission in insanity as the chill hit me full force.

As the sunrise approached, my first location was proving to have no frost. I decided to move to another area, and driving along the highway I noticed a few farms were spraying water on their crops. I knew I had to find a spot where this was happening as that was my best chance of getting frost. Turned out only one was near a road, not quite facing the ideal direction towards the sun for me, but I really liked the background view, and the dawn colour coming through was amazing.

It was quite a mission to get these frost photos, as the sprayer was still operating, only giving you a minute or so window to run in, setup, get your shot, and run away again or cop a very very cold drenching! This first photo shows the wonderful icicles hanging off the fence line as the sun approaches the horizon below the range in the distance. Captured using my Olympus OMD EM5 Mark2, and the Olympus 12-40mm pro lens mounted on my Zoemi carbon fibre tripod (it’s light weight is a god send when running away from water lol!). I’ve added this first photograph to my Landscape portfolio.

Amazing frost and icicles in the winter hang from this fence line near Warwick in Queensland Australia as the beautiful dawn light approaches in the landscape photography by landscape, storm and weather photographer Murray Fox
ISO 200, 14mm, f.8.0, 1/20 sec

Now I waited for the sun to break over the mountains to the east as I wanted to see what that beautiful golden hour light would do to the scene. Behind me was a typical rural shed and as the light broke over the scene it lit it up and the background mountain with stunning golden light. I shot this is olympus high res mode and cropped it to 2:1 as the scene really worked with that wider view.

A classic rural golden hour sunrise near Warwick Queensland Australia landscape by Landscape, weather and storm photographer Murray Fox.
ISO 200, 18mm, f/8.0, 1/60 sec, Olympus Hi Res Mode.

Finally the sun hit the icicles and it was time for a close up. I zoomed in to 40mm (80mm equivalent on a full frame camera) and with the colours of the background, and the golden light hitting those stunning icicles, I just love this result. I’ll be printing this for my wall for sure!

Stunning frost icicles hang off a fence on a sub zero winters morning near Warwick in Queensland Australia as captured by Landscape, weather and storm photographer Murray Fox
ISO 200, 40mm, f/8.0, 1/60sec

Finally it was time to jump back into the car and defrost. Heater on full I made my way back down main range towards home, but not before stopping to capture this photograph the Main Range itself as it looked awesome in the last of the golden morning light.

ISO 200, 17mm, f/8.0, 1/640sec

So I didn’t get the whiteout I was secretly hoping for (very rare!) however I’m extremely happy with the images I did get. Winter isn’t even half way through yet and I’m sure there will be more cold mornings to go chance these wonderful scenes. Thank you for reading, I hope you enjoyed this weeks blog post.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox

Chasing Earths Shadow – Mt Walker Dawn

Winter is finally here in Queensland and it’s off to a great start. Temperatures around home have plummeted at night, reaching sub zero and everyone is breaking out the blankets and stoking the fires.

It also means that there is a complete lack of cloud, which, for a landscape photographer, can be rather annoying. However, there are always other options. Anyone seeing any of the sunsets lately would have seen the wonderful deep orange glow across the horizon to the west as the sun dips down. If you turn around, you’ll see wonderful pinks and purples of the reverse sunset that gradually fade as the blue lifts up from the east and night approaches.

This I call earths shadow, and the best part is, it happens at sunrise as well! During the 10-15 minutes before sunrise, the sky to the west will have amazing colour. In fact, you’ll have 360 colour with the shades changing depending on which direction you face.

I headed out this morning hoping the temps had gotten low enough to create some frost around, but the humidity was too high and I would have had to travel several hours further to get the good frosts. That humidity however, created some wonderful fog around the low lying areas. Knowing just he spot that might work for both earths shadow, and fog, I made my way towards Mt Walker.

I’ve photographed an astro photo here previously and with everything looking brown and gold (and in much need of rain!) those purples, pinks and blues turned out to be an amazing contrast to the scene. This was taken around 5 minutes before the sun actually rose, looking south west. To the west of me was much more pink and orange and I’ll be heading out again tomorrow to see if I can get those colours with another great scene.

Captured with my Olympus OMD Em5 Mark II, the Olympus 12-40mm Pro lens. I zoomed into 40mm (80mm equivalent on a full frame camera) to compress the scene, bringing Mt Walker closer to the water. I then used a Lee 2 stop hard grad filter to control the brightness in the sky and ensure I captured the colour. Finally I added a polarising filter to cut glare and really make those colours pop.

Absolutely amazing colours of dawn over Mt Walker south of Ipswich and Rosewood in South East Queensland Australia by Landscape, Weather and Storm photographer Murray Fox
ISO 200, f/5.6, 0.5 sec, 2 stop ND Grad, Polariser

I’ve added this photograph to my Landscape Gallery, be sure to check out my other images. I hope to have some film developed and scanned in the next week or so, can’t wait to see the results.

Here is a list of the gear I use. These are affiliate links, by following them and making a purchase you help support my photography at no extra cost to yourself.

* Camera : Olympus OM-D E-M5 Mk II Body Only – Silver
* Canon FD to M43rd Adapter : K&F Concept Lens Mount Adapter for Canon FD Lens to Micro 4/3 Cameras
* My Goto Landscape Lens : Olympus M.Zuiko Digital 12-40mm f2.8 PRO Black Len
* My Favourite Tripod : ZOMEi Z818C Carbon Fiber Camera Tripod With Quick Release Plate and Ball Head (Blue)
* Best Budget Filters Ever : Zomei 10 in 1 Square Z-PRO Series Filter Kit
* Best Budget Portrait Lens Made! : Olympus M.ZUIKO Digital ED 45mm F1.8 (Black) Lens
* The Perfect Walkaround Lens : Panasonic 20mm F/1.7 Pancake Lens
* A great CPL for your 12-40mm : Manfrotto MFESSCPL-62 62 mm Essential Circular Polarizer Filter
* The Best Aftermarket Battery Kit : DSTE 2X BLN-1 Battery + DC133 Travel and Car Charger Adapter

All of my photographs are available for purchase as Fine Art Prints in A2 and A3 size, as well as ready to hang Canvas Prints. Just contact me for pricing.

Be sure to visit at least weekly to keep up to date with my latest blog posts and can I suggest subscribing to my email list to receive occasional Tips, Ideas, News of Prints and Offers.



You can also follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Amazing colour in the sky during this long exposure at sunrise over the Brisbane River near Ipswich Queensland Australia

Brisbane River Long Exposure

My plan this morning was to head to a new spot for me on the Brisbane river, not far from Ipswich. The clouds early were moving quite fast but the wind at ground level was almost non-existant. I started thinking a long exposure might be something to try.

Arriving at the parking location I began the walk down to the river. The first part of the track was pretty easy, patches of gravel and not too steep. That soon changed when I was confronted with waist high grass before the river. Plowing on (literally) I finally arrived at my location 10 minutes later, drenched from waist to toe, ahh the joys of landscape photography.

There was some colour starting to appear in the sky so I had to make some decisions quickly. The texture of the clouds was messy, so I decided, super long exposure to make things super silky. I would use a polarising filter to remove some of the glare from the water (this also has the effect of adding around 1.5 stops of exposure time. Next I would add a 10 stop neutral density filter to give me some very long exposure times.

With the filters off the camera I set the camera in to manual mode, set my focus where I wanted it, I put the aperture at F8 which ensured me everything would be in focus and give me an extra long exposure time. ISO kept at base 200 for best quality.

Now it was time for another trick built into my Olympus OMD Em5 Mark II camera. This feature is called “Live Time”. You press the shutter once to start the exposure, and at regular intervals (I had it set for every 30 seconds) the rear screen updates with a photo of the exposure at that time, and updates the histogram. It’s as simple as letting  this run for as long as you want and stopping it before it starts to over expose. I always have long exposure noise reduction enabled, the time it takes you extra in the field (essentially doubles your exposure time) you save so much more in post processing trying to fix the noise.

This photo ended up taking 8 minutes of exposure time and 8 minutes of noise reduction time. So it was a one shot while the colour lasted in the sky.

Amazing colour in the sky during this long exposure at sunrise over the Brisbane River near Ipswich Queensland Australia
Olympus OMD Em5 Mark II, Olympus 12-40mm Pro, F/8, 8 minutes, ISO 200

There has been very minimal post processing done to this photograph. A little bit of contrast added and some colour pop was all that was needed.

I took a few more shots as the light got brighter. I was really hoping the sun would break through and throw some direct light on the trees on the far bank but it was not to be this morning. I did like the smooth results I was getting however, and found the tree trunks were contrasting very nicely against the green vegetation. I ended up converting this photo to a very simple black and white.

A lovely black and white long exposure photograph of the Brisbane River near Ipswich Queensland Australai.
Olympus OMD Em5 Mark II, 12-40mm Pro, F/8, ISO 200, 4 minutes

With the bouts of wet weather and cloudy conditions we are having here at the moment, I will be exploring long exposures a little more often I think, the results are quite lovely.

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Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

Early evening star trails over Lake Moogerah

At a recent meet up with the great folks from Scenic Rim Photo Walks I hung around after sunset to capture this great photograph.

Beautiful star trail over Lake Moogerah in the Scenic Rim of Queensland Australia with great colour from the last of sunset and blue hour over the mountains.

To capture this photograph was actually quite simple thanks to the great technology in my Olympus OMD Em5 Mark II camera. I framed up the photograph in portrait orientation. I set the aperture to f/5.6 for good depth of field, and set the ISO at 400. I’ve found this to be the perfect ISO for my camera at night time where I want to keep detail/colour in the stars during trails.

Next I enabled the Live Composite function of my camera. This awesome feature will capture a photograph at your set exposure, and then update that exposure with only new light every time the shutter speed is reached. So for this one I set the shutter at 10 seconds. So every 10 seconds the camera updated the photo with only new light (in this case the stars), while keeping the rest of the exposure perfect. I ran this for 30 minutes and loved the final result.

Starting the composite when I did while there was still a touch of colour in the sky worked out great, it’s the first time I’ve tried that. The stars also retained some great colour as they trailed, and I even managed to capture a couple of meteorites as seen on this zoomed in view.


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A stunning sunset over Lake Moogerah in the Scenic Rim of Queensland Australia. This panorama shows the beautiful wide view of the dead trees in the water, with Mt Greville looming in the background. The sky is full of colour and the ripples of the water reflects this wonderfully.

Lake Moogerah Sunset Panorama

G’Day everyone. With the family all off to see Mamma Mia the musical, I ended up with a free afternoon. There was a meetup for the Scenic Rim Photo Walks group at Lake Moogerah, so all the gear was packed and off I set for the hours drive south to the dam.

It was a very hot and warm day, many people were taking advantage of the lake with jet skiers and water skiers zipping around. The clouds was starting to look very good as sunset approach, but the wind in the main part of the lake was still very strong, it didn’t look like I was going to get one of those perfect reflections.



I decided to head around to the southern part of the lake as it appeared the wind was a little less strong there. Driving down to the waters edge it looked like I was right, it wasn’t a mirror finish, but the ripples were nice and I figured that if there was colour for sunset, this could work.

I walked the shoreline trying to visualise for a panorama, not something I do often so its a little hard to get your head around. I ended up using my phone to take photos, and then crop them in phone to a rough 3:1 aspect ratio to help work out my composition. There were two stumps close to shore, I liked those and wanted them as my foreground interest. Two sets of taller trees on each side of the mountain could work as a nice framing element. After about 20 minutes of moving around I settled on my spot.

I had my tripod as low as it could go, I also had the camera mounted on a nodal point setup in portrait orientation. This basically allows the camera to rotate around the best part of the lens, so when you get back to stitching together the shots, you have very minimal loss of pixels, worked out great. The hardest part is to make sure your tripod is dead level.

I zoomed in to 34mm on my Olympus 12-40mm pro (equivalent to 68mm on a full frame camera). I wanted to bring all the elements of the scene closer to each other. When you are standing there, that mountain really looms over you and with a wide angle, that feeling would have been lost. I put the camera in full manual mode, ISO at my lowest which is 200, Aperture at F9 which gave me just enough depth of field being zoomed in (take a few test shots and check the sharpness on the back of the camera to get this right). I was also going to bracket my exposures as with such a high peak, using a filter would have darkened it down too much for my liking. My camera is the Olympus OMD, Em5 Mark II.

Now it was just a matter of sitting back and waiting. Sunset here in South East Queensland Australia can be a very funny thing, you will get waves of colours and just when you think it’s all over, another blast comes through. After witnessing at least 2 bursts of colour that didn’t light up the scene well, I thought this may end up a dud sunset, but I knew I something could happen so I just waited.

Suddenly the cloud to the right started getting a hint of red, and within 30 seconds it was glowing. I took my shots from right to left (starting where best colour was). 6 vertical shots overall to capture the width of the scene I wanted, 3 exposures for each shot at metered exposure, 2 stops under and 2 stops over. I ditched the underexposed photos as my metered captured the sky perfectly. Here are the final 12 exposures I would work with.

These are the initial exposures I will use to blend, stitch and then post process to create my Moogerah Sunset Panorama.

The colour finally finished so I made my way back to the day use area to meet back up with the group. I captured a great star trail shot which I’ll share up next week with the details on that one.

Post processing this image was going to be a lot of work and I actually had several goes at it. I finally decided to exposure blend the metered photo and the 2 stop over exposed photo from each shot, to bring back some of the detail in the darker parts of the middle ground. This involved taking both photos into Photoshop and using luminosity masks to blend. I finally ended up with these 6 photos ready for stitching to a panorama and then post processing.

These are the photos I will stitch together and then post process to create my Moogerah Sunset Panorama

Now the post processing begins. I created the panorama in Photoshop and then began my adjustments. I did some colour correction to get the colours to where I remembered them. I then used Nik filters to boost the contrast and colours. A final round of sharpening and I was very happy with the result. The final image ended up at 40inches wide at 300dpi, I’ll certainly be able to print this very big.

A stunning sunset over Lake Moogerah in the Scenic Rim of Queensland Australia. This panorama shows the beautiful wide view of the dead trees in the water, with Mt Greville looming in the background. The sky is full of colour and the ripples of the water reflects this wonderfully.

I really enjoyed the process of capturing this panorama, and I’m starting to learn how to visualise the shot. I’m looking forward to repeating this process more this year, keep an eye out!

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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A very tall lightning bolt strikes the waters of Moreton Bay east of Brisbane, Queensland, Australia as this storm system passed out across the water heading for Moreton and North Stradebroke Islands.

Lightning over the Bay

Storms had been predicted by the modelling all week for this Saturday. With temperatures pushing 40°C but very low humidity it was beginning to look like they wouldn’t eventuate. When a very small system formed straight over home moving east, I decided this could be something and made the hour run to the coast.

Cleveland Point east of Brisbane Queensland Australia is a great spot for capturing sunrise/sunset and storms over water as it’s surrounded on 3 sides. I sat for a while, watching the radar, I could see something coming, and a very faint cloud structure began to appear. Before long it formed into a wonderful front and as soon as it passed over the bay, amazing lighting began to fire from the clouds.

Rain made it difficult to capture the bolts, there was still a lot of light around so I had to rely on a 6 stop ND filter to reduce my shutter speed to 1/2 a second. Iso was set to my base 200, and the aperture to F4, which wasn’t over exposing the bolts, perfect.

I again used the live composite feature of my Olympus OMD Em5 Mark II, this allows camera to keep recording over a period of time, only adding new light. I actually only need to run for about 4 seconds to get this shot, the time added a bit of blur to the water which I really liked.

I’ve processed this to my taste, adjusting the white balance to add some blue to the scene, the grey was a bit too drab for me. Local contrast adjustments to bring out the white wash in the water, and make the lighting pop with a final pass through Nik Color Efex for some finishing touches and contrast.

Here is the final result for you :

A very tall lightning bolt strikes the waters of Moreton Bay east of Brisbane, Queensland, Australia as this storm system passed out across the water heading for Moreton and North Stradebroke Islands.

Be sure to visit regularly, follow me on Facebook or Twitter where I’ll post links to each new blog post as it happens, also follow me on Instagram where I post up my photographs, and My Story will have lots of behind the scenes photos and videos.

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