Film Landscapes & Slow Motion Lightning

Finally got around to getting a roll developed and I’m 3/4 of the way through shooting another roll. I’m starting to get the hang of shooting film. For my film of choice for landscapes, Kodak Ektar 100, I’ve found you really have to nail the exposure for your subject (usually the land) and then filter the sky to keep it to say within a stop in brightness. Film will handle a much brighter sky, but you then have to try and pull it all back in post production on the computer.

Getting it right in camera using filters etc really pays off with film and saves you a bunch of time on the computer at a later date, when you’ve forgotten what you even shot lol! I’m using a Mamiya 645 1000s medium format camera, my go to landscape lens for the wider scene is the Mamiya 45mm. Film is Kodak Ektar 100. I have a local lab develop for me (just normal develop) and then I scan the negatives at home using an Epson V550. From there it’s really just getting the colours right and some sharpening in Photoshop, as well as removing any dust and scratches, probably the worst part of film.

This first photograph has to be my favourite film photo to date. I also shot this on digital, and I’ve even done Astro photography here, but the way this has come out, the colour, the soft glowing light, yeah, really happy with this one.

An amazingly stunning sunrise of an old broken down farm truck as the landscape is bathed in colours from orange to pink to red at Mt Walker near Ipswich Queensland Australia. Photographed on Kodak Ektar 100 by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

I was pretty much treating this roll of film as a test case, I was bracketing most photos to see which exposure would work best (take good notes!) and photographing landscapes in various lighting conditions. On one recent storm chase I had some time so I broke out the film camera once again and captured this photograph. Those Ektar Reds are really popping in this one and the light that broke through the clouds really made this photograph work for me.

A storm cell approaches Purga just south of Ipswich Queensland Australia. Photographed on Kodak Ektar 100 film by Australian Landscape, Storm and Weather photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

Finally, after another chase, I decided to see what I could do with a reverse sunset, that is looking east as the sun was setting west. This one didn’t quite work out for me, the main issue being if I kept colour on the landscape, none of it was up in the clouds yet, and if I waited for it to be in the clouds, it wasn’t on the landscape anymore. So this was more of a test/compromise shot, however I do know in this kind of light it would be much better to find an amazing subject I can get very close too and really highlight those colours on the landscape, wow golden hour smacks you in the face with this film!

A beautiful sunset as the last light of day falls across the hills. A river bends its way through reaching for the Brisbane River. Captured on Kodak Ektar 100 at Redbank near Ipswich Queensland Australia by Australian Landscape, Storm and Weather Photographer Murray Fox
Mamiya 645 1000s, 45mm, Kodak Ektar 100

So the plan is now to keep shooting more film and really start working on the composition and subjects. My confidence has increased a lot thanks to some major trial and error, time and of course, money, film costs every click.

Thank you very much for ready my blog this week. If you’d also like to check out a very short cool video I made yesterday with some slow motion lightning captures click below :

I sell all of my photographs as Fine Art Prints, Canvas prints and Prints on either Acrylic or Metal, if you’d like one for yourself, simply contact me and I’ll send you pricing details.

Until next time, enjoy!


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