My photography and video tribute to Dale Sharpe, the best Australian Landscape photographer and good friend, who passed away in an accident this week while storm chasing in the USA.
Finally after months of waiting, and with storm season almost over, we have storms!
I had the privilege of being asked to shoot a cover photo and additional portraits for Queensland Singer/Songwriter Kim Wright. With his love of Country music, we both felt my love of country photography would be the perfect match to create something truly unique.
I knew location was going to be paramount for this job. After working out a few locations and a few missed starts due to unfavourable weather, I decided the Little Brown House near Gatton would be the perfect location for the shoot. Again, many thanks to the owners for permission to access their property.
There are no crops in the ground at the moment, but the earth is ploughed ready for later season plantings, and these would create some great leading lines in the photographs. I recruited good friend Craig Bachmann to assist with me. He proved invaluable holding light stands and reflectors as the wind was still quite strong.
We arrived on location around 5pm, plenty of time before golden hour and sunset started. We spent a good hour going through various shots and a couple of these pre shoot photos made it to the final 8 images.
Once golden hour started it was game on, and as we had already been through our paces the shot progressed quickly. This first shot was something I had visualised for weeks and it came out perfectly. What I didn’t predict was what sunset would be like, and wow, what a turn on by mother nature, couldn’t have asked for better. To get the framing I wanted I’m lying in the dirt with my camera, taking bracketed series of photos due to the huge amount of backlight in the scene. Craig is off camera right with a golden reflector beaming that beautiful light back on Kim and the house.
We then proceeded to take a few more photographs in closer to the house, some using flash, some using just the reflector. My goal here was to create some more personal photos for his album, as well as general promotional shots, the next photo having plenty of space to the right of scene for additional writing etc. The light was just beautiful.
We then headed out into the fields behind the house, to use the leading lines into the wonderful sunset and shot through the various changes in light in multiple directions.
It was quite a challenge to get the dynamic range of these photographs right. I had to bracket all my photographs capturing a base exposure, one that was 4 times darker and one 4 times brighter, then blending all together in post processing. Normally not too much of a challenge, except any movement by Kim resulted in it being almost impossible to amalgamate the photos. Kim was wonderful holding still for long periods of time.
Finally as the last of the colour faded, I grabbed one more closer in head shot for Kim, you can’t ask for a more beautiful or better back drop than this.
Many thanks again to Kim for the offer to take these photographs. I’m so very glad with the results, I really can’t wait for the album to come out. Please visit Kim on facebook at https://www.facebook.com/kimwrightmusicpage/ and be sure to like and follow him. Everything we can do to support our local artists is always worthwhile. You can also follow Kim on Instagram at https://www.instagram.com/kimwrightmusic/.
That’s it for this week, many thanks again for reading my blog. My photography is quite busy at the moment with photo shoots, one on one landscape workshops as well as my limited edition Landscape panorama Acrylic print sales. If you would like to hire me, learn from me, or purchase and Acrylic print, head to my contact page and drop me a message, would love to hear from you.
Until next time!
This would have to be one of the best afternoons I’ve had in photography for quite a while. I didn’t really have any fixed plan. I knew of a spot with a cool looking hut that I thought might be okay, if the weather played ball. Unfortunately it looked like there was going to be lots of cloud towards the horizon at sunset, so I wasn’t feeling hopeful and notched this down to just an exploration day.
There are a few lines of mountains that run north/south as you approach the Great Dividing Range. Some of these have valleys between them with access. It was one such valley I headed for. On the way in, the peaks started appearing. This one caught my eye so I quickly pulled a u-turn and captured this shot. It’s nothing amazing, but the diffused light on the hill was really illuminating the brighter parts, contrasting against the darker sky.
Heading right up the the end of the Valley I found the hut I was looking for. It’s actually an information centre for the area (not manned) and there is a nice campground across the way, I definitely will be back here in winter astro season, the landscapes around here are fantastic. For this next photograph I thought I’d try a fun technique. I don’t have what is called an Ultra wide angle lens. The widest mine go is 12mm on Micro Four Thirds which is equivalent to 24mm on a full frame camera. Pretty wide, but it’s certainly not ultra wide. Ultra wide lenses make objects very close to them appear very big, and objects further away very small. This is used to great effect by a lot of landscape photographers. To achieve a similar effect, I used a Panasonic 20mm prime lens (equivalent to 40mm) and took a 3×3 grid of photographs starting point almost straight down to well up into the sky, with good overlap side to side and up and down. Make sure you have your camera in full manual exposure mode so nothing changes. I set the exposure with the camera aimed at the brightest part of the scene, and leave it fixed there.
Focusing is also important with this technique. I was very close to the front fence, and that peak is off in the distance. I also was using a very normal lens. It’s physically impossible to get everything sharp in one shot for the framing I had. So I simply used autofocus, set the focus point to centre, stopped down a bit. Each shot focused at the prime position and not only does stitching the photos together create one big, ultra wide angle looking photograph, it also has the effect of focus stacking the images as well for front to back sharpness.
Now, yes, this is a lot of work you may say, and what if something moves, then it won’t work. It took all of 30 seconds to capture the images, and it took 5 minutes in Photoshop to join them. The wind was blowing quite strongly and I can’t see any stitching errors. I also ended up with the equivalent of a 60+mp photograph which is awesome 🙂 I think I’ll be using this technique a lot more often until I can get my hands on an UWA lens.
Next was time to wait a bit. I was here to try and capture this hut at sunset with the peak behind. Unfortunately the trees were not letting me get the angle I was initially thinking of. I spent a good 40 minutes walking around with my phone, taking shots from various locations and I kept coming back to a wider view of the shack and the peak. So I settled on trying to create a 3:1 panorama photo. This will need around 6 shots with the camera in vertical position. I kept the Panasonic 20mm lens on, it has almost no distortion, and is so sharp. This lens is just awesome for panoramas on my Olympus, just keep an eye out for chromatic aberration in really high contrast areas.
So I setup the tripod, made sure it was 100% level, took a few test runs and then just waited…and waited…and waited….I was beginning to worry nothing really would happen. The sun had already gone behind the mountains behind me, clouds were streaming across, and the wind was picking up again. Right through golden hour I got nothing, the light was just flat. And then literally the moment of sunset, something west of me must have cleared and this amazing light hit the peak behind the shack, also bouncing off the clouds and lighting up the whole scene. I captured my 6 shots as quickly as I could while making sure everything was in sharp focus (let your tripod settle a few seconds after each camera movement). I got two runs at it and then incredibly the light was gone! I worked out looking at my photos it lasted a total of 2 minutes and 40 seconds. Wow…it really proved to me preparation is king.
I hung around for another 10 or so minutes but it was becoming obvious that there wouldn’t be a second run of light. I packed up my gear and started to make the couple of hour drive back home. As I went past a local pecan farm, I spotted a water tower in amongst the tall trees. It was getting very dark, but I make it a habit, if something catches my eye, go back and look and take a photo, whether you like it or not. I changed to my Olympus 12-40mm pro lens, quickly setup the tripod and went for the vertical composition. I really just liked the height of everything and the contrast of the water tank to the pecan trees. A bit of fun in editing with the colours and this has to be one of my most favourite Instagram type of photographs I’ve captured. This will be going up on my photo wall for sure.
After capturing this photograph, I remembered a collection of structures further up the road I had passed on the way in. I was thinking if there was still enough light I might be able to capture an interesting photograph with them. Coming to the location I had to shoot fast, and work out a composition. This is what I finally settled upon after trying wider and closer. I like the balance between the 3 structures, the low low light gave a bit of an ethereal feeling to the scene, and the clouds still moving quite fast overhead blurred out quite nicely.
One thing I simply love about mirrorless cameras is having an EVF viewfinder. I managed to focus on the middle barn, in near darkness (exposures were out to 30 seconds) manually and could see 100% I had the focus nailed. The live view couldn’t even keep up, but boy, does that EVF with it’s auto gain and focus peaking really make it so easy in low light, absolutely love it. I cropped this to a 2:1 ratio to give a nice balance to the scene.
It pays to get out and visit new areas. It also doesn’t hurt when mother nature decides to play ball and throw some great light around. I’m going to be exploring more of the back valleys and roads, to find more of those little gem locations that mostly only locals know about.
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